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Honoredaumier French Collection

Honore Daumier, a renowned French artist from the 19th century, left an indelible mark on the art world with his insightful and satirical works

Background imageHonoredaumier French Collection: Gallery at Hotel Drouot: The Day of the Sale. Creator: Honore Daumier (French, 1808-1879)

Gallery at Hotel Drouot: The Day of the Sale. Creator: Honore Daumier (French, 1808-1879)
Gallery at Hotel Drouot: The Day of the Sale

Background imageHonoredaumier French Collection: The Painters: A Realist Always Finds Another Realist to Admire Him. Creator: Honore Daumier

The Painters: A Realist Always Finds Another Realist to Admire Him. Creator: Honore Daumier
The Painters: A Realist Always Finds Another Realist to Admire Him

Background imageHonoredaumier French Collection: The Musicians of Paris, plate 6: If you knew how pretty you are!, 6 March 1841. Creator

The Musicians of Paris, plate 6: If you knew how pretty you are!, 6 March 1841. Creator
The Musicians of Paris, plate 6: If you knew how pretty you are!, 6 March 1841

Background imageHonoredaumier French Collection: The Omnibus: Interior of the Omnibus. Creator: Honore Daumier (French, 1808-1879)

The Omnibus: Interior of the Omnibus. Creator: Honore Daumier (French, 1808-1879)
The Omnibus: Interior of the Omnibus

Background imageHonoredaumier French Collection: The Omnibus: Full. Creator: Honore Daumier (French, 1808-1879)

The Omnibus: Full. Creator: Honore Daumier (French, 1808-1879)
The Omnibus: Full

Background imageHonoredaumier French Collection: The Painters: The Painters and the Bourgeois. Creator: Honore Daumier (French, 1808-1879)

The Painters: The Painters and the Bourgeois. Creator: Honore Daumier (French, 1808-1879)
The Painters: The Painters and the Bourgeois

Background imageHonoredaumier French Collection: The Painters: The Last Stroke of the Brush, Exposition of 1868. Creator: Honore Daumier

The Painters: The Last Stroke of the Brush, Exposition of 1868. Creator: Honore Daumier
The Painters: The Last Stroke of the Brush, Exposition of 1868

Background imageHonoredaumier French Collection: Through the Studios, 1862. Creator: Honore Daumier (French, 1808-1879)

Through the Studios, 1862. Creator: Honore Daumier (French, 1808-1879)
Through the Studios, 1862

Background imageHonoredaumier French Collection: Types Parisiens, plate 26: Yes, Sir, your respectable air encourages me... 29 May 1840

Types Parisiens, plate 26: Yes, Sir, your respectable air encourages me... 29 May 1840

Background imageHonoredaumier French Collection: The Theatre: The Last Scene. Creator: Honore Daumier (French, 1808-1879)

The Theatre: The Last Scene. Creator: Honore Daumier (French, 1808-1879)
The Theatre: The Last Scene

Background imageHonoredaumier French Collection: The Railway: Too Late. Creator: Honore Daumier (French, 1808-1879)

The Railway: Too Late. Creator: Honore Daumier (French, 1808-1879)
The Railway: Too Late

Background imageHonoredaumier French Collection: The Philanthropists of the Day, plate 8: A 43d Toast... to the Temperance Society, 1844

The Philanthropists of the Day, plate 8: A 43d Toast... to the Temperance Society, 1844
The Philanthropists of the Day, plate 8: A 43d Toast...to the Temperance Society, 1844

Background imageHonoredaumier French Collection: The Troubadour, 1868-1873. Creator: Honore Daumier (French, 1808-1879)

The Troubadour, 1868-1873. Creator: Honore Daumier (French, 1808-1879)
The Troubadour, 1868-1873. The troubadour, a medieval traveling poet and entertainer, was a popular subject in 19th-century French art

