Amelia Collection (#3)

Princess Amelia, (1783-1810), 1797. Youngest daughter of King George III. (1906)
Princess Amelia, (1783-1810), 1797. Youngest daughter of King George III. A stipple engraving after a painting by Sir William Beechey (1753-1839). From the Connoisseur VOL. XV, 1906

Princess Amelia, mid 18th century (1958). White marble bust. Amelia (1711-1786) was the second daughter of King George II of Great Britain

Princess Amelia, youngest daughter of George III and Queen Charlotte, 19th century

Mahogany Glass-Fronted Case, c1760. Artist: William Vile
Mahogany Glass-Fronted Case, c1760. Mahogany glass fronted case made by William Vile (1700-1767) for King George III (1738-1820) between 1760 and 1764

Gunnersbury House, the Seat of Princess Amelia. Gunnersbury House is a Palladian mansion designed in the mid 17th century by John Webb, son-in-law and pupil of Inigo Jones

Lady Palmerston (1787-1869), wife of Lord Palmerston. Emily Mary Lamb, Viscountess Palmerston was a political hostess and wife of 3rd Viscount Palmerston

Princess Amelia, (1819). Artist: Ridley
Princess Amelia, (1819). Princess Amelia (1783-1810) was the sixth daughter of King George III

Princess Amelia. Artist: R Graves
Princess Amelia. Princess Amelia (1783-1810) was the sixth daughter of King George III

Princess Amelia, 6th daughter of George III. Artist: Page
Princess Amelia, 6th daughter of George III

Pedro I, Emperor of Brazil and Princess Amelie of Leuchtenberg. Pedro I proclaimed Brazil independent from Portugal and declared himself its Emperor in 1822

Portrait of Amelia Oginski, late 18th or early 19th century. Artist: Francois-Xavier Fabre
Portrait of Amelia Oginski, late 18th or early 19th century. Found in the collection of the State M Ciurlionis Art Museum, Kaunas, Lithuania

King and Queen of Portugal, presented with flowers by Admiral Touchard, 1904. Carlos I, King of Portugal, married Princess Amelie of Orleans in 1886

Portrait of Queen Amelia of Portugal, 1896. Artist: F Meaulle
Portrait of Queen Amelia of Portugal, 1896. An illustration from Le Petit Journal, 15th November 1896

Notre-Dame de Paris from the Ile Saint-Louis, 1819. Artist: Amelia Long
Notre-Dame de Paris from the Ile Saint-Louis, 1819

Amelia Bloomer, American feminist and champion of dress reform, c1850s
Amelia Bloomer, American feminist and champion of dress reform, 1869. Amelia Bloomer (1818-1894) pictured wearing her new dress for women

Athena Parthenos. Amelia, Italy. AD 100-150. Bust. Marble. The goddess wears a helmet crowned by a sphinx flanked by winged horses

Amelia Earhart Greeted at Southampton
Amelia Earhart is greeted by local dignitaries at Southampton on June 18th, 1928 following her flight across the Atlantic (becoming the first woman to travel the route as a passenger)

Sintra, Portugal - Largo Rainha D. Amelia
Sintra - a town and a municipality in the Grande Lisboa subregion (Lisbon Region) of Portugal. Largo Rainha D. Amelia (street named after Amelie of Orleans - last Queen Consort of Portugal)

Charlotte Amelia, St Thomas, West Indes, circa 1900. Date: circa 1900

Harbour of Charlotte Amelia, St Thomas, West Indies, circa 1
Harbour of Charlotte Amelia, St. Thomas, West Indies, circa 1900. Date: circa 1900

Charles I (1863-1908). King of Portugal (1889-1908). Proclam
Charles I (1863-1908). King of Portugal (1889-1908). Son of Louis I and Maria Pia de Savoie. Proclamation of Charles I as king of Portugal on December 28, 1889. Engraving of 1890. Coloured

Largo Da Rainha D Amelia - Cintra
Largo Da Rainha D Amelia, Cintra. Home to the National Palace Date: 1907

Frederica / Whitehall
PRNCESS FREDERICA OF HANOVER Princess Frederica Sophia Mary Henrietta Amelia Theresa of Hanover; daughter of George V of Germany Date: 1848 -

Caroline of Brunswick(1768-1821), wife of George IV

Caroline Brunswick / Wooln
CAROLINE OF BRUNSWICK Amelia Elizabeth Caroline Queen of George IV Half-length portrait, face in profile Date: 1768 - 1821

Caroline Brunswick / Coope
CAROLINE OF BRUNSWICK Amelia Elizabeth Caroline Queen of George IV Half-length portrait in a large plumed hat Date: 1768 - 1821

Charlotte Amelia, St. Thomas
Charlotte Amelia, St.Thomas

Mary Amelia Salisbury
MARY AMELIA (nee Hill) countess, and later marchioness of SALIBURY wife of James Cecil, first marquess Date: 1750 - 1835

John Opie - 2
JOHN OPIE artist, painted by himself : his second wife was the writer Amelia Opie. Date: 1761 - 1807

