Pointillism Collection (#9)

Les Iles d Or, 1891-1892. Creator: Cross, Henri Edmond (1856-1910)
Les Iles d Or, 1891-1892. Found in the Collection of Musee d Orsay, Paris

Le Cap Layet, 1904. Creator: Cross, Henri Edmond (1856-1910)
Le Cap Layet, 1904. Found in the Collection of Musee de Grenoble

Self-Portrait, c. 1883-1885. Creator: Cross, Henri Edmond (1856-1910)
Self-Portrait, c. 1883-1885. Found in the Collection of Musee de la Chartreuse, Douai

Ave Maria della sera, 1910. Creator: Morbelli, Angelo (1853-1919)
Ave Maria della sera, 1910. Found in the Collection of Galleria d arte moderna, Milano

Violette, 1913. Creator: Lionne (Della Leonessa), Enrico (1865-1921)
Violette, 1913. Found in the Collection of Galleria nazionale d arte moderna Rome

Tempi lontani, 1908. Creator: Morbelli, Angelo (1853-1919)
Tempi lontani, 1908. Found in the Collection of Galleria d arte moderna, Milano

Sunday Dawn (First Mass). Creator: Morbelli, Angelo (1853-1919)
Sunday Dawn (First Mass). Found in the Collection of Galleria d arte moderna, Milano

Tetti sotto la neve (Roofs under the snow), 1910. Creator: Morbelli, Angelo (1853-1919)
Tetti sotto la neve (Roofs under the snow), 1910. Found in the Collection of Galleria d arte moderna, Milano

Nocturne with Cypresses (Nocturne aux cypres), 1896. Creator: Cross, Henri Edmond (1856-1910)
Nocturne with Cypresses (Nocturne aux cypres), 1896. Found in the Collection of Musee du Petit Palais, Geneva

The Evening Air, ca 1893. Artist: Cross, Henri Edmond (1856-1910)
The Evening Air, ca 1893. Found in the collection of the Musee d Orsay, Paris

The snow, 1906. Private Collection

Sunset (Burning bush), 1900-1902. Found in the Collection of Galleria d arte moderna Ricci Oddi, Piacenza

Trees and clouds at Villa Borghese, 1906. Found in the Collection of Palazzo Pitti, Florence

Stream of people (La Fiumana), 1895-1896. Found in the Collection of Pinacoteca di Brera, Milan

May morning, 1903. Found in the Collection of Pinacoteca Fondazione Cassa di Risparmio di Tortona

Christian Charity. Found in the Collection of Musei Civici, Pavia

The Forest at Pontaubert, 1881 (oil on canvas)
3468877 The Forest at Pontaubert, 1881 (oil on canvas) by Seurat, Georges Pierre (1859-91); 79.1x62.5 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Gray Weather, Grande Jatte, c. 1886-88 (oil on canvas)
3468876 Gray Weather, Grande Jatte, c.1886-88 (oil on canvas) by Seurat, Georges Pierre (1859-91); 70.5x86.4 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Embroidery; The Artists Mother, 1882-83 (conte crayon on Michallet paper)
3468874 Embroidery; The Artists Mother, 1882-83 (contecrayon on Michallet paper) by Seurat, Georges Pierre (1859-91); 31.2x24.1 cm; Metropolitan Museum of Art, New York

Foal (Le Poulain), 1882-83 (conte crayon on laid paper)
3432944 Foal (Le Poulain), 1882-83 (conte crayon on laid paper) by Seurat, Georges Pierre (1859-91); 24.8x31.8 cm; Metropolitan Museum of Art, New York

Aman-Jean, 1882-83 (conte crayon on Michallet paper)
3432942 Aman-Jean, 1882-83 (contecrayon on Michallet paper) by Seurat, Georges Pierre (1859-91); 62.2u47.5 cm; Metropolitan Museum of Art, New York

Landscape at Saint-Ouen, 1878-79 (Oil on wood)
3432941 Landscape at Saint-Ouen, 1878-79 (Oil on wood) by Seurat, Georges Pierre (1859-91); 17.5x26.4 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

View of the Seine, 1882-83 (oil on wood)
3432936 View of the Seine, 1882-83 (oil on wood) by Seurat, Georges Pierre (1859-91); 15.9x24.8 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Evening Calm, Concarneau, Opus 220 (Allegro Maestoso), 1891 (oil on canvas)
3432934 Evening Calm, Concarneau, Opus 220 (Allegro Maestoso), 1891 (oil on canvas) by Signac, Paul (1863-1935); 64.8x81.3 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

The Jetty at Cassis, Opus 198, 1889 (oil on canvas)
3432933 The Jetty at Cassis, Opus 198, 1889 (oil on canvas) by Signac, Paul (1863-1935); 46.4x65.1 cm; Metropolitan Museum of Art, New York, USA; (add.info.: near Marseilles); French, out of copyright

Peasant with a Hoe, c. 1882 (oil on wood)
3428139 Peasant with a Hoe, c.1882 (oil on wood) by Seurat, Georges Pierre (1859-91); 14.6x24.1 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Poplars, c. 1883-4 (conte crayon on michalett paper)
1766125 Poplars, c.1883-4 (conte crayon on michalett paper) by Seurat, Georges Pierre (1859-91); 24.3x31 cm; J. Paul Getty Museum, Los Angeles, USA; French, out of copyright

