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Dom Tom Collection (#3)

"Exploring the Exotic: A Glimpse into Dom Tom through Gauguin's Art" Immerse yourself in the vibrant world through the captivating works of Paul Gauguin

Background imageDom Tom Collection: Landscape in La Reunion, 1816 (watercolour)

Landscape in La Reunion, 1816 (watercolour)
8698310 Landscape in La Reunion, 1816 (watercolour) by Patu de Rosemont, Genevieve-Sophie-Marie-Adele (b.1794); (add.info.: Geography. France. La Reunion. Village of Sainte Suzanne)

Background imageDom Tom Collection: Captain cook, 1851

Captain cook, 1851
3479423 Captain cook, 1851; (add.info.: Captain cook witnessing a human sacrifice: Tahiti. Captain Cook's original voyages round the world. Woodbridge, n.d)

Background imageDom Tom Collection: Representation in clay of the deportation of the Communards to the Island of Pines in New

Representation in clay of the deportation of the Communards to the Island of Pines in New Caledonia image nicknamed
LUX4710465 Representation in clay of the deportation of the Communards to the Island of Pines in New Caledonia image nicknamed the Atonement

Background imageDom Tom Collection: A Tahitian girl (engraving)

A Tahitian girl (engraving)
8647195 A Tahitian girl (engraving) by English School, (19th century); Private Collection; (add.info.: A Tahitian girl. Illustration for The Ladies Treasury, Vol I, 1858.); © Look and Learn

Background imageDom Tom Collection: Fishing with spears, Tahiti (colour litho)

Fishing with spears, Tahiti (colour litho)
8663560 Fishing with spears, Tahiti (colour litho) by German School, (20th century); Private Collection; (add.info.: Fishing with spears on the island of Tahiti)

Background imageDom Tom Collection: Colonial Exhibition Paris 1907, family of the Loyaute Islands, New Caledonia

Colonial Exhibition Paris 1907, family of the Loyaute Islands, New Caledonia
JAB5036821 Colonial Exhibition Paris 1907, family of the Loyaute Islands, New Caledonia; (add.info.: Colonial Exhibition Paris 1907, family of the Loyaute Islands)

Background imageDom Tom Collection: The war boats of the island of Otaheite (Tahiti) and the Society Isles

The war boats of the island of Otaheite (Tahiti) and the Society Isles, with a view of part of the harbour of
7295316 The war boats of the island of Otaheite (Tahiti) and the Society Isles, with a view of part of the harbour of Ohaneneno, in the island of Ulieta, one of the Society Islands

Background imageDom Tom Collection: Old windmill for sugar cane in the Antilles (Martinique) in the 19th century - view of

Old windmill for sugar cane in the Antilles (Martinique) in the 19th century - view of the interior of the mill - black
PCT4288106 Old windmill for sugar cane in the Antilles (Martinique) in the 19th century - view of the interior of the mill - black at work: men and women taking canes - colony

Background imageDom Tom Collection: The Debarkment of Christopher Columbus in San Salvador (Bahamas)

The Debarkment of Christopher Columbus in San Salvador (Bahamas) on 12/10/1492 - Engraving of the 19th century
XEE5027465 The Debarkment of Christopher Columbus in San Salvador (Bahamas) on 12/10/1492 - Engraving of the 19th century; (add.info)

Background imageDom Tom Collection: Types of indigenous Cayenne (French Guiana), women dressed in sapling (knotted dress

Types of indigenous Cayenne (French Guiana), women dressed in sapling (knotted dress
LSE4325793 Types of indigenous Cayenne (French Guiana), women dressed in sapling (knotted dress) of madras and dressed with colorful turbans, the men adopted the Western costume

Background imageDom Tom Collection: Tahitian Woman with Evil Spirit, c.1899-1900 (monotype with w/c on paper)

Tahitian Woman with Evil Spirit, c.1899-1900 (monotype with w/c on paper)
7443478 Tahitian Woman with Evil Spirit, c.1899-1900 (monotype with w/c on paper) by Gauguin, Paul (1848-1903); Stadel Museum, Frankfurt am Main, Germany; (add.info.: By Paul Gauguin)