John Opie - 1
JOHN OPIE artist, painted by himself as a young man : his second wife was the author Amelia Opie. Date: 1761 - 1807

Amelia Opies Sittingrm
The sitting room of AMELIA OPIEs dwelling at Norwich. Judging by the number of seats, shes expecting company... Date: CIRCA 1850

Amelia Opies Home
AMELIA OPIEs dwelling at Norwich. Date: CIRCA 1850

Amelia Opie - 2
AMELIA OPIE (nee Alderson) Popular author of The Black Mans Lament or How to make Sugar, and Illustrations of Lying in all its Branches. Quaker, wife of John Opie. Date: 1769 - 1853

James Duke of Leinster
JAMES FITZGERALD, first duke of LEINSTER and AMELIA MARY LENNOX his wife (1731 - 1814) Date: 1722 - 1773

Anna Countess Leicester
ANNA AMELIA, countess of LEICESTER (nee Keppel) second wife of Thomas Coke, first earl : subsequently married Edward Ellice MP. Date: ? - 1844

Amelia Elizabeth Landgravine Hesse 17th century
Artokoloro

AMELIA EARHART (1897-1937). American aviator. Sitting atop her Electra 10E in Los Angeles, just before departure for Oakland and her planned circumnavigation of the globe. Photograph, 10 March 1937

AMELIA EARHART (1897-1937). American aviator. Photographed in 1928 at age 30

Amelia Anne, Dowager, Marchioness of Londonderry d.1829 (c.1825). Lawrence, Sir Thomas 1769-1830. Date: 1825 (circa)

Amelia Bloomer, Originator of the New Dress

Maria Amalia of Saxony (1724-60) Queen of Spain (oil on canvas)
XIR38783 Maria Amalia of Saxony (1724-60) Queen of Spain (oil on canvas) by Mengs, Anton Raphael (1728-79); Prado, Madrid, Spain; (add.info.: Maria Amalia de Sajonia)

Henry Fielding (1707-54) at the Age of Forty Eight, engraved by James Basire (engraving)
XJF105738 Henry Fielding (1707-54) at the Age of Forty Eight, engraved by James Basire (engraving) (b&w photo) by Hogarth, William (1697-1764) (after); Private Collection; English, out of copyright

CARRY NATION (1846-1911). Nee Moore. American temperance agitator. Photographed, c1905

PEABODY: AMELIA CURTIS. Portrait by Sophia Peabody Hawthorne of her aunt, Amelia Curtis, c1833

CLAIRE CLAIRMONT (1798-1879). (Clara Mary Jane). English mistress of Lord Byron. Gravure after a painting by Emory W. Price after Amelia Curran

SBLOOMER SONGSHEET, 1857. The New Costume Polka. American songsheet cover dedicated to Mrs. Lydia (correctly, Amelia) Bloomer, 1857

BLOOMER SONGSHEET, 1857. The New Costume Polka. American songsheet cover dedicated to Mrs. Lydia (correctly, Amelia) Bloomer, 1857

BLOOMER CARTOON, c1851. Progress of Bloomerism, or a Complete Change. An English cartoon, c1851, by John Leech on Amelia Bloomers full-trousered costume

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Amelia Earhart: A Pioneering Aviator Who Defied Limits Amelia Earhart (1897-1937), a name that resonates with courage, determination, and the spirit of adventure. With her plane as her trusted companion, Amelia soared through the skies, leaving an indelible mark on aviation history. In awe-inspiring photographs, we witness Amelia Earhart, pioneering aviator, standing proudly beside her Lockheed Vega 5b Old Bessie. This remarkable aircraft became synonymous with her daring escapades in the vast expanse of the sky. The bond between Earhart and her beloved Lockheed Vega was unbreakable; together they conquered new heights and shattered gender barriers. Transported by flight's enchantment, Amelia embarked on extraordinary journeys alongside Wilmer Stultz and Louis Gordon. Their shared passion for exploration propelled them to unimaginable destinations. These captivating images capture their camaraderie amidst clouds painted in hues only seen from above. Olive Snell's sketch cover featuring Amelia Earhart encapsulates the essence of this trailblazing aviator—a woman who defied societal norms and paved the way for future generations to dream fearlessly. Her magical look reflects both grace and determination—an embodiment of strength that continues to inspire us today. Beyond aviation circles lies another facet of Amelia's story—the influence she had on fashion. Embracing change like no other, she challenged conventions by donning the revolutionary "Bloomer Costume. " Nathaniel Currier's lithograph from 1851 depicts women clad in these liberating garments—symbolizing a movement towards equality that would shape history forever. Yet it is not just within aviation or fashion where we find traces of remarkable Amelias throughout time. Percy Bysshe Shelley immortalized his love for poet Amelia Curran through words crafted with adoration—a testament to how individuals named "Amelia" have left an everlasting impact across various realms. Amelia Earhart's legacy extends far beyond her disappearance in 1937.