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Aquatint Collection (#7)

Aquatint: Capturing the Essence of Artistic Expression From Edvard Munch's iconic masterpiece "The Kiss" to George Stephenson's groundbreaking locomotive "The Rocket

Background imageAquatint Collection: Courtship in High and Low Life, n.d. Creator: Samuel Alken

Courtship in High and Low Life, n.d. Creator: Samuel Alken
Courtship in High and Low Life, n.d

Background imageAquatint Collection: Shooting: Verse 3, 1819. Creator: Thomas Sutherland

Shooting: Verse 3, 1819. Creator: Thomas Sutherland
Shooting: Verse 3, 1819

Background imageAquatint Collection: The Banqueting House, Whitehall, 1815. Creator: Richard Holmes Laurie

The Banqueting House, Whitehall, 1815. Creator: Richard Holmes Laurie
The Banqueting House, Whitehall, 1815

Background imageAquatint Collection: Shooting: Verse 2, 1819. Creator: Thomas Sutherland

Shooting: Verse 2, 1819. Creator: Thomas Sutherland
Shooting: Verse 2, 1819

Background imageAquatint Collection: Shooting: Verse 1, 1819. Creator: Thomas Sutherland

Shooting: Verse 1, 1819. Creator: Thomas Sutherland
Shooting: Verse 1, 1819

Background imageAquatint Collection: View of Richmond from the Bridge, 1819. Creator: Thomas Sutherland

View of Richmond from the Bridge, 1819. Creator: Thomas Sutherland
View of Richmond from the Bridge, 1819

Background imageAquatint Collection: Valies-Vale, Near Frome, n.d. Creator: Theodore Henry Adolphus Fielding

Valies-Vale, Near Frome, n.d. Creator: Theodore Henry Adolphus Fielding
Valies-Vale, Near Frome, n.d

Background imageAquatint Collection: Richmond Park Entrance, 1819. Creator: Thomas Sutherland

Richmond Park Entrance, 1819. Creator: Thomas Sutherland
Richmond Park Entrance, 1819

Background imageAquatint Collection: Small Street on the Outskirts of Florence with Puppy, 1870-75. Creator: Giovanni Fattori

Small Street on the Outskirts of Florence with Puppy, 1870-75. Creator: Giovanni Fattori
Small Street on the Outskirts of Florence with Puppy, 1870-75

Background imageAquatint Collection: View from Palace Terrace at Saint Germain on Laye, from Twenty Views in Paris and its Environs

View from Palace Terrace at Saint Germain on Laye, from Twenty Views in Paris and its Environs, published 1802

Background imageAquatint Collection: Trees in a Meadow, n.d. Creator: Giovanni Fattori

Trees in a Meadow, n.d. Creator: Giovanni Fattori
Trees in a Meadow, n.d

Background imageAquatint Collection: Domestic Maronite, n.d. Creator: Philip James de Loutherbourg

Domestic Maronite, n.d. Creator: Philip James de Loutherbourg
Domestic Maronite, n.d

Background imageAquatint Collection: Waterfall at Shanklin, c. 1794. Creator: Piercy Roberts

Waterfall at Shanklin, c. 1794. Creator: Piercy Roberts
Waterfall at Shanklin, c. 1794

Background imageAquatint Collection: Allum Bay, c. 1794. Creator: Piercy Roberts

Allum Bay, c. 1794. Creator: Piercy Roberts
Allum Bay, c. 1794

Background imageAquatint Collection: Appuldercomb, c. 1794. Creator: Piercy Roberts

Appuldercomb, c. 1794. Creator: Piercy Roberts
Appuldercomb, c. 1794

Background imageAquatint Collection: Shaklin Chine, c. 1794. Creator: Piercy Roberts

Shaklin Chine, c. 1794. Creator: Piercy Roberts
Shaklin Chine, c. 1794

Background imageAquatint Collection: Brading, c. 1794. Creator: Piercy Roberts

Brading, c. 1794. Creator: Piercy Roberts
Brading, c. 1794

Background imageAquatint Collection: Margate, Outer View of the Pier, Coast of Kent, and from Fort Cliffs, published June 1, 1805

Margate, Outer View of the Pier, Coast of Kent, and from Fort Cliffs, published June 1, 1805

Background imageAquatint Collection: Margate, Inner View of the Pier, Bathing Rooms, and taken from the Shipwrights, June 1, 1805

Margate, Inner View of the Pier, Bathing Rooms, and taken from the Shipwrights, June 1, 1805
Margate, Inner View of the Pier, Bathing Rooms, and taken from the Shipwrights, published June 1, 1805

