Skip to main content

Mary Magdalen Collection (#5)

"Mary Magdalen: A Journey of Redemption and Devotion" In the world of art, it has been a captivating subject for centuries

Background imageMary Magdalen Collection: Mary Magdalene speaking with the angels, Scenes from the life of Mary Magdalene, 1307-1308, fresco

Mary Magdalene speaking with the angels, Scenes from the life of Mary Magdalene, 1307-1308, fresco, Giotto and workshop, east wall, Magdalene Chapel, Lower Church, Basilica of San Francesco

Background imageMary Magdalen Collection: Detail of a statue depicting the countess, Maria Pereira in the Sepulchre of the same name

Detail of a statue depicting the countess, Maria Pereira in the Sepulchre of the same name. Work located in the Church of St. Bernardino, L'Aquila. L'Aquila Church St

Background imageMary Magdalen Collection: Tomb of Maria Pereira located in the church of S. Bernardino, L'Aquila

Tomb of Maria Pereira located in the church of S. Bernardino, L'Aquila. Arcaded structure with pilasters and shell-like niches holding statuettes of John the Baptist, Magdalene, St

Background imageMary Magdalen Collection: Mary Magdalene by Cristoforo Stati, preserved in the Barberini Chapel

Mary Magdalene by Cristoforo Stati, preserved in the Barberini Chapel, inside the Church of Sant'Andrea della Valle, Rome. Rome Church of S

Background imageMary Magdalen Collection: The Maries at the Sepulchre. Tapestry, probably of Flemish manufacture

The Maries at the Sepulchre. Tapestry, probably of Flemish manufacture, created from a drawing by Niccol di Pietro and displayed in St. Mark's Museum in Venice Venice St

Background imageMary Magdalen Collection: The Crucifixion, by Giovanni Bellini held in the Galleria degli Uffizi in Florence

The Crucifixion, by Giovanni Bellini held in the Galleria degli Uffizi in Florence Florence Galleria degli Uffizi Drawing Early Renaissance, Renaissance, Renaissance-Baroque styles and periods

Background imageMary Magdalen Collection: Study for the statue of Magdalena, work of Antonio Canova, Museo Civico, Bassano del Grappa

Study for the statue of Magdalena, work of Antonio Canova, Museo Civico, Bassano del Grappa Bassano del Grappa Museo Civico Preliminary Sketch, Bozzetto Neoclassicism, Nineteenth century

Background imageMary Magdalen Collection: Piet by Canova inside the Canova Temple in Possagno

Piet by Canova inside the Canova Temple in Possagno. Possagno Canova Temple Sculptural Group Neoclassicism, Nineteenth century, 19th century, Europe, First and Second Millennium A.D

Background imageMary Magdalen Collection: High relief with the Madonna and Child and saints, work preserved in the Museo del Duomo of Empoli

High relief with the Madonna and Child and saints, work preserved in the Museo del Duomo of Empoli Empoli Museo del Duomo High Relief Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageMary Magdalen Collection: The Virgin and Child with Saints, upper section of the glazed terracotta altarpiece by Andrea

The Virgin and Child with Saints, upper section of the glazed terracotta altarpiece by Andrea della Robbia, in the Oratory of the Madonna del Buon Consiglio

Background imageMary Magdalen Collection: The Emiliani Chapel or Chapel of San Pietro in the church of Santa Maria Gloriosa dei Frari

The Emiliani Chapel or Chapel of San Pietro in the church of Santa Maria Gloriosa dei Frari, in Venice Venice Church of Santa Maria Gloriosa dei Frari Chapel Early Renaissance, Renaissance

Background imageMary Magdalen Collection: Mary Magdalen by Gian Lorenzo Bernini preserved in the Chapel della Madonna del Voto in Siena

Mary Magdalen by Gian Lorenzo Bernini preserved in the Chapel della Madonna del Voto in Siena Cathedral Siena Cathedral Statue Baroque, Renaissance-Baroque styles and periods, Europe

Background imageMary Magdalen Collection: Detail of a casket, covered in leather with golden reliefs; work preserved in the Museum of

Detail of a casket, covered in leather with golden reliefs; work preserved in the Museum of the Works of the Cathedral in Lucca. The relief represents the Crucifixion

