Leonardo Collection (#4)

Bust of a woman wearing low-cut dress, with protruding lipd, growth on her forehead, prominent breast, long flowing hair down her back, in profile to left. 1660

Bust of elderly man with nose that meets his lower lip, wearing wide flat cap in profile to left, 1665

Bust of a man with hooked nose, prominent upper lip, open mouth and short curly hair
Bust of a man with hooked nose, prominent upper lip, open mouth and thick, short curly hair resembling wig in profile to left, 1665

Bust of a man with a small turned-up nose and very high upper lip, wearing hood, in profile to the left, 1666

Title Page, Divers Anticke Faces, 1677. Creator: Wenceslaus Hollar
Title Page, Divers Anticke Faces, 1677

Bust of a man with a flat nose and protruding mouth, wearing flat cap and buttoned coat in profile to right, 1660

Title Page, Diversae Effigies, 1648. Creator: Wenceslaus Hollar
Title Page, Diversae Effigies, 1648

Portrait of Leonardo da Vinci (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), 1786

L Idea della Architettura, 1615. Creator: Vincenzo Scamozzi
L Idea della Architettura, 1615

[Copy of the head of Christ from Leonardo da Vincis The Last Supper]
[Copy of the head of Christ from Leonardo da Vincis " The Last Supper" ], 1857-61

EyeUbiquitous_20086792
ITALY, Tuscany, Florence, Statue of the artist and inventor Leonardo da Vinci in the Vasari Corridor outside the Uffizi

Five grotesque heads, including an elderly man with an oak leaf wreath, 1646. 1646
Five grotesque heads, including an elderly man with an oak leaf wreath, 1646

Portrait of Leonardo da Vinci, ca 1518. Creator: Leonardo da Vinci, (Circle of)
Portrait of Leonardo da Vinci, ca 1518. Found in the Collection of Royal Collection, London

Leonardo da Vinci, 1795. Creator: Bartolozzi, Francesco (1728-1813)
Leonardo da Vinci, 1795. Found in the Collection of Bibliotheque Nationale de France

Allegory of Painting (The Death of Leonardo da Vinci), c. 1790. Creator: Cades, Giuseppe
Allegory of Painting (The Death of Leonardo da Vinci), c. 1790. Found in the Collection of Bibliotheque Nationale de France

The Death of Leonardo da Vinci in the Arms of Francis I, 1781. Creator: Menageot
The Death of Leonardo da Vinci in the Arms of Francis I, 1781. Found in the Collection of Musee de l Hotel de Ville, Amboise

L. Aretin, (1370-1444), 1830. Creator: Unknown
L. Aretin, (1370-1444), 1830. Leonardo Bruni (1370-1444) Italian humanist, historian and statesman, an important humanist historian of the early Renaissance

La belle Feronnaire, c1830. Creator: Francois-Seraphin Delpech
La belle Feronnaire, c1830. Portrait of a lady, usually attributed to Leonardo da Vinci, known as Portrait of an Unknown Woman, reputedly a mistress of Francis I of France

Head of a Young Woman (Study for the Angel in the Virgin of the Rocks ), c1485, (1943). Drawing in the Biblioteca Reale, Turin, Italy

Landscape drawing for Santa Maria della Neve on 5th August 1473, (1943). Creator
Landscape drawing for Santa Maria della Neve on 5th August 1473, (1943). The Arno River Valley and Montelupo Castle in Tuscany, Leonardos earliest-known drawing, made when he was 21 years old

Characters and Caricaturas, 1807, (1827). Creator: Thomas Cook
Characters and Caricaturas, 1807, (1827). Hogarths response to the criticism that his characters were caricatures: above are characters with exaggerated features

D Anni 63 Leonardo Agostini Senese Le gemme antiche
D Anni 63, Leonardo Agostini Senese, D Anni 63, Le gemme antiche figurate, Agostini, Leonardo, 1593-ca. 1670, Bellori, Giovanni Pietro, 1615?-1696

Leonardo Da Vinci, (1933). Creator: Unknown
Leonardo Da Vinci, (1933). Portrait of Italian Renaissance artist, sculptor, engineer and inventor Leonardo da Vinci (1452-1519)

Leonardo da Vinci statue, Piazza della Scala, Milan, Italy. Date: circa 1900s

The Virgin of the Rocks, c1508, (c1950). Creator: Leonardo da Vinci
The Virgin of the Rocks, c1508, (c1950). Mary bringing the infant St John to be blessed by the Christ Child. Painting in the National Gallery, London

The proportion of the human figure, by Leonardo da Vinci

Variety of expressions, 1743. Artist: William Hogarth
Variety of expressions, 1743. Over 100 faces, illustrating the infinite variety of expression. Final state of plate

Self-Portrait (Lucan portrait), ca. 1505-1510. Found in the collection of Museo delle Antiche Genti di Lucania

The Madonna with the Laughing Child, 1928. Artist: Leonardo da Vinci
The Madonna with the Laughing Child, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

Nude Man With Arms Stretched Out, Seen from the Front, c1480 (1945). Artist: Leonardo da Vinci
Nude Man With Arms Stretched Out, Seen from the Front, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of the Legs of a Man Lunging to the Right, c1480 (1945). Artist: Leonardo da Vinci
Study of the Legs of a Man Lunging to the Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Head of the Virgin - Virgin and Child with St. Anne and Infant St. John, c1480 (1945). Artist: Leonardo da Vinci
Head of the Virgin - Virgin and Child with St. Anne and Infant St. John, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Three Studies of the Paws of a Dog or Wolf, c1480 (1945). Artist: Leonardo da Vinci
Three Studies of the Paws of a Dog or Wolf, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of the Drapery of a Figure Seated to Right, c1480 (1945). Artist: Leonardo da Vinci
Studies of the Drapery of a Figure Seated to Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

