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C10th Collection (#12)

In the vibrant world of the 10th century, history unfolds through captivating engravings and miniature artworks

Background imageC10th Collection: Leif Eriksson (10th century) sights land in America, 1893

Leif Eriksson (10th century) sights land in America, 1893
XTD68570 Leif Eriksson (10th century) sights land in America, 1893 by Krohg, Christian (1852-1925); Nasjonalgalleriet, Oslo, Norway; Norwegian, out of copyright

Background imageC10th Collection: Map of the South of Russia and Azerbaijan (vellum)

Map of the South of Russia and Azerbaijan (vellum)
XIR370216 Map of the South of Russia and Azerbaijan (vellum) by Al Istakhri (Al-Estakhri) (10th century); Egyptian National Library, Cairo

Background imageC10th Collection: Edgar the Pacific being rowed down the River Dee by Eight Tributary Princes, illustration

Edgar the Pacific being rowed down the River Dee by Eight Tributary Princes, illustration
XJF324313 Edgar the Pacific being rowed down the River Dee by Eight Tributary Princes, illustration from Cassells Illustrated History of England (engraving) by English School

Background imageC10th Collection: Vladimir Svyatoslavich the Great choosing the religion in 987 (oil on canvas)

Vladimir Svyatoslavich the Great choosing the religion in 987 (oil on canvas)
BAL322410 Vladimir Svyatoslavich the Great choosing the religion in 987 (oil on canvas) by Eggink, Johann Leberecht (1781/87-1867); Museum of the History of Religion, St

Background imageC10th Collection: The Indus (vellum)

The Indus (vellum)
XIR249241 The Indus (vellum) by Al Istakhri (Al-Estakhri) (10th century); Egyptian National Library, Cairo, Egypt; (add.info)

Background imageC10th Collection: Grand Duke Oleg Nailing a Shield to the Gates of Tsargrad (oil on canvas)

Grand Duke Oleg Nailing a Shield to the Gates of Tsargrad (oil on canvas)
BAL198731 Grand Duke Oleg Nailing a Shield to the Gates of Tsargrad (oil on canvas) by Bodarevski, Nikolai K. (1850-1921); 57.8x96.2 cm; Ceboksary Art Museum, Russia; Russian, out of copyright

Background imageC10th Collection: The Hearse, detail from the Life of St. Wenceslas in the Chapel, 1520 (fresco)

The Hearse, detail from the Life of St. Wenceslas in the Chapel, 1520 (fresco)
XIR218728 The Hearse, detail from the Life of St. Wenceslas in the Chapel, 1520 (fresco) by Czech School, (16th century); Cathedral of St. Vitus, Prague, Czech Republic; Czech, out of copyright

Background imageC10th Collection: Reading of the Code in the Presence of Grand Duke Jaroslav of Novgorod, 1880 (w / c

Reading of the Code in the Presence of Grand Duke Jaroslav of Novgorod, 1880 (w / c
BAL209458 Reading of the Code in the Presence of Grand Duke Jaroslav of Novgorod, 1880 (w/c on canvas) by Kivshenko, Aleksei Danilovich (1851-95); 33x44 cm; Central Naval Museum, St

Background imageC10th Collection: Ms C-822 fol. 1v A Princely Reception, illustration from the Shahnama (Book of Kings)

Ms C-822 fol. 1v A Princely Reception, illustration from the Shahnama (Book of Kings)
XIR206048 Ms C-822 fol.1v A Princely Reception, illustration from the Shahnama (Book of Kings), by Abu l-Qasim Mansur Firdawsi (c.934-c.1020), 1460-70 (gouache on paper) by Persian School

Background imageC10th Collection: Alvar Velazquez de Lara, c. 1635-40 (oil on canvas) (b / w photo)

Alvar Velazquez de Lara, c. 1635-40 (oil on canvas) (b / w photo)
XIR202718 Alvar Velazquez de Lara, c.1635-40 (oil on canvas) (b/w photo) by Zurbaran, Francisco de (1598-1664) (and studio); 199x104 cm; Musee Goya, Castres

Background imageC10th Collection: King Robert II (970-1031) son of Hugh Capet (c. 944-996) composing Sequences and Responses

King Robert II (970-1031) son of Hugh Capet (c. 944-996) composing Sequences and Responses
XJF193897 King Robert II (970-1031) son of Hugh Capet (c.944-996) composing Sequences and Responses, from the Chroniques de France

Background imageC10th Collection: Hugh Capet (941-96) captures Charles de Lorraine, from Histoire de France by Colart

Hugh Capet (941-96) captures Charles de Lorraine, from Histoire de France by Colart
KW177730 Hugh Capet (941-96) captures Charles de Lorraine, from Histoire de France by Colart, published c.1840 (engraving) by French School, (19th century); Private Collection; Ken Welsh; French

