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Audience Collection (#7)

In the realm of human experiences, the concept of "audience" transcends time and boundaries

Background imageAudience Collection: the duel between Bertrand du Guesclin and Thomas of Canterbury, c. 1900 (chromo)

the duel between Bertrand du Guesclin and Thomas of Canterbury, c. 1900 (chromo)
1790206 the duel between Bertrand du Guesclin and Thomas of Canterbury, c. 1900 (chromo); (add.info.: knight duel between Bertrand du Guesclin and Thomas of Canterbury in the 14th century)

Background imageAudience Collection: The Optical Illusion. 1794 (engraving). by Louis Leopold Boilly (1761-1845). L'Optique

The Optical Illusion. 1794 (engraving). by Louis Leopold Boilly (1761-1845). L'Optique
5306106 The Optical Illusion. 1794 (engraving). by Louis Leopold Boilly (1761-1845). L'Optique; (add.info.: The Optical Illusion. 1794 (engraving). by Louis Leopold Boilly (1761-1845)

Background imageAudience Collection: Interior of the Small Theatre or Odeon, Pompeii VIII.7.19. The audience in the roofed theater

Interior of the Small Theatre or Odeon, Pompeii VIII.7.19. The audience in the roofed theater watches a performance by
FLO4688238 Interior of the Small Theatre or Odeon, Pompeii VIII.7.19. The audience in the roofed theater watches a performance by actors, chorus, musicians and dancers

Background imageAudience Collection: In the Box, 1903 (oil & pastel on canvas)

In the Box, 1903 (oil & pastel on canvas)
CH92983 In the Box, 1903 (oil & pastel on canvas) by Shinn, Everett (1876-1953); 64.8x43.5 cm; Private Collection; (add.info.: by Everett Shinn); Photo © Christie's Images

Background imageAudience Collection: A magic lamp, 1920 (gouache & tempera on cardboard)

A magic lamp, 1920 (gouache & tempera on cardboard)
BAL231458 A magic lamp, 1920 (gouache & tempera on cardboard) by Popov, Nikolai Nikolaevich (1890-1953); 31x24 cm; State Art Museum, Samara

Background imageAudience Collection: Sinbad the Sailor by Edmund Dulac, 1911 (screen print)

Sinbad the Sailor by Edmund Dulac, 1911 (screen print)
3036018 Sinbad the Sailor by Edmund Dulac, 1911 (screen print) by Dulac, Edmund (1882-1953); (add.info.: Vintage illustration of Sinbad the Sailor holding court in a grand palace)

Background imageAudience Collection: Visit of the Prince and Princess of Wales to Sweden:..at the Theatre Royal, Stockholm... 1864

Visit of the Prince and Princess of Wales to Sweden:..at the Theatre Royal, Stockholm... 1864. Creator: Unknown
Visit of the Prince and Princess of Wales to Sweden:..at the Theatre Royal, Stockholm - from a sketch by our special artist, 1864

Background imageAudience Collection: Opening of the Crystal Palace at Amsterdam for the Exhibition of Arts and Industry, 1864

Opening of the Crystal Palace at Amsterdam for the Exhibition of Arts and Industry, 1864. Creator: Unknown
Opening of the Crystal Palace at Amsterdam for the Exhibition of Arts and Industry, 1864. The fashion set by England, in 1851, of erecting a Crystal Palace

Background imageAudience Collection: The British Association at Bath: Sir Charles Lyell delivering the presidential address... 1864

The British Association at Bath: Sir Charles Lyell delivering the presidential address... 1864. Creator: Unknown
The British Association at Bath: Sir Charles Lyell delivering the presidential address in the theatre, 1864. The New Theatre Royal...was erected...upon the site of the former theatre, built by Mr

Background imageAudience Collection: Frederic Chopin (1810-49) playing in the salon of the musician

Frederic Chopin (1810-49) playing in the salon of the musician and composer Prince Anthony Radziwill (1775-1833)
BAL55738 Frederic Chopin (1810-49) playing in the salon of the musician and composer Prince Anthony Radziwill (1775-1833) in 1829 (litho); Private Collection

Background imageAudience Collection: Pepper's Ghost: a method of projecting a ghost onto the stage. Ghost under stage is light