The Virgin of the Rocks (detail), c1491. Artist: Leonardo da Vinci
The Virgin of the Rocks (detail), c1491. This painting is part of the group of panels from the S. Francesco Altarpiece, Milan. Held at The National Gallery, London. From The Studio Volume 117

Anatomical drawing, c1472-c1519 (1883). Artist: Leonardo da Vinci
Anatomical drawing, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Drawing of churches, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of churches, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Giant crossbow, 1480-1485 (1954). Artist: Leonardo da Vinci
Giant crossbow, 1480-1485 (1954). Codex Atlanticus, 53v-b. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Horses, c1490-1510. Artist: Leonardo da Vinci
Horses, c1490-1510. Left: Three Horses, c1508-1510; right: Two Horses, c1490, both studies for the Trivulzio Monument and found in the collection of the Royal Library, Windsor Castle, Windsor, England

The Last Supper, 1803. Artist: Michael Kock
The Last Supper, 1803. A copy of the famous painting by Leonardo da Vinci in the 1490s

The Mona Lisa Smile by Fortunino Matania
Scene painted by Fortunino Matania depicting the reason behind the famous smile of Leonardo da Vincis Mona Lisa Da Vinci. employs a variety of musicians, clowns and monkeys to keep his model amused

Drawing on anatomy by Leonardo da Vinci (1452-1519) The Musc
Leonardo da Vinci (1452-1519). Italian polymanth. Genius. Renaissance. Drawing on anatomy by Leonardo da Vinci (1452-1519) The Muscles of the legs

St. John the Baptist by Leonardo da Vinci (1452-1519). 1513-1
St. John the Baptist by Leonardo da Vinci (1452-1519). Completed from 1513-1516. High Renaissance. Oil walnut wood. Museum of Louvre. Paris. France

Leonardo da Vinci (1452 A?i? 1519). The Madonna of the Carn
Leonardo da Vinci (1452 A?i? 1519) was an Italian Renaissance polymath. The Madonna of the Carnation. 1478-1480. Virgin Mary is holding a carnation. Alte Pinakothek. Munich. Germany

The Rearing Horse and Mounted Warrior. Bronze. 16th century
The Rearing Horse and Mounted Warrior. 16th century. Bronze. Attributed to Leonardo da Vinci (1452-1519). Italian Renaissance polymath. Museum of Fine Arts. Budapest. Hungary

Medicine. Study of anatomy by Leonardo Da Vinci. 15th centur
Study of anatomy by Leonardo Da Vinci. 15th century. Skeletal structure. National Museum of Science and Technology Leonardo da Vinci. Milan. Italy

Giovanni Bellini (c. 1430 1516). The Portrait of Doge Leon
Giovanni Bellini (c. 1430 1516). Italian Renaissance painter. The Portrait of Doge Leonardo Loredan, Doge of Venice from 1501 to 1521. 1501. National Gallery. London. England

Thirty Years War (1618-1648). The Surrender of Julich. 1621. Ambrosio Spinola with Diego Felipe de Guzman, receives the keys from the Dutch governor. By Jusepe Leonardo, 1635. Prado Museum. Madrid

For sale as Licensed Images

Choose your image, Select your licence and Download the media

Leonardo da Vinci, the legendary artist and inventor of the Renaissance era, continues to captivate us with his remarkable works. From his iconic masterpiece "The Last Supper" to his intriguing sketches and designs, Leonardo's genius knows no bounds. One of his lesser-known creations is the "Head of a Bear, " a striking artwork created around 1480. With meticulous attention to detail, Leonardo captures the essence and power of this majestic creature, showcasing his mastery in portraying nature's beauty. But it wasn't just art that fascinated Leonardo; he was also an innovator ahead of his time. His helicopter design showcases his visionary mind as he explored flight possibilities centuries before its realization. The intricate details in this design reveal Leonardo's fascination with engineering and pushing boundaries. In addition to helicopters, Leonardo delved into anatomical studies like "Studies of an ox heart. " Through pen and ink drawings, he meticulously examined the inner workings of organs, displaying both scientific accuracy and artistic finesse. These studies demonstrate how Leonardo seamlessly blended science with artistry. Another renowned work attributed to him is "Portrait of Cecilia Gallerani, " commonly known as "Lady with an Ermine. " This captivating painting showcases not only technical brilliance but also reveals Leonardo's ability to capture human emotion through portraiture. His contribution extended beyond paintings; frescoes like "School of Athens" exemplify how he influenced other artists during that period. This monumental piece depicts philosophers from different eras engaging in intellectual discourse within a grand architectural setting—an ode to knowledge itself. Amongst all these incredible achievements are various machines designed by Leonardo himself—flying machines operated by springs or even helicopters. These inventions highlight his insatiable curiosity for exploration and innovation—a testament to why he remains one of history's greatest minds. Even in studying life at its earliest stages, such as pen and ink studies depicting human fetuses or exploring anatomy further within anatomic studios, we witness Leonardo's unwavering dedication to understanding the intricacies of existence.