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Putti Collection

"Putti: The Divine Messengers of Love and Beauty" In the realm of art, they have long been revered as celestial beings symbolizing innocence, love, and beauty

Background imagePutti Collection: Madonna and Child, c1918. Artist: Jeanne Labrousse

Madonna and Child, c1918. Artist: Jeanne Labrousse
Madonna and Child, c1918. From The Studio Volume 73. [London Offices of the Studio, London, 1918]

Background imagePutti Collection: The Birth of Venus, 1875. Creator: Alexandre Cabanel

The Birth of Venus, 1875. Creator: Alexandre Cabanel
The Birth of Venus, 1875

Background imagePutti Collection: France - Amiens - The Cathedral - The Crying Angel Statue

France - Amiens - The Cathedral - The Crying Angel Statue Date: circa 1910

Background imagePutti Collection: Cherub Looking to Right

Cherub Looking to Right
cherub looking to the right

Background imagePutti Collection: Italian Wedding Card

Italian Wedding Card
Dancing cherubs on a good luck card, looking forward to the couples silver, gold and diamond anniversaries!

Background imagePutti Collection: St. Cecilia, 1891, (1911). Artist: Gustav Naujok

St. Cecilia, 1891, (1911). Artist: Gustav Naujok
St. Cecilia, 1891, (1911). Saint Cecilia, the patron saint of musicians. From Bibbys Annual 1911. [J. Bibby & Sons, Liverpool, 1911]

Background imagePutti Collection: Birth of Venus, 1863 (oil on canvas)

Birth of Venus, 1863 (oil on canvas)
XIR21565 Birth of Venus, 1863 (oil on canvas) by Cabanel, Alexandre (1823-89); 130x225 cm; Musee d Orsay, Paris, France; French, out of copyright

Background imagePutti Collection: H : Angelot with a green veil - the upper-case surrounded by forget-me-not flowers - Alphabet of

H : Angelot with a green veil - the upper-case surrounded by forget-me-not flowers - Alphabet of cherubs
DUV4224832 H : Angelot with a green veil - the upper-case surrounded by forget-me-not flowers - Alphabet of cherubs, 1905 (postcard) by French School

Background imagePutti Collection: Decorated Christmas tree with toys and food below

Decorated Christmas tree with toys and food below. Date: circa 1890s

Background imagePutti Collection: Cupids Target, from Les Amours des Dieux, 1758 (oil on canvas)

Cupids Target, from Les Amours des Dieux, 1758 (oil on canvas)
XIR214836 Cupids Target, from Les Amours des Dieux, 1758 (oil on canvas) by Boucher, Francois (1703-70); 268x167 cm; Louvre, Paris, France; French, out of copyright

Background imagePutti Collection: Queen Elizabeth I (1538-1603) in Old Age, c. 1610 (oil on panel)

Queen Elizabeth I (1538-1603) in Old Age, c. 1610 (oil on panel)
CRS225667 Queen Elizabeth I (1538-1603) in Old Age, c.1610 (oil on panel) by English School, (17th century); Corsham Court, Wiltshire; English, out of copyright

Background imagePutti Collection: Hera, Aphrodite, and Athena preparing themselves for the contest of beauty before P

Hera, Aphrodite, and Athena preparing themselves for the contest of beauty before Paris; from Recueil d estampes d apres les plus beaux tableaux et d apres les plus beaux desseins qui sont en France

Background imagePutti Collection: The Holy Trinity, with the dead Christ at center surrounded by angels, God the Father

The Holy Trinity, with the dead Christ at center surrounded by angels, God the Father, and the Holy Spirit, 1650-90

Background imagePutti Collection: Lady Hamilton as the Goddess of Health, c1790, (1920). Creator: George Romney

Lady Hamilton as the Goddess of Health, c1790, (1920). Creator: George Romney
Lady Hamilton as the Goddess of Health, c1790, (1920). Emma Hart, later Lady Hamilton, mistress of Lord Nelson as muse of portrait artist, George Romney. From " The Connoisseur Vol

