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Anderson Collection (#3)

"Captivating Anderson: A Kaleidoscope of Art, History, and Fairy Tales" Step into the enchanting world of Anderson

Background imageAnderson Collection: A Family emerging from the Anderson Shelter

A Family emerging from the Anderson Shelter. Date: circa 1941

Background imageAnderson Collection: Albanian peasants

Albanian peasants in colourful national costume, woman and child. 1906

Background imageAnderson Collection: Lady Flavia Giffard by Madame Yevonde

Lady Flavia Giffard by Madame Yevonde
Lady Flavia Giffard, only daughter of the Earl and Countess of Halsbury, photographed by Madame Yevonde at the time of her engagement to James Alasdair Anderson

Background imageAnderson Collection: Woodcut print

Woodcut print. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Background imageAnderson Collection: Woodcut print in Come Christmas

Woodcut print in Come Christmas. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration

Background imageAnderson Collection: Beautiful illustration showing a group of rainbow-hued fairies following a ship sailing

Beautiful illustration showing a group of rainbow-hued fairies following a ship sailing through the clouds. c.1925

Background imageAnderson Collection: Denmark, Copenhagen, Hans Christian Andersen statue, near City Hall Square

Denmark, Copenhagen, Hans Christian Andersen statue, near City Hall Square

Background imageAnderson Collection: Sir Edmund Anderson, (1530-1605), 1830. Creator: Unknown

Sir Edmund Anderson, (1530-1605), 1830. Creator: Unknown
Sir Edmund Anderson, (1530-1605), 1830. Sir Edmund Anderson (1530-1605), educated at Inner Temple. Chief Justice of the Common Pleas under Elizabeth I, sat as judge at the trial of Mary

Background imageAnderson Collection: Tribute - Three

Tribute - Three. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Background imageAnderson Collection: Tribute - The Haunted Glen

Tribute - The Haunted Glen. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Background imageAnderson Collection: Tribute - The Dark Wind

Tribute - The Dark Wind. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Background imageAnderson Collection: Tribute - The Apple

Tribute - The Apple. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Background imageAnderson Collection: Tribute - Kingcup

Tribute - Kingcup. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Background imageAnderson Collection: Tribute - The Chinese House

Tribute - The Chinese House. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration

Background imageAnderson Collection: Tribute - The Dreamer

Tribute - The Dreamer. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Background imageAnderson Collection: Tribute - Making Friends

Tribute - Making Friends. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Background imageAnderson Collection: Tribute - August

Tribute - August. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Background imageAnderson Collection: Tribute - June

Tribute - June. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Background imageAnderson Collection: Tribute - In a theatre

Tribute - In a theatre. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Background imageAnderson Collection: Tribute - Magic

Tribute - Magic. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Background imageAnderson Collection: Tribute - Dragon

Tribute - Dragon. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Background imageAnderson Collection: Tribute - Godstowe Bridge

Tribute - Godstowe Bridge. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Background imageAnderson Collection: Tribute - Secrets

Tribute - Secrets. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Background imageAnderson Collection: Tribute - Earthbound

Tribute - Earthbound. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Background imageAnderson Collection: Tribute - The Willow

Tribute - The Willow. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Background imageAnderson Collection: Tribute - Oracles

Tribute - Oracles. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Background imageAnderson Collection: China Clay - Moonrise

China Clay - Moonrise. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Background imageAnderson Collection: China Clay - Restraint

China Clay - Restraint. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Background imageAnderson Collection: China Clay - The Cang

China Clay - The Cang. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Background imageAnderson Collection: China Clay - The Secret

China Clay - The Secret. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Background imageAnderson Collection: China Clay - Memories

China Clay - Memories. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Background imageAnderson Collection: China Clay - The Monk

China Clay - The Monk. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Background imageAnderson Collection: China Clay - Satisfaction

China Clay - Satisfaction. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Background imageAnderson Collection: China Clay - Cover

China Clay - Cover. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Background imageAnderson Collection: Gnarlykin the gnome

Gnarlykin the gnome
Illustration by Florence Mary Anderson from a series that appeared in Little Folks magazine circa 1918

Background imageAnderson Collection: The Rainbow Twins by Florence Mary Anderson

The Rainbow Twins by Florence Mary Anderson
" The Rainbow Twins by Florence Mary Anderson. " I cant fly, I gasped" from The Rainbow Twins by Florence Mary Anderson" 1919