Background imageHonoredaumier French Collection: The Theatre: The Orchestra Pit. Creator: Honore Daumier (French, 1808-1879)

The Theatre: The Orchestra Pit. Creator: Honore Daumier (French, 1808-1879)
The Theatre: The Orchestra Pit

Background imageHonoredaumier French Collection: The Railway: The Sunday Excursion. Creator: Honore Daumier (French, 1808-1879)

The Railway: The Sunday Excursion. Creator: Honore Daumier (French, 1808-1879)
The Railway: The Sunday Excursion

Background imageHonoredaumier French Collection: The Railroads, plate 11: The Hazard of Sleeping on a Journey, 1843. Creator: Honore Daumier

The Railroads, plate 11: The Hazard of Sleeping on a Journey, 1843. Creator: Honore Daumier
The Railroads, plate 11: The Hazard of Sleeping on a Journey, 1843

Background imageHonoredaumier French Collection: The Men of Justice, plate 15: You were hungry... That is not a Reason... 1845. Creator

The Men of Justice, plate 15: You were hungry... That is not a Reason... 1845. Creator
The Men of Justice, plate 15: You were hungry...That is not a Reason... 1845

Background imageHonoredaumier French Collection: The Monthly Association (plate 22): Failed Lafayette! It Serves You Right, My Old Friend!, 1834

The Monthly Association (plate 22): Failed Lafayette! It Serves You Right, My Old Friend!, 1834

Background imageHonoredaumier French Collection: The Monthly Association (plate 18): The Legislative Belly, 1834. Creator: Honore Daumier

The Monthly Association (plate 18): The Legislative Belly, 1834. Creator: Honore Daumier
The Monthly Association (plate 18): The Legislative Belly, 1834

Background imageHonoredaumier French Collection: The Monthly Association (plate 20): Do not meddle with it!, 1834. Creator: Honore Daumier

The Monthly Association (plate 20): Do not meddle with it!, 1834. Creator: Honore Daumier
The Monthly Association (plate 20): Do not meddle with it!, 1834

Background imageHonoredaumier French Collection: The Good Bourgeois, Plate 23: But yes, my dear, I assure you that this gentleman is drawing

The Good Bourgeois, Plate 23: But yes, my dear, I assure you that this gentleman is drawing
The Good Bourgeois, Plate 23: " But yes, my dear, I assure you that this gentleman is drawing a landscape...is it not so, sir, that you are drawing a landscape

Background imageHonoredaumier French Collection: The Good Bourgeois, plate 40: Papa contemplates a likeness of his likeness, 1847. Creator

The Good Bourgeois, plate 40: Papa contemplates a likeness of his likeness, 1847. Creator
The Good Bourgeois, plate 40: Papa contemplates a likeness of his likeness, 1847

Background imageHonoredaumier French Collection: The Good Bourgeois, plate 14: What the bourgeois consider a distraction, 1846. Creator

The Good Bourgeois, plate 14: What the bourgeois consider a distraction, 1846. Creator
The Good Bourgeois, plate 14: What the bourgeois consider a distraction, 1846

Background imageHonoredaumier French Collection: The Good Bourgeois (plate 3): I want to leave an imperishable monument of our visit

The Good Bourgeois (plate 3): I want to leave an imperishable monument of our visit to this cliff... 1854

Background imageHonoredaumier French Collection: The Singers: Street Singers. Creator: Honore Daumier (French, 1808-1879)

The Singers: Street Singers. Creator: Honore Daumier (French, 1808-1879)
The Singers: Street Singers

Background imageHonoredaumier French Collection: The Singers: The Singers in the Salon. Creator: Honore Daumier (French, 1808-1879)

The Singers: The Singers in the Salon. Creator: Honore Daumier (French, 1808-1879)
The Singers: The Singers in the Salon

Background imageHonoredaumier French Collection: Souvenir of the Prison ot Ste. Pelagie, 1834. Creator: Honore Daumier (French

