Abstraction Collection

Manhufe Landscape, 1912 (oil on canvas)
7081734 Manhufe Landscape, 1912 (oil on canvas) by Souza-Cardoso, Amadeu de (1887-1918); Museu Calouste Gulbenkian, Lisbon, Portugal; Portuguese, out of copyright

Fractal graphics, abstract

Mesa desert area near to Hanksville, Utah, USA
Mesa desert area near to Hanksville , Utah, USA

Aerial view of river and Rock formation, Utah, USA

Lai Tak Tsuen, one of the first public housing developments in Hong Kong, Tai Hang, Eastern District, Hong Kong Island, Hong Kong, China

Footprints in Sand Dune, Algondones Dunes Wilderness, California, USA

8619854

Composition with Circles and Semicircles, 1938 (gouache on paper)
8933881 Composition with Circles and Semicircles, 1938 (gouache on paper) by Taeuber-Arp, Sophie (1889-1943); 26x35 cm; Private Collection; (add.info)

Echoes of Bach 1930 (Oil on canvas)
8766544 Echoes of Bach 1930 (Oil on canvas) by Dreier, Katherine Sophie (1877-1952); 72.4--91.4 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art

Kitchen Still Life (oil on wood)
3744351 Kitchen Still Life (oil on wood) by Barker, John Edward (1889-1953); 19.1x24.1 cm; Nottingham City Museums and Galleries (Nottingham Castle); © Nottingham City Museums & Galleries

Savoy Hotel London birdseye map, c 1940. (colour litho)
8649634 Savoy Hotel London birdseye map, c 1940. (colour litho) by Coffin, Ernest (1868-1944) (after); Private Collection; (add.info.: Savoy Hotel London birdseye map, c 1940)

Still Life with a Poem, 1915 (oil on canvas)
8682926 Still Life with a Poem, 1915 (oil on canvas) by Gris, Juan (1887-1927); 80.6 x 64.8 cm; Norton Simon Museum, Pasadena, CA, USA; (add.info.: By Juan Gris)

Abstract Composition 1940 (Oil on cardboard)
8766559 Abstract Composition 1940 (Oil on cardboard) by Gallatin, Albert Eugene (1881-1952); 40--29.8 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art

Board Number 1 (Staro-Basmannaya Street) 1916 (oil on canvas)
BAL194923 Board Number 1 (Staro-Basmannaya Street) 1916 (oil on canvas) by Tatlin, Vladimir Evgrafovich (1885-1953); 100x57 cm; Tretyakov Gallery, Moscow, Russia

Esterel Village, c.1890 (monotype)
XOS5877381 Esterel Village, c.1890 (monotype) by Degas, Edgar (1834-1917); 29.9x39.9 cm; Cleveland Museum of Art, OH, USA; (add.info)

The Jumble Man (litho)
8636075 The Jumble Man (litho) by English School, (20th century); Private Collection; (add.info.: The Jumble Man. Illustration for Panpipes magazine, November 1923)

Composition No. 70 1944 (Oil on canvas)
8766552 Composition No. 70 1944 (Oil on canvas) by Gallatin, Albert Eugene (1881-1952); 63.5--76.2 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art

Untitled (pencil and w/c on paper)
PWI261901 Untitled (pencil and w/c on paper) by Tatlin, Vladimir Evgrafovich (1885-1953); Private Collection; © Peter Willi

Projet pour un Sculpture d'Angle (w/c and pastel on paper)
PWI261900 Projet pour un Sculpture d'Angle (w/c and pastel on paper) by Tatlin, Vladimir Evgrafovich (1885-1953); Private Collection; © Peter Willi

Figures, Mid-to-late 1920s. Creator: Benjamin F. Berlin
Figures, Mid-to-late 1920s

Untitled (Surreal Abstraction), 1939. Creator: Benjamin F. Berlin
Untitled (Surreal Abstraction), 1939

Fighting Orchids, 1917. Creator: Adrianus Johannes Jacobus de Winter
Fighting Orchids, 1917. Janus de Winter raised a furore around 1916 with depictions of his own feelings - sensations - as abstractions

Spiral Staircase, Ravello, Italy

Colourful House Details, Antigua, Caribbean, West Indies

Architecural Abstract, Zaandam, Holland, Netherlands

The boots of a young girl are seen in a puddle caused by melted snow at Madison Square Park in Manhattan, New York, U.S. March 22, 2018. REUTERS/Shannon Stapleton

Fan Palm Patterns, Arizona, USA

Sand Dune Patterns, Algondones Dunes Wilderness, California, USA

Cat Tail Grasses, Mono Lake, California

Ministry of Urban Development and Environment, Wilhelmsburg, Hamburg, Germany

Windows of high-rise office building in La Defense business district, Paris, Ile-de-France, France