Background imageDom Tom Collection: Guiana Indians, c. 1843-50 (watercolour)

Guiana Indians, c. 1843-50 (watercolour)
3673312 Guiana Indians, c.1843-50 (watercolour) by Unknown Artist, (19th century); Newberry Library, Chicago, Illinois, USA; (add.info.: C.H.S)

Background imageDom Tom Collection: Arearea (merrymaking), 1892 (oil on canvas)

Arearea (merrymaking), 1892 (oil on canvas)
JLJ4649290 Arearea (merrymaking), 1892 (oil on canvas) by Gauguin, Paul (1848-1903); 73x94 cm; Musee d'Orsay, Paris, France; (add.info.: Arearea (merrymaking) Two Tahitian girls with a dog

Background imageDom Tom Collection: Two Tahitian Women and a Marquesan Earplug, 1891-93 (pen, brown ink and graphite on parchment)

Two Tahitian Women and a Marquesan Earplug, 1891-93 (pen, brown ink and graphite on parchment)
5860235 Two Tahitian Women and a Marquesan Earplug, 1891-93 (pen, brown ink and graphite on parchment) by Gauguin, Paul (1848-1903); 24 -- 31.8 cm; The Art Institute of Chicago, IL

Background imageDom Tom Collection: Parau Hina Tefatou (Words between Goddess of the Moon and God of the Earth), 1893-94 (wash, pen)

Parau Hina Tefatou (Words between Goddess of the Moon and God of the Earth), 1893-94 (wash, pen)
5861973 Parau Hina Tefatou (Words between Goddess of the Moon and God of the Earth), 1893-94 (wash, pen, ink and chalk on paper) by Gauguin

Background imageDom Tom Collection: A Fisherman Drinking Beside His Canoe, 1894 (woodblock print with w/c and gouache on paper)

A Fisherman Drinking Beside His Canoe, 1894 (woodblock print with w/c and gouache on paper)
5860910 A Fisherman Drinking Beside His Canoe, 1894 (woodblock print with w/c and gouache on paper) by Gauguin, Paul (1848-1903); 20.6 -- 14 cm; The Art Institute of Chicago, IL

Background imageDom Tom Collection: No te aha oe riri (Why are you angry ?), 1896 (oil on canvas)

No te aha oe riri (Why are you angry ?), 1896 (oil on canvas)
JLJ4572426 No te aha oe riri (Why are you angry ?), 1896 (oil on canvas) by Gauguin, Paul (1848-1903); 95x130 cm; The Art Institute of Chicago, IL

Background imageDom Tom Collection: Tahitian women or On the Beach, 1891 (oilon canvas)

Tahitian women or On the Beach, 1891 (oilon canvas)
JLJ4652603 Tahitian women or On the Beach, 1891 (oilon canvas) by Gauguin, Paul (1848-1903); 69x91 cm; Musee d'Orsay, Paris, France; (add.info.: Tahitian women or On the Beach)

Background imageDom Tom Collection: Le Sourire, 1899-1900 (woodcut)

Le Sourire, 1899-1900 (woodcut)
5860145 Le Sourire, 1899-1900 (woodcut) by Gauguin, Paul (1848-1903); The Art Institute of Chicago, IL, USA; (add.info.: Only 9 issues of this periodical were produced by Gauguin in Tahiti to attack)

Background imageDom Tom Collection: Caricatures of Gauguin and Governor Gallet, with headpiece from Le sourire, 1900 (w/c)

Caricatures of Gauguin and Governor Gallet, with headpiece from Le sourire, 1900 (w/c, pencil and pen)
5860165 Caricatures of Gauguin and Governor Gallet, with headpiece from Le sourire, 1900 (w/c, pencil and pen) by Gauguin, Paul (1848-1903); The Art Institute of Chicago, IL

Background imageDom Tom Collection: Le Sourire, 1899-1900 (woodcut)

Le Sourire, 1899-1900 (woodcut)
7388920 Le Sourire, 1899-1900 (woodcut) by Gauguin, Paul (1848-1903); Private Collection; (add.info.: Only 9 issues of this periodical were produced by Gauguin in Tahiti to attack French official)

