1430 Collection (#4)

Master of the Playing Cards, German (active c. 1430-1455), A Poet Reading, 1430s, engraving on laid paper

Austrian 15th Century, Woman Suspending Man from Tower, c. 1420-1430, pen and ink with watercolor; fragment from Bible MS (German text on image verso)

Austrian 15th Century, Eating Sacrificial Lamb, c. 1420-1430, pen and ink with watercolor; fragment from Bible MS (German text on image verso); image cut in silhouette and mounted on backing sheet

Vincenzo Foppa, Saint Anthony of Padua, Italian, c. 1430-1515-1516, c. 1495-1500, oil (?) on panel

Masolino da Panicale, Italian (c. 1383-1435 or after), The Archangel Gabriel, c. 1430, tempera (?) on panel

Attributed to Giovanni Bellini, Italian (c. 1430-1435-1516), Giovanni Emo, c. 1475-1480, oil on panel transferred to canvas mounted on panel

Giovanni Bellini, The Infant Bacchus, Italian, c. 1430-1435-1516, probably 1505-1510, oil on panel transferred to panel

Antonello da Messina, Madonna and Child, Italian, c. 1430-1479, c. 1475, oil and tempera on panel transferred from panel

Carlo Crivelli, Italian (c. 1430-1435-1495), Madonna and Child Enthroned with Donor, 1470, tempera on panel

Giovanni Bellini and Titian, Italian (c. 1430-1435-1516), The Feast of the Gods, 1514-1529, oil on canvas

Fra Angelico, The Madonna of Humility, Italian, c. 1395 - 1455, c. 1430, tempera on panel

Matteo di Giovanni, Madonna and Child with Angels and Cherubim, Italian, c. 1430 - 1497, c. 1460-1465, on panel

BYWELL CASTLE, Bywell Castle is situated in the village of Bywell overlooking the River Tyne, four miles east of Corbridge, Northumberland, England

Virgin and Child, Anonymous, 1430 - 1460

Anonymous after Martin Schongauer (Alsatian (German), ca. 1430 - 1491). The Birth of Christ, ca. 1508. Metal cut. Friends of Davison Art Center funds, 1967. DAC accession no. 1967.38.1

Monogrammist W. H. (Austrian active ca. 1480-1490) after Martin Schongauer (Alsatian (German) ca. 1430-1491) retouched by Master A. G. (German, active ca. 1475a'1490)

Studies of the Virgin and Child (recto), Virgin and Child Enthroned (verso); Desiderio da Settignano or workshop, Italian, about 1430 - 1464; Italy

Relief-Blue Jar with Running Boars; Unknown; Florence, Italy, Tuscany, Europe; about 1430; Tin-glazed earthenware; Object: H: 25.08 x Diam. [lip]: 12.54 x W: 24.45cm (H: 9 7/8 x Diam)

The Martyrdom of Saint Andrew; Lieven van Lathem, Flemish, about 1430 - 1493, active 1454 - 1493; Ghent (written), Belgium, Europe; 1469; Tempera colors, gold leaf, gold paint, silver paint

The Beheading of Saint John the Baptist; Lieven van Lathem, Flemish, about 1430 - 1493, active 1454 - 1493; Ghent (written), Belgium, Europe; 1469; Tempera colors, gold leaf, gold paint

The Virgin and Child with Angels; Lieven van Lathem, Flemish, about 1430 - 1493, active 1454 - 1493; Ghent (written), Belgium, Europe; 1469; Tempera colors, gold leaf, gold paint, silver paint

Saint Veronica; Lieven van Lathem, Flemish, about 1430 - 1493, active 1454 - 1493; Ghent (written), Belgium, Europe; about 1471; Tempera colors, gold leaf, gold paint, silver paint

Charles the Bold Presented by Saint George; Lieven van Lathem, Flemish, about 1430 - 1493, active 1454 - 1493; Ghent (written), Belgium, Europe; about 1471; Tempera colors, gold leaf, gold paint

The Trinity; Lieven van Lathem, Flemish, about 1430 - 1493, active 1454 - 1493; Ghent (written), Belgium, Europe; 1469; Tempera colors, gold leaf, gold paint, silver paint

Saint Gatian Preaching; Lieven van Lathem, Flemish, about 1430 - 1493, active 1454 - 1493; Ghent (written), Belgium, Europe; 1469; Tempera colors, gold leaf, gold paint, silver paint

Saint Martin Dividing his Cloak; Lieven van Lathem, Flemish, about 1430 - 1493, active 1454 - 1493; Ghent (written), Belgium, Europe; 1469; Tempera colors, gold leaf, gold paint, silver paint

The Martyrdom of Saint Lawrence; Lieven van Lathem, Flemish, about 1430 - 1493, active 1454 - 1493; Ghent (written), Belgium, Europe; 1469; Tempera colors, gold leaf, gold paint, silver paint

Saint Christopher; Lieven van Lathem, Flemish, about 1430 - 1493, active 1454 - 1493; Ghent (written), Belgium, Europe; 1469; Tempera colors, gold leaf, gold paint, silver paint

Noli me tangere; Lieven van Lathem, Flemish, about 1430 - 1493, active 1454 - 1493; Ghent (written), Belgium, Europe; 1469; Tempera colors, gold leaf, gold paint, silver paint