Souvenir of the Prison ot Ste. Pelagie, 1834. Creator: Honore Daumier (French
Souvenir of the Prison ot Ste. Pelagie, 1834

Background imageHonoredaumier French Collection: The Chapter of Interpretations, plate 8: Each burn fears cold water, 1843. Creator

The Chapter of Interpretations, plate 8: Each burn fears cold water, 1843. Creator
The Chapter of Interpretations, plate 8: Each burn fears cold water, 1843

Background imageHonoredaumier French Collection: Print Enthusiasts. Creator: Honore Daumier (French, 1808-1879)

Print Enthusiasts. Creator: Honore Daumier (French, 1808-1879)
Print Enthusiasts

Background imageHonoredaumier French Collection: Singing Guitarist (recto), 1855-60. Creator: Honore Daumier (French, 1808-1879)

Singing Guitarist (recto), 1855-60. Creator: Honore Daumier (French, 1808-1879)
Singing Guitarist (recto), 1855-60. The first six-string guitars appeared simultaneously in Naples and Paris in the 1770s

Background imageHonoredaumier French Collection: Singing Guitarist (recto); Reclining Woman Leaning on Her Arm (verso), 1855 / 60. Creator

Singing Guitarist (recto); Reclining Woman Leaning on Her Arm (verso), 1855 / 60. Creator
Singing Guitarist (recto); Reclining Woman Leaning on Her Arm (verso), 1855/60

Background imageHonoredaumier French Collection: Pastorales, plate 2: The Hazards of shaking a plum tree too vigorously... 1845. Creator

Pastorales, plate 2: The Hazards of shaking a plum tree too vigorously... 1845. Creator
Pastorales, plate 2: The Hazards of shaking a plum tree too vigorously (when one is a grown man), 1845

Background imageHonoredaumier French Collection: Parisian Types: Memories, 10 May 1840. Creator: Honore Daumier (French, 1808-1879); Aubert

Parisian Types: Memories, 10 May 1840. Creator: Honore Daumier (French, 1808-1879); Aubert
Parisian Types: Memories, 10 May 1840

Background imageHonoredaumier French Collection: Parisian Emotions, plate 11: What Time is it Please?, 24 November 1839

Parisian Emotions, plate 11: What Time is it Please?, 24 November 1839

Background imageHonoredaumier French Collection: Parisian Emotions, plate 3: I Have Three Sous!, 1839. Creator: Honore Daumier (French

Parisian Emotions, plate 3: I Have Three Sous!, 1839. Creator: Honore Daumier (French
Parisian Emotions, plate 3: I Have Three Sous!, 1839

Background imageHonoredaumier French Collection: Parisian Boatmen, plate 14: Man Overboard, 1843. Creator: Honore Daumier (French

Parisian Boatmen, plate 14: Man Overboard, 1843. Creator: Honore Daumier (French
Parisian Boatmen, plate 14: Man Overboard, 1843

Background imageHonoredaumier French Collection: Reclining Woman Leaning on Her Arm (verso), 1855 / 60. Creator: Honore Daumier (French

Reclining Woman Leaning on Her Arm (verso), 1855 / 60. Creator: Honore Daumier (French
Reclining Woman Leaning on Her Arm (verso), 1855/60

Background imageHonoredaumier French Collection: Sheet of Studies with a Group of Four Figures to the Right, third quarter 1800s. Creator

Sheet of Studies with a Group of Four Figures to the Right, third quarter 1800s. Creator
Sheet of Studies with a Group of Four Figures to the Right, third quarter 1800s

Background imageHonoredaumier French Collection: Sheet of Studies with a Group of Four Figures to the Right (recto) Sketches of Various Figures

Sheet of Studies with a Group of Four Figures to the Right (recto) Sketches of Various Figures (verso), third quarter 1800s

Background imageHonoredaumier French Collection: Physiologie du buveur: Les quatre ages. Creator: Honore Daumier (French, 1808-1879)