Background imageDom Tom Collection: Le Sourire, 1899-1900 (woodcut)

Le Sourire, 1899-1900 (woodcut)
7388063 Le Sourire, 1899-1900 (woodcut) by Gauguin, Paul (1848-1903); 35 x 24 cm; Private Collection; (add.info.: Only 9 issues of this periodical were produced by Gauguin in Tahiti to attack French)

Background imageDom Tom Collection: Le Sourire, 1899-1900 (woodcut)

Le Sourire, 1899-1900 (woodcut)
5860147 Le Sourire, 1899-1900 (woodcut) by Gauguin, Paul (1848-1903); The Art Institute of Chicago, IL, USA; (add.info.: Only 9 issues of this periodical were produced by Gauguin in Tahiti to attack)

Background imageDom Tom Collection: The Galibis Indians, exhibition at the Paris Zoological Garden, 1882 (poster)

The Galibis Indians, exhibition at the Paris Zoological Garden, 1882 (poster)
7345249 The Galibis Indians, exhibition at the Paris Zoological Garden, 1882 (poster) by Cheret, Jules (1836-1932); Private Collection; (add.info)

Background imageDom Tom Collection: Still life with three puppies, 1888 (oil on canvas)

Still life with three puppies, 1888 (oil on canvas)
LRI4638412 Still life with three puppies, 1888 (oil on canvas) by Gauguin, Paul (1848-1903); Museum of Modern Art (MoMA), New York, USA; (add.info.: Still life with three puppies)

Background imageDom Tom Collection: Indigenous couple of Marquesas Islands, 1848 (watercolour)

Indigenous couple of Marquesas Islands, 1848 (watercolour)
7293288 Indigenous couple of Marquesas Islands, 1848 (watercolour) by Radiguet, Maximilien (1816-99); (add.info.: Geography. Oceania. Marquesas Islands. Tattooed indigenous couple)

Background imageDom Tom Collection: Earthquake of Guadeloupe: an earthquake, February 8, 1843, destroyed Pointe-a-Pitre - in 'The

Earthquake of Guadeloupe: an earthquake, February 8, 1843, destroyed Pointe-a-Pitre - in "The story told by
LSE4078381 Earthquake of Guadeloupe: an earthquake, February 8, 1843, destroyed Pointe-a-Pitre - in " The story told by the image of Epinal" by French School

Background imageDom Tom Collection: Portrait of a Man (Christophe Columb), 1847 (lithograph)

Portrait of a Man (Christophe Columb), 1847 (lithograph)
7276916 Portrait of a Man (Christophe Columb), 1847 (lithograph) by Lion, Jules (c.1809-66); 22.86x17.78 cm; Amistad Research Center, New Orleans, LA

Background imageDom Tom Collection: Group of Kanaks, Universal Exposition, Paris, 1889 (b / w photo)

Group of Kanaks, Universal Exposition, Paris, 1889 (b / w photo)
7281424 Group of Kanaks, Universal Exposition, Paris, 1889 (b/w photo) by Unknown photographer, (19th century); Musee de la Ville de Paris, Musee Carnavalet, Paris, France

Background imageDom Tom Collection: Group of Kanaks, Universal Exposition, Paris, 1889 (b / w photo)

Group of Kanaks, Universal Exposition, Paris, 1889 (b / w photo)
7281425 Group of Kanaks, Universal Exposition, Paris, 1889 (b/w photo) by Unknown photographer, (19th century); Musee de la Ville de Paris, Musee Carnavalet, Paris, France

Background imageDom Tom Collection: Te burao (The Hibiscus Tree), 1892 (oil on cotton canvas)

Te burao (The Hibiscus Tree), 1892 (oil on cotton canvas)
5859201 Te burao (The Hibiscus Tree), 1892 (oil on cotton canvas) by Gauguin, Paul (1848-1903); 68--90.7 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Paul Gauguin (1848-1903))

Background imageDom Tom Collection: Man with an Ax, 1891-93 (gouache, with pen and black ink on paper) r