Pepper's Ghost: a method of projecting a ghost onto the stage. Ghost under stage is light
527287 Pepper's Ghost: a method of projecting a ghost onto the stage. Ghost under stage is light and reflected by mirror on to sheet of glass in frotn of stage

Background imageAudience Collection: Automotive 2023: Autosport International

Automotive 2023: Autosport International
NATIONAL EXHIBITION CENTRE, UNITED KINGDOM - JANUARY 12: TCR unveil a new car during the Autosport International at National Exhibition Centre on January 12, 2023 in National Exhibition Centre

Background imageAudience Collection: Spoons Abstract: Audience

Spoons Abstract: Audience
Jacqueline Hammer

Background imageAudience Collection: The performer

The performer
Marc Apers

Background imageAudience Collection: Light

Light
Jure Kravanja

Background imageAudience Collection: devil's barrel

devil's barrel
Ridho Arifuddin

Background imageAudience Collection: Matinee

Matinee
Filipe P Neto

Background imageAudience Collection: Holi Festival of Colours

Holi Festival of Colours
Vyacheslav Klimentyev

Background imageAudience Collection: Rhapsody In Blue

Rhapsody In Blue
Mirela Momanu

Background imageAudience Collection: Une reine se préparant a une grande tirade, 19th century. Creator: Honore Daumier

Une reine se préparant a une grande tirade, 19th century. Creator: Honore Daumier
Une reine se preparant a une grande tirade, 19th century. Dramatic Sketches - A queen preparing for a great tirade

Background imageAudience Collection: Tokugawa Ienobu, 1875. Creator: Tsukioka Yoshitoshi

Tokugawa Ienobu, 1875. Creator: Tsukioka Yoshitoshi
Tokugawa Ienobu, 1875. Series: Brief Account of the Rulers of the Tokugawa Clan. A Messenger from Korea in Audience with Tokugawa Ienobu

Background imageAudience Collection: Physionomies de spectateurs de la Porte St-Martin... 1852. Creator: Honore Daumier

Physionomies de spectateurs de la Porte St-Martin... 1852. Creator: Honore Daumier
Physionomies de spectateurs de la Porte St-Martin... 1852. Physionomies de spectateurs de la Porte-St.-Martin pendant une represantation de Richard III

Background imageAudience Collection: The Educated Mules at the Alhambra Palace, 1858. Creator: Unknown

The Educated Mules at the Alhambra Palace, 1858. Creator: Unknown
The Educated Mules at the Alhambra Palace, 1858. American circus in London: Messrs. Howes and Cushing's "educated" mules, Barney and Pete who...must have had

Background imageAudience Collection: The Queen's Visit to Leeds - the Town Clerk reading the Address to Her Majesty in the Townhall

The Queen's Visit to Leeds - the Town Clerk reading the Address to Her Majesty in the Townhall, 1858. Queen Victoria visits the newly-opened town hall at Leeds in Yorkshire

Background imageAudience Collection: Meeting of Charity Schoolchildren at the Crystal Palace, 1858. Creator: Unknown

Meeting of Charity Schoolchildren at the Crystal Palace, 1858. Creator: Unknown
Meeting of Charity Schoolchildren at the Crystal Palace, 1858. The children of the various London Charity Schools, to the number of above five thousand...were conveyed to the Crystal Palace by

Background imageAudience Collection: Music-Hall Scene. Creator: Gosta von Hennigs

Music-Hall Scene. Creator: Gosta von Hennigs
Music-Hall Scene, Unknown date

Background imageAudience Collection: The Heavenly Audience of Shiva and Parvati (image 1 of 3), between c1830 and c1850. Creator: Unknown

The Heavenly Audience of Shiva and Parvati (image 1 of 3), between c1830 and c1850. Creator: Unknown
The Heavenly Audience of Shiva and Parvati (image 1 of 3), between c1830 and c1850

Background imageAudience Collection: Dancing Girls at a Court, c1850. Creator: Unknown

Dancing Girls at a Court, c1850. Creator: Unknown
Dancing Girls at a Court, c1850

Background imageAudience Collection: The Queen at the Concert in the Royal Albert Hall, 1876. Creator: C.R

The Queen at the Concert in the Royal Albert Hall, 1876. Creator: C.R
The Queen at the Concert in the Royal Albert Hall, 1876. Queen Victoria...entered the Royal box punctually at four o'clock, the immense assemblage rising to receive her with all due respect