Background imagePutti Collection: View of London, c1650, (19th century)

View of London, c1650, (19th century). Panoramic view of London from the South Bank showing the old St Pauls Cathedral before the Great Fire of London in 1666

Background imagePutti Collection: Central panel of the Malvagna Triptych, c. 1513-15 (oil on panel)

Central panel of the Malvagna Triptych, c. 1513-15 (oil on panel)
XIR438806 Central panel of the Malvagna Triptych, c.1513-15 (oil on panel) by Gossaert, Jan (Mabuse) (c.1472-c.1533); Galleria Regionale della Sicilia, Palermo, Sicily, Italy; Flemish

Background imagePutti Collection: Influence of the Universe, the Macrocosm, on Man, the Microcosm, 1678

Influence of the Universe, the Macrocosm, on Man, the Microcosm, 1678. From Mundus Subterraneus by Athanasius Kircher. (Amsterdam, 1678)

Background imagePutti Collection: The Birth of Venus, 1846

The Birth of Venus, 1846
BAL82747 The Birth of Venus, 1846 by Steinbruck, Eduard (1802-82); 213.4x162. cm; Private Collection; German, out of copyright

Background imagePutti Collection: Deposition, after 1800. Creator: Antonio d Este

Deposition, after 1800. Creator: Antonio d Este
Deposition, after 1800. After a model by Antonio Canova

Background imagePutti Collection: The Holy Family with the Virgin holding Christ over the cradle, 1640-60. 1640-60

The Holy Family with the Virgin holding Christ over the cradle, 1640-60. 1640-60
The Holy Family with the Virgin holding Christ over the cradle, 1640-60

Background imagePutti Collection: Midas, Transmuting all into [Gold] Paper, pub. 1797 (hand coloured engraving)

Midas, Transmuting all into [Gold] Paper, pub. 1797 (hand coloured engraving)
2966815 Midas, Transmuting all into [Gold] Paper, pub. 1797 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imagePutti Collection: The Judgment of Paris, c1635-1638, (1912). Artist: Peter Paul Rubens

The Judgment of Paris, c1635-1638, (1912). Artist: Peter Paul Rubens
Judgment of Paris, c1635-1638, (1912). A colour print of Rubens painting, from Famous Paintings with an introduction by Gilbert Chesterton, (Cassell and Company, London, New York, Toronto, 1912)

Background imagePutti Collection: Venus with a Mirror, c. 1555 (oil on canvas)

Venus with a Mirror, c. 1555 (oil on canvas)
XOS744781 Venus with a Mirror, c. 1555 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); 124.5 x 105.5 cm; National Gallery of Art, Washington DC, USA; Italian, out of copyright

Background imagePutti Collection: The Adoration of the Shepherds, c. 1640-42 (oil on panel)

The Adoration of the Shepherds, c. 1640-42 (oil on panel)
BAL35651 The Adoration of the Shepherds, c.1640-42 (oil on panel) by Reni, Guido (1575-1642); 100x100 cm; Pushkin Museum, Moscow, Russia; Italian, out of copyright

Background imagePutti Collection: The Poets Inspiration (oil on canvas)

The Poets Inspiration (oil on canvas)
XIR26908 The Poets Inspiration (oil on canvas) by Poussin, Nicolas (1594-1665); 182x213 cm; Louvre, Paris, France; French, out of copyright

Background imagePutti Collection: MS 293b

MS 293b
Illuminated manuscript cutting. Collage with historiated initial and border from a Choir Psalter. Maker & Production: Avila. Illumination, parchment and gold, circa 1482- circa 1492

Background imagePutti Collection: Rest on the Flight into Egypt, 1725. Creator: Giovanni Battista Pittoni the Younger

Rest on the Flight into Egypt, 1725. Creator: Giovanni Battista Pittoni the Younger
Rest on the Flight into Egypt, 1725.