Man with an Ax, 1891-93 (gouache, with pen and black ink on paper) r
5861975 Man with an Ax, 1891-93 (gouache, with pen and black ink on paper) r by Gauguin, Paul (1848-1903); 31.7--22.8 cm; The Art Institute of Chicago, IL

Background imageDom Tom Collection: Two Tahitian Women in a Landscape, c. 1892 (w / c and gouache)

Two Tahitian Women in a Landscape, c. 1892 (w / c and gouache)
5863034 Two Tahitian Women in a Landscape, c.1892 (w/c and gouache) by Gauguin, Paul (1848-1903); 32.2--23.8 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Paul Gauguin (1848-1903))

Background imageDom Tom Collection: Tahitian Landscape, 1894 (w / c monotype on paper)

Tahitian Landscape, 1894 (w / c monotype on paper)
5861979 Tahitian Landscape, 1894 (w/c monotype on paper) by Gauguin, Paul (1848-1903); 21.7--24.7 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Paul Gauguin (1848-1903))

Background imageDom Tom Collection: Christopher Columbus, on board his caravel, gestures to the island of Guanahani (San Salvador)

Christopher Columbus, on board his caravel, gestures to the island of Guanahani (San Salvador)
REV400274 Christopher Columbus, on board his caravel, gestures to the island of Guanahani (San Salvador) on 12 October 1492 (oil on canvas) by Spanish School, (19th century); Monastery of La Rabida

Background imageDom Tom Collection: Women carrying baskets on their heads, Haiti, 1789 (engraving)

Women carrying baskets on their heads, Haiti, 1789 (engraving)
1729638 Women carrying baskets on their heads, Haiti, 1789 (engraving) by French School, (18th century); (add.info.: Haiti, 1789 : women carrying baskets on the head, engraving)

Background imageDom Tom Collection: Haiti, 1879 (engraving)

Haiti, 1879 (engraving)
1729007 Haiti, 1879 (engraving) by French School, (19th century); (add.info.: Haiti, 1879 : la ravine (mangrove), gravure Haiti, 1879, engraving)

Background imageDom Tom Collection: CROSS EXAMINATION, Cornwallis and Bonaparte face each other, 1802 (engraving)

CROSS EXAMINATION, Cornwallis and Bonaparte face each other, 1802 (engraving)
7262243 CROSS EXAMINATION, Cornwallis and Bonaparte face each other, 1802 (engraving) by English School, (19th century); Bromley Museum, Orpington, UK; (add.info.: CROSS EXAMINATION)

Background imageDom Tom Collection: Green sea turtle, Chelonia mydas, endangered. 1807 (aquatint)

Green sea turtle, Chelonia mydas, endangered. 1807 (aquatint)
7237472 Green sea turtle, Chelonia mydas, endangered. 1807 (aquatint) by Daniell, William (1769-1837); Private Collection; (add.info.: Green sea turtle, Chelonia mydas, endangered)

Background imageDom Tom Collection: L Assiette au Beurre, number 414, Satirique en couleurs, 1909_3_6: Colonization, Elections

L Assiette au Beurre, number 414, Satirique en couleurs, 1909_3_6: Colonization, Elections, Vie des riches
ICA4912935 L Assiette au Beurre, number 414, Satirique en couleurs, 1909_3_6: Colonization, Elections, Vie des riches, Guadeloupe - Clemenceau George, Boss/Bourgeois, Black (lithograph) by Camara

Background imageDom Tom Collection: View of Fort Royal on the island of Guadeloupe in the West Indies (West Indies) Engraving by P

View of Fort Royal on the island of Guadeloupe in the West Indies (West Indies) Engraving by P
JLJ4687645 View of Fort Royal on the island of Guadeloupe in the West Indies (West Indies) Engraving by P. Benazech after a drawing by Lieutenant Campbell

Background imageDom Tom Collection: How to prepare cotton in the West Indies - in 'The old and modern costume'by Ferrario, 1819-1820