Saint Hubert; Lieven van Lathem, Flemish, about 1430 - 1493, active 1454 - 1493; Ghent (written), Belgium, Europe; 1469; Tempera colors, gold leaf, gold paint, silver paint

Saint Eutrope Healing a Cripple; Lieven van Lathem, Flemish, about 1430 - 1493, active 1454 - 1493; Ghent (written), Belgium, Europe; 1469; Tempera colors, gold leaf, gold paint, silver paint

The Martyrdom of Saint Apollonia; Lieven van Lathem, Flemish, about 1430 - 1493, active 1454 - 1493; Ghent (written), Belgium, Europe; 1469; Tempera colors, gold leaf, gold paint, silver paint

Charles the Bold Presented by an Angel; Lieven van Lathem, Flemish, about 1430 - 1493, active 1454 - 1493; Ghent (written), Belgium, Europe; about 1471; Tempera colors, gold leaf, gold paint

The Martyrdom of Saint Catherine; Lieven van Lathem, Flemish, about 1430 - 1493, active 1454 - 1493; Ghent (written), Belgium, Europe; 1469; Tempera colors, gold leaf, gold paint, silver paint

An Archer Shooting at Deer; Unknown; France, Brittany, Europe; about 1430 - 1440; Tempera colors, gold paint, silver paint, and gold leaf on parchment; Leaf: 26.4 x 18.4 cm (10 3/8 x 7 1/4 in.)

Camouflaged Hunters Preparing to Attack a Deer; Unknown; France, Brittany, Europe; about 1430 - 1440; Tempera colors, gold paint, silver paint

A Hunter and Dogs Pursuing Wild Goats; Unknown; France, Brittany, Europe; about 1430 - 1440; Tempera colors, gold paint, silver paint

A Hunter and Dogs Pursuing a Fallow Deer; Unknown; France, Brittany, Europe; about 1430 - 1440; Tempera colors, gold paint, silver paint

Hunters Pursuing a Deer; Unknown; France, Brittany, Europe; about 1430 - 1440; Tempera colors, gold paint, silver paint, and gold leaf on parchment; Leaf: 26.4 x 18.4 cm (10 3/8 x 7 1/4 in.)

Archers behind a Mock Cow Approaching Deer; Unknown; France, Brittany, Europe; about 1430 - 1440; Tempera colors, gold paint, silver paint

A Patron Presented to the Virgin and Child; Workshop of the Boucicaut Master, French, active about 1390 - 1430; Paris, France, Europe; about 1415 - 1420; Tempera colors, gold paint, gold leaf

Saint Denis Holding His Head; Master of Sir John Fastolf, French, active before about 1420 - about 1450; or England, Europe; about 1430 - 1440; Tempera colors, gold leaf

A Patron and His Guardian Angel; Master of Sir John Fastolf, French, active before about 1420 - about 1450; or England, Europe; about 1430 - 1440; Tempera colors, gold leaf

Saint Anne Teaching the Virgin to Read; Master of Sir John Fastolf, French, active before about 1420 - about 1450; or England, Europe; about 1430 - 1440; Tempera colors, gold leaf

Saint Francis; Master of Sir John Fastolf, French, active before about 1420 - about 1450; or England, Europe; about 1430 - 1440; Tempera colors, gold leaf

Initial T: A Church; Master Michael, Austrian, active about 1420 until the mid-15th century; Vienna, Austria, Europe; about 1420 - 1430; Tempera colors, gold leaf

Initial V: The Ascension; Master Michael, Austrian, active about 1420 until the mid-15th century; Vienna, Austria, Europe; about 1420 - 1430; Tempera colors, gold leaf

Initial A: King David Enthroned; Master Michael, Austrian, active about 1420 until the mid-15th century; Vienna, Austria, Europe; about 1420 - 1430; Tempera colors, gold leaf

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In the year 1430, history was marked by a tapestry of remarkable events and artistic masterpieces. Margaret of Anjou, a powerful figure in medieval politics, wielded her influence with grace and determination. Meanwhile, the world witnessed the beauty of THE NATIVITY through an exquisite illumination from a French Book of Hours. Amidst these historical moments, Genghis Khan's legacy continued to inspire awe as his empire expanded across vast lands. The Feast from Book of Esther captivated audiences with its vivid artwork, depicting opulence and grandeur fit for royalty. But it wasn't all serious business during this era; Medieval frolics brought joy to many hearts as wine flowed freely while women danced to lively tunes. Tarot cards also made their debut around this time, including the iconic WHEEL OF FORTUNE card from an Italian deck that symbolized life's unpredictable nature. John Howard of Norfolk emerged as a prominent figure in English nobility during this period, leaving his mark on history alongside other influential individuals like Philip III, Duke of Burgundy - known as "the Good. " Artistic expression thrived during these years too. The Triptych of Virgin and Child with Musician Angels showcased divine beauty captured on canvas while Tura Cosimo's import Dead Christ evoked deep emotions through its poignant portrayal. Lastly, Rashid al-Din compiled his Compendium of Chronicles - an invaluable historical record that shed light on past civilizations and their triumphs or tribulations. The year 1430 encapsulated a rich tapestry woven together by political intrigue, religious devotion, artistic brilliance, and cultural exploration. It serves as a testament to humanity's enduring quest for knowledge and expression throughout the ages.