Background imageC10th Collection: Louis V (967-87) the Loafer shows his crown to his followers, from Histoire

Louis V (967-87) the Loafer shows his crown to his followers, from Histoire
KW177729 Louis V (967-87) the Loafer shows his crown to his followers, from Histoire de France by Colart, published c.1840 (engraving) by French School

Background imageC10th Collection: Louis IV (921-54) d Outremer lands in France after the death of Raoul in 936

Louis IV (921-54) d Outremer lands in France after the death of Raoul in 936
KW177727 Louis IV (921-54) d Outremer lands in France after the death of Raoul in 936, from Histoire de France by Colart, published c.1840 (engraving) by French School

Background imageC10th Collection: Emme kisses the knee of her husband Raoul (d. 936) in recognition of his sovereignty

Emme kisses the knee of her husband Raoul (d. 936) in recognition of his sovereignty
KW177726 Emme kisses the knee of her husband Raoul (d.936) in recognition of his sovereignty, from Histoire de France by Colart, published c.1840 (engraving) by French School

Background imageC10th Collection: The Tigris and the Euphrates (vellum)

The Tigris and the Euphrates (vellum)
XIR177177 The Tigris and the Euphrates (vellum) by Al Istakhri (Al-Estakhri) (10th century); Egyptian National Library, Cairo

Background imageC10th Collection: Head of a statue of Buddha, from Bezeklik, 9th-10th century (painted clay)

Head of a statue of Buddha, from Bezeklik, 9th-10th century (painted clay)
BAL165784 Head of a statue of Buddha, from Bezeklik, 9th-10th century (painted clay) by Xingjiang; height:23 cm; State Hermitage Museum, St

Background imageC10th Collection: Group of monks and Buddha, from the Shikshin Monastery, Karashar, 9th-10th century

Group of monks and Buddha, from the Shikshin Monastery, Karashar, 9th-10th century
BAL165783 Group of monks and Buddha, from the Shikshin Monastery, Karashar, 9th-10th century (fragment of a painting) by Xingjiang; State Hermitage Museum, St

Background imageC10th Collection: Foulques III Nerra (or the Black) (970-1040) and Geoffroy II Martel (1005-60) (engraving)

Foulques III Nerra (or the Black) (970-1040) and Geoffroy II Martel (1005-60) (engraving)
XIR164842 Foulques III Nerra (or the Black) (970-1040) and Geoffroy II Martel (1005-60) (engraving) (b/w photo) by French School, (19th century); Bibliotheque Nationale, Paris

Background imageC10th Collection: Flying genie or, Apsaras, from Dunhuang, Gansu Province, 9th-10th century (painting

Flying genie or, Apsaras, from Dunhuang, Gansu Province, 9th-10th century (painting
XIR178927 Flying genie or, Apsaras, from Dunhuang, Gansu Province, 9th-10th century (painting on silk) by Chinese School; 33x51 cm; Musee Guimet, Paris, France; Chinese




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In the vibrant world of the 10th century, history unfolds through captivating engravings and miniature artworks. St Dunstan, Archbishop of Canterbury, is depicted in a coloured engraving, his presence commanding reverence and wisdom. An Anglo-Saxon Map from this era showcases the intricate knowledge of the time, revealing a glimpse into their geographical understanding. A mesmerizing miniature portrays The Passage of the Red Sea during this period. The scene comes alive with vivid colors and delicate brushstrokes that capture both awe and wonder. A Buddhist chaitya carved in sandstone stands as a testament to spiritual devotion during this mid-10th century AD. The figure of Guanyin, a bodhisattva from China's Northern Song Dynasty (AD 960-1127), exudes grace and compassion in its wooden form. Its intricate details speak volumes about artistic craftsmanship prevalent at that time. Transporting us further back in time is an oil painting depicting The Fire of Rome on July 18th, 64 AD. This artwork captures the chaos and devastation caused by one fateful event that forever changed history. From South America's ancient civilizations emerges Inca Viracocha from Tiahuanaco Classico (500-900 AD). This sculpture embodies power and mystique while offering insight into pre-Columbian cultures. The Death of Germanicus immortalizes a tragic moment in Roman history through an oil painting created in 1627. It serves as a reminder that even centuries later, human emotions remain universal across different eras. An Alphabet of Famous Women published circa 1855 introduces us to remarkable women who left indelible marks on society throughout various periods. Their stories inspire generations to come. Religious costumes evolve over time; we witness their transformation through drawings spanning several centuries - from priests donning attire typical for the 10th century to popes adorned with mitres by the 11th century onwards.