Background imagePutti Collection: The Holy Family, with Saint Elisabeth and the Infant Saint John the Baptist, 1653

The Holy Family, with Saint Elisabeth and the Infant Saint John the Baptist, 1653. Creator: Sébastien Bourdon
The Holy Family, with Saint Elisabeth and the Infant Saint John the Baptist, 1653.

Background imagePutti Collection: The Virgin and Child with Saint Rose of Viterbo, 1670. Creator: Bartolomé Esteban Murillo

The Virgin and Child with Saint Rose of Viterbo, 1670. Creator: Bartolomé Esteban Murillo
The Virgin and Child with Saint Rose of Viterbo, 1670.

Background imagePutti Collection: Mary Magdalen conforted by Angels, 1694. Creator: Sebastiano Ricci

Mary Magdalen conforted by Angels, 1694. Creator: Sebastiano Ricci
Mary Magdalen conforted by Angels, 1694.

Background imagePutti Collection: Bacchus and Ariadne, 1691. Creator: Sebastiano Ricci

Bacchus and Ariadne, 1691. Creator: Sebastiano Ricci
Bacchus and Ariadne, 1691.

Background imagePutti Collection: The Immaculate Conception, 1608. Creators: El Greco, Jorge Manuel Theotocopuli

The Immaculate Conception, 1608. Creators: El Greco, Jorge Manuel Theotocopuli
The Immaculate Conception, 1608.

Background imagePutti Collection: The Annunciation, 1576. Creator: El Greco

The Annunciation, 1576. Creator: El Greco
The Annunciation, 1576.

Background imagePutti Collection: The Rest on the Flight into Egypt, 1540. Creator: Anon

The Rest on the Flight into Egypt, 1540. Creator: Anon
The Rest on the Flight into Egypt, 1540.

Background imagePutti Collection: The Presentation of the Captain General's Baton to Antonio Moncada by the Queen Regent....1410

The Presentation of the Captain General's Baton to Antonio Moncada by the Queen Regent....1410
The Presentation of the Captain General's Baton to Antonio Moncada by the Queen Regent Blanca of Sicily in 1410, 1664

Background imagePutti Collection: The Submission of the Sicilian Rebels to Antonio Moncada in 1411, 1663

The Submission of the Sicilian Rebels to Antonio Moncada in 1411, 1663. Creators: David Teniers II, Jan van Kessel
The Submission of the Sicilian Rebels to Antonio Moncada in 1411, 1663. Antonio de Moncada, having defeated the rebels, represented by two kneeling men in the foreground

Background imagePutti Collection: The See-Saw, 1750. Creator: Jean-Honore Fragonard

The See-Saw, 1750. Creator: Jean-Honore Fragonard
The See-Saw, 1750.

Background imagePutti Collection: Lamentation Over The Body Of Christ, c1645-50. Creator: Alessandro Turchi

Lamentation Over The Body Of Christ, c1645-50. Creator: Alessandro Turchi
Lamentation Over The Body Of Christ, c1645-50. Christ's body has been removed from the cross and laid on a tomb. A basket in the foreground contains the crown of thorns

Background imagePutti Collection: Bacchanal, 1660. Creator: Giulio Carpioni

Bacchanal, 1660. Creator: Giulio Carpioni
Bacchanal, 1660.

Background imagePutti Collection: Pair Of Wall Sconces, 1730/31. Creator: Peter Archambo

Pair Of Wall Sconces, 1730/31. Creator: Peter Archambo
Pair Of Wall Sconces, 1730/31. These extravagantly ornamented sconces were originally part of an impressive silver collection amassed by George Booth, second Earl of Warrington

Background imagePutti Collection: Intermezzi, Opus Iv, Bl. 12: Amor, Tod Und Jenseits (Love, Death And Beyond), 1881

Intermezzi, Opus Iv, Bl. 12: Amor, Tod Und Jenseits (Love, Death And Beyond), 1881. Creator: Max Klinger
Intermezzi, Opus Iv, Bl. 12: Amor, Tod Und Jenseits (Love, Death And Beyond), 1881.