Physiologie du buveur: Les quatre ages. Creator: Honore Daumier (French, 1808-1879)
Physiologie du buveur: Les quatre ages

Background imageHonoredaumier French Collection: Photographe et photographies. Creator: Honore Daumier (French, 1808-1879)

Photographe et photographies. Creator: Honore Daumier (French, 1808-1879)
Photographe et photographies

Background imageHonoredaumier French Collection: Moment of Rest in the Salon Carre. Creator: Honore Daumier (French, 1808-1879)

Moment of Rest in the Salon Carre. Creator: Honore Daumier (French, 1808-1879)
Moment of Rest in the Salon Carre

Background imageHonoredaumier French Collection: Les theatres: sortant du drame et sortant des funambules. Creator: Honore Daumier

Les theatres: sortant du drame et sortant des funambules. Creator: Honore Daumier
Les theatres: sortant du drame et sortant des funambules

Background imageHonoredaumier French Collection: Le boulevard des Italiens. Creator: Honore Daumier (French, 1808-1879)

Le boulevard des Italiens. Creator: Honore Daumier (French, 1808-1879)
Le boulevard des Italiens

Background imageHonoredaumier French Collection: Michel Goudchaux, 1849. Creator: Honore Daumier (French, 1808-1879)

Michel Goudchaux, 1849. Creator: Honore Daumier (French, 1808-1879)
Michel Goudchaux, 1849

Background imageHonoredaumier French Collection: Matrimonial Customs: Ah! you think your wife does not provide enough for you, villian

Matrimonial Customs: Ah! you think your wife does not provide enough for you, villian... 6 June 1841

Background imageHonoredaumier French Collection: Fathers, plate 13: Come along, dear... 1847. Creator: Honore Daumier (French, 1808-1879)

Fathers, plate 13: Come along, dear... 1847. Creator: Honore Daumier (French, 1808-1879)
Fathers, plate 13: Come along, dear... 1847. Hazard & Delteil 2155

Background imageHonoredaumier French Collection: Five Studies. Creator: Honore Daumier (French, 1808-1879)

Five Studies. Creator: Honore Daumier (French, 1808-1879)
Five Studies




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Honore Daumier, a renowned French artist from the 19th century, left an indelible mark on the art world with his insightful and satirical works. His paintings and illustrations captured the essence of everyday life in Paris, showcasing both its charm and its flaws. In "Gallery at Hotel Drouot: The Day of the Sale, " Daumier transports us to a bustling auction house where art enthusiasts gather to admire and acquire precious pieces. With his keen eye for detail, he masterfully portrays the excitement and anticipation that fills the air. "The Painters: A Realist Always Finds Another Realist to Admire Him" reveals Daumier's admiration for fellow artists who share his commitment to portraying reality as it is. Through this piece, he celebrates their talent while subtly highlighting society's tendency to appreciate only what they deem acceptable. Daumier's wit shines through in "The Musicians of Paris. " In plate 6 titled "If you knew how pretty you are. , " he humorously captures musicians lost in their own melodies, unaware of their surroundings. It serves as a reminder that sometimes we fail to recognize our own beauty amidst life's chaos. With "The Omnibus" series, Daumier takes us on a journey through crowded public transportation. In "Interior of the Omnibus, " he skillfully depicts passengers crammed together like sardines, reflecting urban realities that transcend time. Meanwhile, in "Full, " he showcases people hanging onto every available space within these vehicles – a humorous yet poignant commentary on city life. "The Painters and the Bourgeois" delves into societal dynamics between artists and those who commission their work. Through clever imagery, Daumier exposes tensions arising from differing perspectives on artistic expression versus commercial interests. Daumier also offers glimpses into studio life with works such as "Through the Studios. " This piece provides insight into artists' creative spaces while highlighting the diversity of styles and techniques that coexist within the art world.