How to prepare cotton in the West Indies - in "The old and modern costume"by Ferrario, 1819-1820
LSE4099249 How to prepare cotton in the West Indies - in " The old and modern costume" by Ferrario, 1819-1820 by Ferrario

Background imageDom Tom Collection: La Guadeloupe (overseas department or overseas department) - France and its Colonies

La Guadeloupe (overseas department or overseas department) - France and its Colonies
XEE4144387 La Guadeloupe (overseas department or overseas department) - France and its Colonies. Atlas illustrates one hundred and five maps from the maps of the depot of war

Background imageDom Tom Collection: Capture of Grenada (Caribbean Island) by the Count of Estaing (1729-1794), July 4, 1779

Capture of Grenada (Caribbean Island) by the Count of Estaing (1729-1794), July 4, 1779
XEE4407917 Capture of Grenada (Caribbean Island) by the Count of Estaing (1729-1794), July 4, 1779. Colour board from Alfred Paris watercolour. 1895

Background imageDom Tom Collection: Couple Caraibe des Antilles dans leur habitation - in 'Le costume ancien et moderne'by Ferrario, ed

Couple Caraibe des Antilles dans leur habitation - in "Le costume ancien et moderne"by Ferrario, ed
LSE4099248 Couple Caraibe des Antilles dans leur habitation - in " Le costume ancien et moderne" by Ferrario, ed

Background imageDom Tom Collection: Residents of New Caledonia, early 19th century - in 'The Old and Modern Costume'by Jules Ferrario

Residents of New Caledonia, early 19th century - in "The Old and Modern Costume"by Jules Ferrario, 1819-1820
LSE4096254 Residents of New Caledonia, early 19th century - in " The Old and Modern Costume" by Jules Ferrario, 1819-1820 by Ferrario

Background imageDom Tom Collection: Making Tappa (native cloth), 1890s (sepia photo)

Making Tappa (native cloth), 1890s (sepia photo)
STC170329 Making Tappa (native cloth), 1890s (sepia photo) by Severin, Theodore (1862-98); Private Collection; (add.info.: probably Tahiti or Marquesas Islands; ); The Stapleton Collection

Background imageDom Tom Collection: Young African girl of the Indies, 16th century. 1859-1860 (engraving)

Young African girl of the Indies, 16th century. 1859-1860 (engraving)
7234146 Young African girl of the Indies, 16th century. 1859-1860 (engraving) by Krieger, Christoph (d.c.1590); Private Collection; (add.info.: Young African girl of the Indies, 16th century)




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"Exploring the Exotic: A Glimpse into Dom Tom through Gauguin's Art" Immerse yourself in the vibrant world through the captivating works of Paul Gauguin. From his enchanting painting "Vairumati" to his whimsical woodcut "Le Sourire, " each piece tells a unique story that unveils the beauty and mystery of these distant lands. In "Guiana Indians, " Gauguin captures the essence of indigenous culture with delicate watercolors, transporting us to a time long gone. The vivid colors and intricate details bring forth a sense of reverence for their traditions and way of life. Gauguin's masterpiece, "Arearea, " invites us to join in on the merrymaking as Tahitian locals celebrate joyously. The bold brushstrokes and rich hues convey an atmosphere filled with laughter, music, and dance – a true feast for our senses. Through his pen sketches like "Two Tahitian Women and a Marquesan Earplug, " Gauguin showcases his keen eye for capturing intimate moments. These glimpses into everyday life reveal tender connections between individuals amidst stunning landscapes. Intriguingly titled "Parau Hina Tefatou, " this wash drawing portrays an ethereal conversation between celestial beings. Gauguin's use of ink and chalk creates an otherworldly ambiance that transports us beyond reality, inviting contemplation about our place in the universe. "A Fisherman Drinking Beside His Canoe" offers us a glimpse into daily routines within Dom Tom's coastal communities. This woodblock print exudes tranquility while highlighting both man's connection to nature and reliance on its bounties for sustenance. With "No te aha oe riri, " Gauguin delves deeper into human emotions by depicting two figures engaged in dialogue. The intense expressions captured on canvas provoke questions about anger, communication, and understanding in a world far removed from our own.