Background imageAudience Collection: Improvement of the Morals, 1786. Creator: Daniel Nikolaus Chodowiecki

Improvement of the Morals, 1786. Creator: Daniel Nikolaus Chodowiecki
Improvement of the Morals, 1786

Background imageAudience Collection: Sukadeva Reciting the Bhagavata Purana (Ancient Stories of the Lord)... between 1750 and 1775

Sukadeva Reciting the Bhagavata Purana (Ancient Stories of the Lord)... between 1750 and 1775. Creator: Unknown
Sukadeva Reciting the Bhagavata Purana (Ancient Stories of the Lord) to Savant Singh (Reigned 1748-1757), between 1750 and 1775

Background imageAudience Collection: First audience of a British minister with the Tycoon of Japan at Jeddo... 1860. Creator: Unknown

First audience of a British minister with the Tycoon of Japan at Jeddo... 1860. Creator: Unknown
First audience of a British minister with the Tycoon of Japan at Jeddo [ie Eddo] - from a sketch by S. J. Gower, 1860. Mr

Background imageAudience Collection: The Prince of Wales seeing a Dance of Wild Hillmen at Calcutta, 1876. Creator: Unknown

The Prince of Wales seeing a Dance of Wild Hillmen at Calcutta, 1876. Creator: Unknown
The Prince of Wales seeing a Dance of Wild Hillmen at Calcutta, 1876. The future King Edward VII is entertained during a royal visit to India. From "Illustrated London News", 1876

Background imageAudience Collection: Tokugawa Iemitsu Receiving Lords in Audience, 1875. Creator: Tsukioka Yoshitoshi

Tokugawa Iemitsu Receiving Lords in Audience, 1875. Creator: Tsukioka Yoshitoshi
Tokugawa Iemitsu Receiving Lords in Audience, 1875. From Brief Account of the Rulers of the Tokugawa Clan

Background imageAudience Collection: Ise Shrine Festival, between 1767 and 1770. Creator: Utagawa Toyoharu

Ise Shrine Festival, between 1767 and 1770. Creator: Utagawa Toyoharu
Ise Shrine Festival, between 1767 and 1770

Background imageAudience Collection: Compiled Album from Four Series: A Mirror of Famous Generals of Japan... between 1876 and 1882

Compiled Album from Four Series: A Mirror of Famous Generals of Japan... between 1876 and 1882
Compiled Album from Four Series: A Mirror of Famous Generals of Japan; Comic Pictures of Famous Places in Civilizing Tokyo; Twenty-four Accomplishments in Imperial Japan; Twenty-four Hours in

Background imageAudience Collection: Tawara Toda Hidesato in Audience with the Emperor, 1880. Creator: Tsukioka Yoshitoshi

Tawara Toda Hidesato in Audience with the Emperor, 1880. Creator: Tsukioka Yoshitoshi
Tawara Toda Hidesato in Audience with the Emperor, 1880. From A Mirror of Great Warriors of Japan

Background imageAudience Collection: Actor as Musashibo Benkei in Kanjincho, 1879. Creator: Tsukioka Yoshitoshi

Actor as Musashibo Benkei in Kanjincho, 1879. Creator: Tsukioka Yoshitoshi
Actor as Musashibo Benkei in Kanjincho, 1879. From News from the Kabuki Theater

Background imageAudience Collection: Sur la scène/Dans les coulisses, 1853. Creator: Honore Daumier

Sur la scène/Dans les coulisses, 1853. Creator: Honore Daumier
Sur la scene/Dans les coulisses, 1853. On Stage/Behind the Scenes. (In the wings, an actor, dressed as a Roman, exchanges something with another man (the theatre manager?). From Croquis Parisiens

Background imageAudience Collection: (Le parterre de l'Odéon.) L'auteur!... 1844. Creator: Honore Daumier

(Le parterre de l'Odéon.) L'auteur!... 1844. Creator: Honore Daumier
(Le parterre de l'Odeon.) L'auteur!... 1844.... l'auteur!... l'auteur! - Messieurs, votre impatience va etre satisfaite...vous desirez connaitre l'auteur de l'ouvrage

Background imageAudience Collection: Une Représentation au théâtre de Bordeaux, 1871. Creator: Honore Daumier