Background imageAquatint Collection: Cottagers Hospitality to Travellers or The Coach Broke Down, published March 27, 1819

Cottagers Hospitality to Travellers or The Coach Broke Down, published March 27, 1819. Creator: James Pollard
Cottagers Hospitality to Travellers or The Coach Broke Down, published March 27, 1819

Background imageAquatint Collection: Paris, Le Pont-au-Change, n.d. Creator: John Gendall

Paris, Le Pont-au-Change, n.d. Creator: John Gendall
Paris, Le Pont-au-Change, n.d

Background imageAquatint Collection: A Struggle for the Start, plate one from The Leicestershire Hunt, published 1825

A Struggle for the Start, plate one from The Leicestershire Hunt, published 1825. Creator: John Dean Paul
A Struggle for the Start, plate one from The Leicestershire Hunt, published 1825

Background imageAquatint Collection: Pursuit of the French Through Leipzig, 1813. Creator: John Augustus Atkinson

Pursuit of the French Through Leipzig, 1813. Creator: John Augustus Atkinson
Pursuit of the French Through Leipzig, 1813

Background imageAquatint Collection: The First Ten Minutes, plate two from The Leicestershire Hunt, published 1825

The First Ten Minutes, plate two from The Leicestershire Hunt, published 1825. Creator: John Dean Paul
The First Ten Minutes, plate two from The Leicestershire Hunt, published 1825

Background imageAquatint Collection: Symptoms of a Skurry, plate three from The Leicestershire Hunt, published 1825

Symptoms of a Skurry, plate three from The Leicestershire Hunt, published 1825. Creator: John Dean Paul
Symptoms of a Skurry, plate three from The Leicestershire Hunt, published 1825

Background imageAquatint Collection: Stage Coach Passengers, n.d. Creator: James Pollard

Stage Coach Passengers, n.d. Creator: James Pollard
Stage Coach Passengers, n.d

Background imageAquatint Collection: Pine Trees in the Mountains, 1789. Creator: John Robert Cozens

Pine Trees in the Mountains, 1789. Creator: John Robert Cozens
Pine Trees in the Mountains, 1789

Background imageAquatint Collection: Sandy Bay Valley, St. Helena, n.d. Creator: Daniel Havell

Sandy Bay Valley, St. Helena, n.d. Creator: Daniel Havell
Sandy Bay Valley, St. Helena, n.d

Background imageAquatint Collection: Saint Albans Steeplechase, 1837. Creator: Charles Hunt

Saint Albans Steeplechase, 1837. Creator: Charles Hunt
Saint Albans Steeplechase, 1837

Background imageAquatint Collection: Saint Albans Steeplechase, 1837. Creator: Charles Hunt

Saint Albans Steeplechase, 1837. Creator: Charles Hunt
Saint Albans Steeplechase, 1837

Background imageAquatint Collection: The Winning Post, from The Grand Steeplechase over Leicestershire, published 1830

The Winning Post, from The Grand Steeplechase over Leicestershire, published 1830. Creator: Charles Bentley
The Winning Post, from The Grand Steeplechase over Leicestershire, published 1830

Background imageAquatint Collection: Dick Christian's Last Fall, from Grand Leicestershire Steeplechase, published 1830

Dick Christian's Last Fall, from Grand Leicestershire Steeplechase, published 1830. Creator: Charles Bentley
Dick Christian's Last Fall, from Grand Leicestershire Steeplechase, published 1830

Background imageAquatint Collection: A Rich Scene, from Grand Leicestershire Steeplechase, published 1830. Creator: Charles Bentley

A Rich Scene, from Grand Leicestershire Steeplechase, published 1830. Creator: Charles Bentley
A Rich Scene, from Grand Leicestershire Steeplechase, published 1830

Background imageAquatint Collection: The Field becomes Select, from The Grand Steeplechase over Leicestershire, published 1830

The Field becomes Select, from The Grand Steeplechase over Leicestershire, published 1830. Creator: Charles Bentley
The Field becomes Select, from The Grand Steeplechase over Leicestershire, published 1830

Background imageAquatint Collection: Symptoms of Distress, from The Grand Steeplechase Over Leicestershire, published 1830

Symptoms of Distress, from The Grand Steeplechase Over Leicestershire, published 1830. Creator: Charles Bentley
Symptoms of Distress, from The Grand Steeplechase Over Leicestershire, published 1830

Background imageAquatint Collection: Going the Pace, from The Grand Steeplechase over Leicestershire, published 1830

Going the Pace, from The Grand Steeplechase over Leicestershire, published 1830. Creator: Charles Bentley
Going the Pace, from The Grand Steeplechase over Leicestershire, published 1830