Background imageMary Magdalen Collection: Lunette adorned with a bas-relief representing the Deposition; left portal of the Cathedral of

Lunette adorned with a bas-relief representing the Deposition; left portal of the Cathedral of S.Martino, Lucca. Lucca Lunette Romanesque, Middle Ages, Europe, First and Second Millennium A.D

Background imageMary Magdalen Collection: Christ and Mary Magdalene: terra cotta sculpture, in the Convento dei Minori Osservanti

Christ and Mary Magdalene: terra cotta sculpture, in the Convento dei Minori Osservanti, in San Vivaldo, Montaione Montaione San Vivaldo Sculptural Group High Renaissance, Renaissance

Background imageMary Magdalen Collection: Pieta, in the Convento dei Minori Osservanti, in San Vivaldo, Montaione

Pieta, in the Convento dei Minori Osservanti, in San Vivaldo, Montaione Montaione San Vivaldo Sculptural Group High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageMary Magdalen Collection: Deposition of Christ from the cross; bronze bas-relief by Francesco di Giorgio Martini

Deposition of Christ from the cross; bronze bas-relief by Francesco di Giorgio Martini, located in the church of the Carmini (church of Santa Maria del Carmelo), Venice

Background imageMary Magdalen Collection: Marble tabernacle with the reliquary of the blood of Christ, and the bas-relief of St

Marble tabernacle with the reliquary of the blood of Christ, and the bas-relief of St. Mary Magdalene on the bronze door of the ciborium. St. Francis and St

Background imageMary Magdalen Collection: Lamentation over the Dead Christ, polychrome terracotta, Niccol dell'Arca (1435-1494)

Lamentation over the Dead Christ, polychrome terracotta, Niccol dell'Arca (1435-1494), Church of Santa Maria della Vita in Bologna Bologna Church of Santa Maria della Vita Sculptural Group Early

Background imageMary Magdalen Collection: Tabernacle with Madonna with Child and Saints; in the predella

Tabernacle with Madonna with Child and Saints; in the predella, Annunciation and two stories of san Francesco and the Magdalen

Background imageMary Magdalen Collection: Jesus Christ dead between the Mary's and the Saints. Altar in terracotta by Cieco da Gambassi

Jesus Christ dead between the Mary's and the Saints. Altar in terracotta by Cieco da Gambassi, preserved in the Chiesa dell'Osservanza

Background imageMary Magdalen Collection: Crucifixion, high relief of the parapet, in the Pulpit of Nicola Pisano

Crucifixion, high relief of the parapet, in the Pulpit of Nicola Pisano. The work is in the Baptistery of Pisa. Pisa Baptistery High Relief Gothic, Middle Ages, Europe

Background imageMary Magdalen Collection: Christ's Ascension, choir book illumination, in the Sacristy of the Basilica of Santa Croce

Christ's Ascension, choir book illumination, in the Sacristy of the Basilica of Santa Croce, Florence, Tuscany Florence Basilica of Santa Croce, sacristy Illumination Late Gothic, Gothic

Background imageMary Magdalen Collection: Charter of the City of Pula, illuminated parchment, in the Archeological Museum of Istria, in Pula

Charter of the City of Pula, illuminated parchment, in the Archeological Museum of Istria, in Pula, photographed during the period of Italy's reign in Istria Croatia Pula

Background imageMary Magdalen Collection: Detail of the Pieta Bandini, head of Nicodemus, by Michelangelo

Detail of the Pieta Bandini, head of Nicodemus, by Michelangelo, in the Museo dell'Opera del Duomo, Florence Florence Sculptural Group High Renaissance, Renaissance

Background imageMary Magdalen Collection: Detail of the Piet Bandini, by Michelangelo, in the Museo dell'Opera del Duomo, in Florence

Detail of the Piet Bandini, by Michelangelo, in the Museo dell'Opera del Duomo, in Florence Florence Sculptural Group High Renaissance, Renaissance, Renaissance-Baroque styles and periods

Background imageMary Magdalen Collection: Piet, marble group by Ippolito Scalza, in Orvieto cathedral

Piet, marble group by Ippolito Scalza, in Orvieto cathedral Orvieto Cathedral Sculptural Group High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageMary Magdalen Collection: Altar piece in glazed terracotta representing the Crucifixion