Selfridges Building, Birmingham, West Midlands, England

Ice Patterns, Lake District National Park, Cumbria, England

Dew Drops on Grass, Norfolk, England

Lake Carezza, Ega valley, Nova Levante, Bolzano province, Dolomites, Trentino Alto Adige, Italy, Europe. Latemar group reflected into the lake

Yucca Plant Detail, Antigua, Caribbean, West Indies

La Placita Staircase, Tucson, Arizona, USA

Picket Fence & Palm, Key West, Florida, USA

Study for Foot-Baller, 1913 (w/c, ink & tempera on paper)
8607004 Study for Foot-Baller, 1913 (w/c, ink & tempera on paper) by Boccioni, Umberto (1882-1916); 48.2x59.4 cm; Private Collection; (add.info.: Original title)

Untitled (Universal Landscape) from "Poetry of Mayakovsky", 1913 (litho)
1068671 Untitled (Universal Landscape) from "Poetry of Mayakovsky", 1913 (litho) by Malevich, Kazimir Severinovich (1878-1935); 8.1x11.91x cm; Dallas Museum of Art, Texas

Cover for "First Cycle of Lectures Delivered at Crash Courses for Teachers of Drawing", 1920 (litho)
1068639 Cover for "First Cycle of Lectures Delivered at Crash Courses for Teachers of Drawing", 1920 (litho) by Malevich

Small Black Cross, Tilted from "Suprematism: 34 Drawings", 1920 (litho)
1068630 Small Black Cross, Tilted from "Suprematism: 34 Drawings", 1920 (litho) by Malevich, Kazimir Severinovich (1878-1935); 42.9x57.5x3.2 cm; Dallas Museum of Art, Texas

Person in Front, 1932 (wax crayon on paper)
7801267 Person in Front, 1932 (wax crayon on paper) by Hoerle, Heinrich (1895-1936); Stadel Museum, Frankfurt am Main, Germany; (add.info.: By Heinrich Hoerle)

Plastic Values of Objects, diptych, 1928 (oil on wood)
8607003 Plastic Values of Objects, diptych, 1928 (oil on wood) by Fillia, Luigi Colombo (1904-36); 32.5x49 cm; Private Collection; (add.info.: Original title)

Shapes, 1929 (tempera on paper)
8606989 Shapes, 1929 (tempera on paper) by Fillia, Luigi Colombo (1904-36); 26x18.5 cm; Private Collection; (add.info.: Original title: Forme); Photo © Christie's Images

Suprematist Satellites from "Suprematism: 34 Drawings", 1920 (litho)
1068629 Suprematist Satellites from "Suprematism: 34 Drawings", 1920 (litho) by Malevich, Kazimir Severinovich (1878-1935); 42.9x57.5x3.2 cm; Dallas Museum of Art, Texas

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"Exploring the Boundless Realm of Abstraction: From Kyoto to California" Immerse yourself in the captivating world of abstraction, where art transcends reality and takes on a mesmerizing form. Underneath the red umbrella in Kyoto, Japan, an abstract visualisation unfolds, inviting you to delve into its enigmatic depths. Fractal graphics dance before your eyes, their intricate patterns weaving tales of complexity and beauty. Lai Tak Tsuen stands as a testament to Hong Kong's architectural history, its abstract design reflecting the innovative spirit that shaped one of the city's first public housing developments. Footprints etched upon Algondones Dunes Wilderness in California leave behind a trail of mystery and wonder. The shifting sands become an artist's canvas, creating abstract landscapes that evoke both awe and introspection. Travel back in time to 1912 with an abstract-futurist composition painted on canvas. Its vibrant colors and dynamic shapes transport you to a realm where imagination knows no bounds. A spiral staircase in Ravello beckons you towards infinite possibilities. Its elegant curves mirror the fluidity found within abstraction itself – ever-evolving and never confined by convention. In Antigua, Caribbean's colorful house details burst forth like bursts of joyous energy against azure skies. Abstract forms merge with vibrant hues, celebrating life's vivacity amidst paradise. Plate No. 40 from Prismes captures fragments of light through color lithography after 1931 - each stroke revealing hidden dimensions within abstraction’s kaleidoscope-like prism. Olga Rozanova’s black-and-white photograph from c. 1900 invites contemplation on how even monochromatic simplicity can convey profound artistic expression within abstraction’s embrace. Group I Primordial Chaos ignites curiosity with No. 16 from The WU/Rose Series (1906-1907). This oil-on-canvas masterpiece delves deep into primordial origins while challenging conventional notions of form and structure. Group IX SUW mesmerizes with The Swan No.