Fishing boats (oil on canvas)
XIR423414 Fishing boats (oil on canvas) by Martin, Henri (1860-1943); 60x73 cm; Musee Toulouse-Lautrec, Albi, France; (add.info.: Barques de Peche; ); French, out of copyright

Red Roofs at Collioure (oil on canvas)
XJL61838 Red Roofs at Collioure (oil on canvas) by Martin, Henri (1860-1943); 81x113 cm; Musee des Beaux-Arts, Bordeaux, France; French, out of copyright

Interior of a Restaurant, 1887. Found in the collection of Kroller-Muller Museum, Otterlo

The Golden Horn. The Bridge, 1907. Artist: Signac, Paul (1863-1935)
The Golden Horn. The Bridge, 1907. Private Collection

Paul Signac on his boat. Artist: Rysselberghe, Theo van (1862-1926)
Paul Signac on his boat. Private Collection

Railway junction near Bois-Colombes, 1885. Artist: Signac, Paul (1863-1935)
Railway junction near Bois-Colombes, 1885. Found in the collection of the Van Gogh Museum, Amsterdam

The Port of Saint-Tropez, 1901-1902. Artist: Signac, Paul (1863-1935)
The Port of Saint-Tropez, 1901-1902. Found in the collection of the National Museum of Western Art, Tokyo

The Port of Rotterdam, 1907. Artist: Signac, Paul (1863-1935)
The Port of Rotterdam, 1907. Found in the collection of the Museum Boijmans Van Beuningen, Rotterdam

SEURAT: KNOBLOCH, 1889-90. Madeleine Knobloch seated at a powder table. Oil on canvas by Georges Seurat, 1889-90

Painting titled The Channel of Gravelines Grand Fort Philippe by Georges-Pierre Seurat
Painting titled The Channel of Gravelines Grand FortPhilippe by GeorgesPierre Seurat

Painting titled The Morning Walk by Georges Pierre Seurat, 19th century
Painting titled The Morning Walk by GeorgesPierre Seurat (18591891) a French postImpressionist painter and draftsman. Dated 19th Century

Madame Astre, 1892. Found in the collection of Musee des Beaux-Arts, Carcassonne

Early morning at the workshop. Found in the Collection of Pinacoteca Fondazione Cassa di Risparmio di Tortona

Coolness or Under the pergola. Found in the Collection of Pinacoteca Fondazione Cassa di Risparmio di Tortona

Italian brig at Agay, 1901. Artist: Signac, Paul (1863-1935)
Italian brig at Agay, 1901. Private Collection

Sunset (L Eventail), c. 1905. Artist: Signac, Paul (1863-1935)
Sunset (L Eventail), c. 1905. Private Collection

Cypresses in Sainte-Anne (SaintTropez). Artist: Signac, Paul (1863-1935)
Cypresses in Sainte-Anne (SaintTropez). Private Collection

Sails and pines. Artist: Signac, Paul (1863-1935)
Sails and pines. Private Collection

Port-en-Bessin, The Beach. Artist: Signac, Paul (1863-1935)
Port-en-Bessin, The Beach. Found in the collection of Thyssen-Bornemisza Collections

The Mansur Gate in Meknes, Morocco. Artist: Rysselberghe, Theo van (1862-1926)
The Mansur Gate in Meknes, Morocco. Found in the collection of Thyssen-Bornemisza Collections

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Discover the mesmerizing art of pointillism, a technique that revolutionized the world of painting. Pioneered by Georges Seurat in the late 19th century, this style involves creating images using tiny dots of color. One of Seurat's most famous works is 'A Sunday Afternoon on the Island of La Grande Jatte, ' where he meticulously applied countless dots to depict Parisians enjoying their leisure time. Another remarkable piece is 'Bathers at Asnieres, ' which showcases Seurat's mastery in capturing light and shadow through carefully placed dots. In his study for 'A Sunday on La Grande Jatte, ' we witness Seurat's meticulous planning and attention to detail before executing his final masterpiece. It also found its way into landscapes, as seen in Theo van Rysselberghe's 'The Red Sail' and Henri Edmond Cross' 'Le Bois ou Nu sous bois. ' These artists embraced pointillism to convey vibrant scenes with a unique texture and luminosity. Seurat even ventured beyond traditional subjects, immortalizing iconic landmarks like the Eiffel Tower in his work titled simply 'Eiffel Tower. ' The precision and patience required for it can evident here as well. Other artists such as Cross explored different settings like beaches, exemplified by Seurat's 'Beach at Gravelines' and Cross' own depiction called 'The Beach of Vignasse. ' Pointillism continued to evolve over time, with artists experimenting with new techniques while staying true to its core principles. Henri Edmond Cross showcased this evolution in his later work such as 'Le Jardin du Vert-Galant, ' where he employed brighter colors and looser brushwork while still maintaining the essence of pointillism. Step into a world where every dot matters; explore these captivating artworks that capture moments frozen in time through an intricate web of colorful points.