Altar piece in glazed terracotta representing the Crucifixion. Work of the School of Andrea della Robbia preserved in the Church of S. Maria Primerana in Fiesole. Florence Church of S

Background imageMary Magdalen Collection: Donatello's Mary Magdalene, in the Museo dell'Opera del Duomo, Florence

Donatello's Mary Magdalene, in the Museo dell'Opera del Duomo, Florence Florence Baptistry of San Giovanni Statue Early Renaissance, Renaissance, Renaissance-Baroque styles and periods

Background imageMary Magdalen Collection: Magdalene Penitent, upper part, wood, Donato di Niccol di Betto Bardi known as Donatello (1386-1466)

Magdalene Penitent, upper part, wood, Donato di Niccol di Betto Bardi known as Donatello (1386-1466), Museum of The Opera del Duomo of Santa Maria del Fiore

Background imageMary Magdalen Collection: Saint Mary Magdalena, work of the Flemish school preserved in the Muse du Moyen-Age de Cluny, Paris

Saint Mary Magdalena, work of the Flemish school preserved in the Muse du Moyen-Age de Cluny, Paris France Paris, Muse du Moyen-Age de Cluny Statue Renaissance

Background imageMary Magdalen Collection: Christ appearing before Magdalena, panel located in the Cathedral of Notre Dame, Paris

Christ appearing before Magdalena, panel located in the Cathedral of Notre Dame, Paris France Paris, Cathedral of Notre Dame, interior High Relief Middle Ages, Europe

Background imageMary Magdalen Collection: Burial of Christ from the Christ. Sculpted work of the French School preserved in the Louvre

Burial of Christ from the Christ. Sculpted work of the French School preserved in the Louvre Museum, Paris France Paris, Louvre Musuem Sculptural Group Gothic, Middle Ages, Europe

Background imageMary Magdalen Collection: Mary Magdalene, detail of the Bandini Piet by Michelangelo Buonarroti

Mary Magdalene, detail of the Bandini Piet by Michelangelo Buonarroti. The sculpture was originally located in the Cathedral of Santa Maria del Fiore

Background imageMary Magdalen Collection: Mary Magdalene, wood statue by the Florentine School, in the Pieve of San Giovanni Decollato in

Mary Magdalene, wood statue by the Florentine School, in the Pieve of San Giovanni Decollato in Cornacchiaia, near Firenzuola Firenzuola Cornacchiaia

Background imageMary Magdalen Collection: Majolica plate by Castel Durante representing the three Marys at the Sepulcher

Majolica plate by Castel Durante representing the three Marys at the Sepulcher, preserved in the State Museum of Medieval and Modern Art in Arezzo Arezzo Civic Museum Plate High Renaissance

Background imageMary Magdalen Collection: Tapestry depicting the burial of Christ, Flemish work preserved in the Louvre Museum, Paris

Tapestry depicting the burial of Christ, Flemish work preserved in the Louvre Museum, Paris France Paris, Louvre Musuem Tapestry Early Renaissance, Renaissance

Background imageMary Magdalen Collection: Tapestry depicting the spirit of Christ before Magdalena, Flemish work preserved in the Louvre

Tapestry depicting the spirit of Christ before Magdalena, Flemish work preserved in the Louvre Museum, Paris France Paris, Louvre Musuem Tapestry Early Renaissance, Renaissance

Background imageMary Magdalen Collection: Enameled panel depicting the Crucifixion, by the Limoges School, in the Museo Civico Filangieri

Enameled panel depicting the Crucifixion, by the Limoges School, in the Museo Civico Filangieri, Palazzo Cuomo, Naples Naples Palazzo Cuomo, Museo Civico Filangieri Tile Early Renaissance

Background imageMary Magdalen Collection: ACA-F-016846-0000

ACA-F-016846-0000
Tapestry with the Crucifixtion in the Pinacoteca Comunale in Forl Forl Piancoteca Comunale Tapestry Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageMary Magdalen Collection: Penitent Mary Magdalene, marble, Antonio Canova (1757-1822), Palazzo Bianco, Genoa

Penitent Mary Magdalene, marble, Antonio Canova (1757-1822), Palazzo Bianco, Genoa Genoa Palazzo Bianco Statue Neoclassicism, Nineteenth century, 19th century, Europe