Background imagePutti Collection: Vulcan Presenting Arms To Venus For Aeneas, 1756. Creator: Francois Boucher

Vulcan Presenting Arms To Venus For Aeneas, 1756. Creator: Francois Boucher
Vulcan Presenting Arms To Venus For Aeneas, 1756. In Virgil's epic Aeneid, Venus seduces Vulcan and persuades him to forge weapons for her son Aeneas

Background imagePutti Collection: The Chariot Of Aurora, c1734. Creator: Giovanni Battista Tiepolo

The Chariot Of Aurora, c1734. Creator: Giovanni Battista Tiepolo
The Chariot Of Aurora, c1734. The chariot of Aurora, goddess of the dawn, ascends into the sky to begin a new day. Sunflowers turn toward the light, while a bat flees with the darkness

Background imagePutti Collection: Testimonial to the late John Strang, Esq, L.L.D., City Chamberlain of Glasgow, 1864

Testimonial to the late John Strang, Esq, L.L.D., City Chamberlain of Glasgow, 1864. Creator: Unknown
Testimonial to the late John Strang, Esq, L.L.D., City Chamberlain of Glasgow, 1864. '...a very handsome testimonial was presented to the late Dr

Background imagePutti Collection: Courtly Women Listen To Music In An Orchard. After Section Of A Fresco Called Triumph Of Death In

Courtly Women Listen To Music In An Orchard. After Section Of A Fresco Called Triumph Of Death In The Camposanto
UIG5420259 Courtly Women Listen To Music In An Orchard. After Section Of A Fresco Called Triumph Of Death In The Camposanto Monumentale By Buonamico Di Martino, Also Known As Buonamico Buffalmacco

Background imagePutti Collection: Cupid deposits his banner in the temple of Minerva

Cupid deposits his banner in the temple of Minerva
5893191 Cupid deposits his banner in the temple of Minerva.; (add.info.: Cupid deposits his banner in the temple of Minerva)

Background imagePutti Collection: Cupid hits the centre of the target

Cupid hits the centre of the target
5893188 Cupid hits the centre of the target.; (add.info.: Cupid hits the centre of the target. Handcoloured copperplate engraving by William Nelson Gardiner after an illustration by Princess)

Background imagePutti Collection: Cupid supplicates Pallas to let him become a volunteer

Cupid supplicates Pallas to let him become a volunteer
5893182 Cupid supplicates Pallas to let him become a volunteer.; (add.info.: Cupid supplicates Pallas to let him become a volunteer)




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"Putti: The Divine Messengers of Love and Beauty" In the realm of art, they have long been revered as celestial beings symbolizing innocence, love, and beauty. From classical paintings to intricate sculptures, their presence adds a touch of enchantment to various artistic masterpieces. One such iconic portrayal is seen in Alexandre Cabanel's "The Birth of Venus" (1875), where delicate putti surround the goddess emerging from the sea, bestowing her with ethereal grace. These cherubic figures bring an otherworldly charm to this renowned French artwork. Moving on to Amiens Cathedral in France, we encounter the poignant statue known as "The Crying Angel. " With its cherub looking towards the right, it evokes a sense of melancholy and longing for divine intervention amidst human suffering. Italy too has embraced these angelic creatures within its cultural fabric. They adorn Italian wedding cards with their innocent smiles and fluttering wings, blessing couples with eternal love and happiness on their special day. Gustav Naujok's depiction of St. Cecilia (1891) showcases another instance where putti play a significant role. These heavenly messengers accompany the saintly figure while she creates harmonious melodies that resonate through time. In Sandro Botticelli's masterpiece "Birth of Venus" (1863), it can present once again—this time surrounding the birth of the goddess herself. Their playful demeanor adds an element of whimsy to this timeless painting. Les Amours des Dieux by François Boucher features Cupid aiming his arrow at unsuspecting lovers—a charming scene brought alive by these mischievous little angels who make love bloom wherever they go. Even Queen Elizabeth I was not immune to their allure; portrayed in old age by an unknown artist around 1610, she is accompanied by putti symbolizing her everlasting legacy as one of England's most influential monarchs.