Background imageAnderson Collection: Ballerina by Florence Mary Anderson

Ballerina by Florence Mary Anderson. From The Dream Pedlar by Lady Margaret Sackville. 1914

Background imageAnderson Collection: Brownies in camp by Florence Mary Anderson

Brownies in camp by Florence Mary Anderson
" Brownies in camp by Florence Mary Anderson. An illustration entitled " Midsummer Night" depicting brownies in camp, by Florence Mary Anderson (1889-1945)." 1927

Background imageAnderson Collection: Fairy rising up in a wave of water

Fairy rising up in a wave of water
A fairy with wild blond hair, rising up in a wave of water, from The Password to Fairyland. 20th century

Background imageAnderson Collection: Dream Pedlar

Dream Pedlar -- a girl in a green dress, with bare feet and wild hair. 1914

Background imageAnderson Collection: Behind the ship by Florence Mary Anderson

Behind the ship by Florence Mary Anderson
Beautiful illustration showing a group of rainbow-hued fairies following a ship sailing through the clouds. c.1925

Background imageAnderson Collection: Esmilda consoled by sympathetic swans

Esmilda consoled by sympathetic swans
Esmilda, sitting unhappily at the waters edge, is consoled by sympathising swans

Background imageAnderson Collection: Children are wafted in a magic bubble or sphere

Children are wafted in a magic bubble or sphere
The children are wafted in a magic bubble or sphere - by Florence Mary Anderson

Background imageAnderson Collection: The Original War Cabinet, 1939, (1945). Creator: Unknown

The Original War Cabinet, 1939, (1945). Creator: Unknown
The Original War Cabinet, 1939, (1945). British politicians at the start of the Second World War. Standing from left to right: Sir John Anderson, Lord Hankey, Leslie Hore-Belisha, Winston Churchill

Background imageAnderson Collection: WA Style

WA Style
Azriel Yakubovitch

Background imageAnderson Collection: Moonlight Serenade

Moonlight Serenade
Mesquite dunes of death valley with the Amargosa Mountains in the distance. Curves, patterns, and shadows captured and contrasted in the moonlight

Background imageAnderson Collection: Supernatural (Into the Mystic #3)

Supernatural (Into the Mystic #3)
A foggy fall forest captured in a fleeting moment. Loch Oich Forest, Invergarry, Scotland, United Kingdom. Matt Anderson

Background imageAnderson Collection: Into the Mystic #2

Into the Mystic #2
In Scotland, between " The River Garry " and Loch Oich, near the Village of Invergarry is a magical unnamed mossy forest. On this cold December morning a rare event occurred




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"Captivating Anderson: A Kaleidoscope of Art, History, and Fairy Tales" Step into the enchanting world of Anderson, where vibrant colours come alive in mesmerizing woodcut prints. From Elizabeth Garrett Anderson's pioneering spirit to Princesses gazing at their reflections, this captivating collection takes you on a journey through time. Immerse yourself in the whimsical realm of "Fairy Revels, " as Florence Mary Anderson's brush strokes bring magical creatures to life. Explore "The King's Castle, " a masterpiece that transports you to a bygone era filled with grandeur and majesty. Lose yourself in the ethereal beauty of "Whither Away" and "The Moonchild, " where dreams intertwine with reality. But Anderson is not just about art; it encompasses diverse facets of life. Witness the camaraderie and passion within Albion Rovers FC football team from 1936, capturing the essence of sportsmanship and teamwork. Travel back in time aboard "The Last Train from Bangor, Northern Ireland, " feeling nostalgia for an era long gone. Andersen's timeless tale comes alive through Jeannie Harbour's exquisite drawing depicting "The Little Mermaid. " Dive deep into this beloved fairy tale by Hans Christian Andersen and let your imagination soar alongside its mythical characters. Delve into nature's hidden wonders with fairies dancing amidst toadstools - a delightful sight that sparks joy within our hearts. Celebrate moments shared over sumptuous meals at Alexander Duckham's dinner held at the iconic Savoy Hotel - a testament to friendship and good company. Anderson weaves together artistry, history, fantasy, sport, literature, nature, and gastronomy into one captivating tapestry. It invites us all to embrace curiosity while immersing ourselves in its rich tapestry of stories waiting to be discovered anew.