Background imageMary Magdalen Collection: Magdalene: altar statue in the Church of Santi Giovanni e Paolo, called Zanipolo, Venice

Magdalene: altar statue in the Church of Santi Giovanni e Paolo, called Zanipolo, Venice Venice Church of Santi Giovanni e Paolo Statue Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageMary Magdalen Collection: Mary Magdalene; detail of the plastic group by Antonio Begarelli reproducing Jesus in the house of

Mary Magdalene; detail of the plastic group by Antonio Begarelli reproducing Jesus in the house of Martha and Mary, the apostles Peter and Andrew and two women.Church of St.Dominic

Background imageMary Magdalen Collection: Medallions of Mary Magdalene and St. Anthony, by Andrea della Robbia

Medallions of Mary Magdalene and St. Anthony, by Andrea della Robbia, in the Large Cloister of the Certosa (Carthusian Monastery), Florence Florence Certosa, Large Cloister Bust Renaissance

Background imageMary Magdalen Collection: Mary Magdalene, wood sculpture by Desiderio da Settignano, finished by Benedetto da Maiano

Mary Magdalene, wood sculpture by Desiderio da Settignano, finished by Benedetto da Maiano, Church of Santa Trinita, Florence Florence Church of Santa Trinita

Background imageMary Magdalen Collection: Piet Bandini, marble, Michelangelo Buonarroti (1475-1564), Museo dell'Opera del Duomo of Santa

Piet Bandini, marble, Michelangelo Buonarroti (1475-1564), Museo dell'Opera del Duomo of Santa Maria del Fiore, Florence Florence Museo dell'Opera del Duomo of Santa Maria del Fiore

Background imageMary Magdalen Collection: The Penitent Mary Magdalene with Two Angels, 1622 (oil on canvas)

The Penitent Mary Magdalene with Two Angels, 1622 (oil on canvas)
7426514 The Penitent Mary Magdalene with Two Angels, 1622 (oil on canvas) by Guercino (Giovanni Francesco Barbieri) (1591-1666); Vatican Museums and Galleries

Background imageMary Magdalen Collection: Mary Magdalene in Ecstasy, c.1858 (pencil, crayon, w/c, wash & ink on paper)

Mary Magdalene in Ecstasy, c.1858 (pencil, crayon, w/c, wash & ink on paper)
8598224 Mary Magdalene in Ecstasy, c.1858 (pencil, crayon, w/c, wash & ink on paper) by Scheffer, Ary (1795-1858); Musee de la Vie Romantique, Paris, France; (add.info.: Drawing by Ary Scheffer)




For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Mary Magdalen: A Journey of Redemption and Devotion" In the world of art, it has been a captivating subject for centuries. From her portrayal as the Penitent Magdalen in oil on canvas to her depiction as Saint Mary Magdalene penitent, artists have sought to capture her profound transformation. One such masterpiece is "The Last Supper" by Juan de Juanes. In this iconic painting, Mary Magdalene's presence at the table signifies her unwavering loyalty and devotion to Jesus Christ. Another notable artwork is Francesco Solimena's "The Descent from the Cross, " where Mary Magdalene mourns alongside other followers of Christ. Her grief and sorrow are palpable, emphasizing her deep emotional connection with Jesus. A Greek icon titled "Pieta" portrays a tender moment between Mary Magdalene and Jesus after his crucifixion. This intimate scene reflects their unique bond and highlights Mary's role as a witness to his suffering. Gaspard Duchange's painting depicts the penitent Mary Magdalene seeking solace in the wilderness. The artist captures both her inner turmoil and spiritual awakening through delicate brushstrokes. Hendrik Goltzius' rendition showcases St. Mary Magdalene Penitent in all her vulnerability. Through intricate details, Goltzius conveys not only repentance but also hope for redemption. Artemisia Gentileschi's "Saint Mary Magdalene in Ecstasy" captivates viewers with its intense emotionality. The artist skillfully portrays ecstasy mixed with pain, symbolizing both divine revelation and personal struggle within one figure. Sir Anthony van Dyck's piece presents an intriguing composition featuring Christ on the cross surrounded by figures including Saints John the Baptist and Mary Magdalene. Here, she stands as a testament to unwavering faith even amidst great suffering.