Une Représentation au théâtre de Bordeaux, 1871. Creator: Honore Daumier
Une Representation au theatre de Bordeaux, 1871. A performance at the theatre of Bordeaux. L'ennuyeux, c'est qu'on ne voie pas le souffleur'

Background imageAudience Collection: Décadence du drame en 1866, 1866. Creator: Honore Daumier

Décadence du drame en 1866, 1866. Creator: Honore Daumier
Decadence du drame en 1866, 1866. - En v'la un bon jobard, il croit que toutes ce rengaines la sont arrivees! - Mais tas d'imbeciles...vous ne voyez donc pas que c'est l'auteur

Background imageAudience Collection: Voyons madame, un peu de courage... 1858. Creator: Honore Daumier

Voyons madame, un peu de courage... 1858. Creator: Honore Daumier
Voyons madame, un peu de courage... 1858. Voyons madame, un peu de courage...Une reine ne doit pas trembler comme ca...rappelez-vous donc que vous etes une reine et que vous allez dire des vers du

Background imageAudience Collection: Le Banc des Amateurs, 1852. Creator: Honore Daumier

Le Banc des Amateurs, 1852. Creator: Honore Daumier
Le Banc des Amateurs, 1852. Vue prise a l'opera. The Theatre-Lovers Seats. Scene at the opera. Series: Les Parisiens en 1852, no. 3; Periodical: Le Charivari, 15 January 1852

Background imageAudience Collection: De l'utilité d'une famille pour une cantatrice, 1857. Creator: Honore Daumier

De l'utilité d'une famille pour une cantatrice, 1857. Creator: Honore Daumier
De l'utilite d'une famille pour une cantatrice, 1857. On the usefulness of a family to a singer. (The singer's relations hold bouquets ready to throw on stage)

Background imageAudience Collection: La Sortie, 1855. Creator: Honore Daumier

La Sortie, 1855. Creator: Honore Daumier
La Sortie, 1855. La Sortie. - Decidement l'inventeur qui a le plus mon admiration, c'est ce lui qui a invente l'air!'. The exit

Background imageAudience Collection: Le triomphe du sucre d'orge, 1855. Creator: Honore Daumier

Le triomphe du sucre d'orge, 1855. Creator: Honore Daumier
Le triomphe du sucre d'orge, 1855. Vue prise aux Folies nouvelles. (The triumph of barley sugar. - View taken at the new Folies). From Le Charivari, 7 April 1855

Background imageAudience Collection: Dans une salle de spectacle, 1854. Creator: Honore Daumier

Dans une salle de spectacle, 1854. Creator: Honore Daumier
Dans une salle de spectacle, 1854. Scene in a theatre. From Paris l'ete, no. 2




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In the realm of human experiences, the concept of "audience" transcends time and boundaries. From the iconic Hippy Bus at the Woodstock Music Festival in 1969 to Amitabha, the Buddha of Sukhavati, we witness how diverse audiences have shaped history. Vasco da Gama's arrival in India drew a curious crowd eager to embrace new cultures and ideas. Sports enthusiasts unite as they cheer on their teams during thrilling Test cricket matches at Sydney Cricket Ground and Melbourne Cricket Ground in Australia. The rhythmic movements of Irish Dancers captivate an audience with their mesmerizing performances. Judy Garland's enchanting voice resonates through The Talk of the Town concert hall, leaving her adoring fans spellbound. In a world where individuality reigns supreme, some artists perform for an Audience Of One - pouring their hearts out to connect with that singular soul who understands them completely. The grandeur of Teatro San Carlo in Naples sets the stage for captivating dramas that transport audiences into different eras and realities. Centuries ago, actors performed on wooden stages during Shakespearean times, captivating crowds with tales that still resonate today. Beyond entertainment lies another facet: National Sporting Clubs bring together passionate supporters who create an electric atmosphere as they rally behind their favorite athletes or teams. Music knows no bounds; it unites people across continents. The Count Basie Orchestra's performance at London's Royal Festival Hall in 1980 showcased this universal language that can move even those who don't share a common tongue. Audiences throughout history have witnessed moments both profound and mundane; they have laughed together, cried together, celebrated victories and mourned losses side by side, and are not mere spectators but active participants shaping our collective narrative - reminding us that regardless of time or place, we are all connected through shared experiences as partakers in this grand theater called life.