Livia Drusilla Collection

Trompe l oeil garden from the Villa of Livia, 40-20 BC (fresco)
LRI4819896 Trompe l oeil garden from the Villa of Livia, 40-20 BC (fresco) by Roman, (1st century BC); Museo Nazionale Romano, Rome

Trompe l oeil garden from the Villa of Livia, 40-20 BC (fresco)
LRI4819893 Trompe l oeil garden from the Villa of Livia, 40-20 BC (fresco) by Roman, (1st century BC); Museo Nazionale Romano, Rome

Virgil Reading the "Aeneid"to Augustus, Octavia, and Livia, 1790 / 93
Virgil Reading the " Aeneid" to Augustus, Octavia, and Livia, 1790/93

Trompe l oeil garden from the Villa of Livia, 40-20 BC (fresco)
LRI4819894 Trompe l oeil garden from the Villa of Livia, 40-20 BC (fresco) by Roman, (1st century BC); Museo Nazionale Romano, Rome

Cameo of Livia
3567275 Cameo of Livia by Cerbara, Niccolo (1793-1869); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: Date of Artwork: 1800-1869 Location: Florence)

Trompe l oeil garden from the Villa of Livia, 40-20 BC (fresco)
LRI4819895 Trompe l oeil garden from the Villa of Livia, 40-20 BC (fresco) by Roman, (1st century BC); Museo Nazionale Romano, Rome

Roman Emperor Augustus and his third wife, Livia (engraving)
5216684 Roman Emperor Augustus and his third wife, Livia (engraving) by German School, (19th century); Private Collection; (add.info.: Roman Emperor Augustus and his third wife, Livia)

Detail of a frieze from the tablinum, 40-20 BC (fresco)
LRI4819891 Detail of a frieze from the tablinum, 40-20 BC (fresco) by Roman, (1st century BC); Villa of Livia, Prima Porta, Rome

Livia Drusilla as Ops, with wheat sheaf and cornucopia, 1st century. Found in the Collection of Muse e du Louvre, Paris

Bust of Livia Drusilla, 1st H. 1st cen. AD. Artist: Art of Ancient Rome, Classical sculpture
Bust of Livia Drusilla, 1st H. 1st cen. AD. Found in the collection of the State Hermitage, St. Petersburg

Statue of the Emperor Augustus, 2nd century
Statue of the Emperor Augustus (September 23, 63 BC - August 19, 14 AD) from Livias Villa at Prima Porta, Rome, 2nd century

Painted room from Livias villa, c. 1st century BC
Painted room from Livias (30 January 58 BC-28 September AD 29) villa in Rome, c.1st century BC

Portrait of Livia, Roman, second quarter of 1st century. Livia Drusilla (58 BC-29) was the third wife of the Emperor Augustus, mother of Tiberius and grandmother of Claudius

Roman civilization, Marble statues, seated headless figure, seated Livia portrayed as Ceres and Drusus III
Roman civilization, 1st century A.D. Marble statues: seated headless figure, seated Livia portrayed as Ceres and Drusus III, son of Germanicus and Agrippina the Elder

Roman civilization, Marble statue of seated Livia portrayed as Ceres from Roselle, Augusteum, Tuscany region, Italy
Roman civilization, 1st century A.D. Marble statue of seated Livia portrayed as Ceres. From Roselle, Augusteum, Tuscany region, Italy. Detail

Statue of Livia from Velleia, Emilia Romagna Region, Italy
Roman civilization, 1st century b.C. Statue of Livia. From Velleia, Emilia Romagna Region, Italy

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"Livia Drusilla: A Woman of Power and Elegance" Livia Drusilla, the esteemed wife of Emperor Augustus, was not only a prominent figure in ancient Rome but also an influential force behind the scenes. Her legacy lives on through various artistic representations that showcase her intelligence, beauty, and political acumen. One such representation is the Trompe l'oeil garden from the Villa of Livia. Painted between 40-20 BC, this fresco captures Livia's love for nature and her ability to create breathtaking illusions within her own residence. The intricate details of flowers and foliage transport viewers into a world where art imitates life. In another stunning artwork titled "Virgil Reading the 'Aeneid' to Augustus, Octavia, and Livia, " we witness Livia's appreciation for literature and culture. This painting from 1790/93 depicts her alongside Emperor Augustus as they listen attentively to Virgil reciting his epic poem. It showcases Livia's thirst for knowledge and her desire to be well-informed about matters beyond politics. The cameo featuring Livia highlights her timeless beauty and elegance. Crafted with precision during ancient times, it serves as a testament to her enduring charm that captivated those around her. As depicted in a frieze from the tablinum dating back to 40-20 BC, Livia Drusilla embraced religious symbolism by portraying herself as Ops – goddess of abundance – holding a wheat sheaf and cornucopia. This imagery reflects both her wealth as well as her role in ensuring prosperity within Rome. A bust sculpted during the first century AD further immortalizes Livia's gracefulness. Created by artists skilled in classical Roman sculpture techniques, it showcases every delicate feature that made Livia an icon of beauty during antiquity. Not only did she possess great influence over Emperor Augustus but also had a significant impact on the empire itself.