Background imageAquatint Collection: The Start, from The Grand Steeplechase over Leicestershire, published 1830. Creator: Charles Bentley

The Start, from The Grand Steeplechase over Leicestershire, published 1830. Creator: Charles Bentley
The Start, from The Grand Steeplechase over Leicestershire, published 1830

Background imageAquatint Collection: The Death, from Fox Hunting, 1828. Creator: Charles Bentley

The Death, from Fox Hunting, 1828. Creator: Charles Bentley
The Death, from Fox Hunting, 1828

Background imageAquatint Collection: Full Cry, from Fox Hunting, 1828. Creator: Charles Bentley

Full Cry, from Fox Hunting, 1828. Creator: Charles Bentley
Full Cry, from Fox Hunting, 1828

Background imageAquatint Collection: The Leap, from Fox Hunting, 1828. Creator: Charles Bentley

The Leap, from Fox Hunting, 1828. Creator: Charles Bentley
The Leap, from Fox Hunting, 1828

Background imageAquatint Collection: Between Crogen & Llandrillo on the R. Dee, published 1793. Creator: Francis Jukes

Between Crogen & Llandrillo on the R. Dee, published 1793. Creator: Francis Jukes
Between Crogen & Llandrillo on the R. Dee, published 1793

Background imageAquatint Collection: Going to Cover, from Fox Hunting, 1828. Creator: Charles Bentley

Going to Cover, from Fox Hunting, 1828. Creator: Charles Bentley
Going to Cover, from Fox Hunting, 1828

Background imageAquatint Collection: A View Looking Up the River Thames to Richmond Bridge, n.d. Creator: Francis Jukes

A View Looking Up the River Thames to Richmond Bridge, n.d. Creator: Francis Jukes
A View Looking Up the River Thames to Richmond Bridge, n.d

Background imageAquatint Collection: Shame, plate nine from A Love, 1887. Creator: Max Klinger

Shame, plate nine from A Love, 1887. Creator: Max Klinger
Shame, plate nine from A Love, 1887

Background imageAquatint Collection: Night, from On Death Part I, 1888-89. Creator: Max Klinger

Night, from On Death Part I, 1888-89. Creator: Max Klinger
Night, from On Death Part I, 1888-89

Background imageAquatint Collection: View of Hillbank on the River Thames near London, published 1795. Creator: Francis Jukes

View of Hillbank on the River Thames near London, published 1795. Creator: Francis Jukes
View of Hillbank on the River Thames near London, published 1795

Background imageAquatint Collection: View of Erbistock Church, published 1794. Creator: Francis Jukes

View of Erbistock Church, published 1794. Creator: Francis Jukes
View of Erbistock Church, published 1794

Background imageAquatint Collection: Title Page, Vignette, and plate one of the first number of Picturesque Views of Americ... 1819/21

Title Page, Vignette, and plate one of the first number of Picturesque Views of Americ... 1819/21. Creator: John Hill
Title Page, Vignette, and plate one of the first number of Picturesque Views of American Scenery, 1819/21




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Aquatint: Capturing the Essence of Artistic Expression From Edvard Munch's iconic masterpiece "The Kiss" to George Stephenson's groundbreaking locomotive "The Rocket, " aquatint has played a significant role in immortalizing these remarkable creations. This printmaking technique, often combined with drypoint, allows artists to achieve stunning tonal variations and depth in their works. Nicholas Pocock's maritime scenes like "The Speedy and El Gamo" come alive through the intricate lines and delicate shading achieved by aquatint. Similarly, Francisco de Goya's darkly satirical series "Los Caprichos" showcases his mastery of this technique as he delves into the complexities of human nature. In historical depictions such as the Battle of New Orleans or Telford's suspension bridge across Menai Straits, aquatint breathes life into these monumental events. The meticulous detailing captures every nuance, transporting viewers back in time to experience these moments firsthand. Not limited to grand spectacles alone, it also finds its place in capturing everyday beauty. Ambroise Louis Garneray and Frederic Martens' enchanting piece "Peche du Cachalot" portrays the majesty of whale hunting with exquisite precision. Meanwhile, William Daniell transports us to Mevagissey in Cornwall with his evocative depiction from 1825. Even architectural wonders like Christ Church in Spitalfields or Berkeley Square in Mayfair are brought to life through aquatint. The careful etching techniques highlight every intricate detail while maintaining an ethereal quality that adds charm and character to these structures. Whether it is showcasing natural landscapes or man-made marvels like paddle steamers or pelicans soaring above tranquil waters, aquatint continues to captivate art enthusiasts worldwide. Its ability to create rich textures and evoke emotions makes it a timeless medium that stands at the intersection between technical precision and artistic expression.