Robert Anning Collection

Design for Stained Glass, 1926. Artist: Robert Anning Bell
Design for Stained Glass, 1926. From The Studio Volume 91. [London Offices of the Studio, London, 1926]

The Adoration of the Magi, late 19th century, (1912). Artist: Robert Anning Bell
The Adoration of the Magi, late 19th century, (1912). The Adoration of the Magi, is the name traditionally given to the subject in the Nativity when the three Magi, represented as kings

Illustration for The Altar Book, 1892, (1897). Artist: Robert Anning Bell
Illustration for The Altar Book, 1892, (1897). Daniel Berkeley Updike (1860-1941) oversaw the design of The Altar Book, a large format liturgical book for the Episcopal Church in New England

A Bookplate, 1894, (1894). Artist: Robert Anning Bell
A Bookplate, 1894, (1894). A bookplate designed for Frederic Leighton (1830-1896). From The Studio Volume 3. [London Offices of the Studio, London, 1894]

Sketch of The Seven Seas, c1922, (1923). Artist: Robert Anning Bell
Sketch of The Seven Seas, c1922, (1923). 1923. Sketch design for The Mediterranean, one of the decorative panels of The Seven Seas in the British Pavilion at the Rio International Exhibition

The Pool, 1906, (1918). Artist: Robert Anning Bell
The Pool, 1906, (1918). From The Studio Volume 74. [London Offices of the Studio, London, 1918]

The Prisoners, c1900. Artist: Robert Anning Bell
The Prisoners, c1900. From Modern Pen Drawings: European and American, Edited by Charles Holme. [The Offices of the Studio, London, Paris, New York, 1900-01]

An illustration from The Tempest, 1901 (1901-1902). Artist: Robert Anning Bell
An illustration from The Tempest, 1901 (1901-1902). From The Studio Volume 24. [The Offices of the Studio Ltd. London, 1901-2]

The Golden Goose from Grimms Household Tales, c1900 (1901-1902). Artist: Robert Anning Bell
The Golden Goose from Grimms Household Tales, c1900 (1901-1902). From The Studio Volume 24. [The Offices of the Studio Ltd. London, 1901-1902]

An Angel Adoring`, a coloured plaster relief by Robert Anning Bell, c1901 (1901-1902) Artist: Robert Anning Bell
An Angel Adoring`, a coloured plaster relief by Robert Anning Bell, c1901 (1901-1902). From The Studio Volume 24. [The Offices of the Studio Ltd. London, 1901-1902]

A study in Sanguine, c1900. Artist: Robert Anning Bell
A study in Sanguine, c1900. From The Studio Volume 49. [London Offices of the Studio, London, 1910]

Mother and Children, c1900. Artist: Robert Anning Bell
Mother and Children, c1900. From The Studio Volume 42 [London Offices of the Studio, London, 1907-8]

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Robert Anning Bell was a talented artist known for his diverse range of works. From designing stained glass to creating illustrations for books, Bell's artistic abilities were truly remarkable. In 1926, Bell showcased his expertise in Design for Stained Glass. His intricate designs and attention to detail brought life to the windows they adorned. Each piece told a unique story, captivating viewers with their beauty. One of Bell's notable works is The Adoration of the Magi from the late 19th century. Painted in 1912, this masterpiece depicts the biblical scene with grace and elegance. The colors blend harmoniously, creating a sense of awe and reverence. Bell also left his mark on The Altar Book in 1892. With its publication in 1897, his illustrations added depth and symbolism to religious texts. His artistry enhanced the spiritual experience for those who read these sacred pages. In A Bookplate created in 1894, Bell demonstrated his ability to capture individuality through art. This personalized design reflected the owner's personality while showcasing Bell's creativity and skill as an artist. The Sketch of The Seven Seas from c1922 showcases another facet of Bell's talent - his ability to capture landscapes with precision and emotion. Through simple yet powerful strokes, he transported viewers into vast seascapes that evoked feelings of tranquility or adventure. Bell also explored themes beyond religion and nature; he delved into human emotions as seen in The Pool from 1906 (reworked in 1918). This haunting painting depicted solitude amidst turmoil – a reflection on the complexities of human existence. The Prisoners painted around c1900 revealed another side of humanity – confinement and despair. Through this artwork, Bell conveyed empathy towards those trapped physically or emotionally within their circumstances. Bell's illustrations extended beyond paintings; he breathed life into literary classics like Shakespeare's The Tempest (1901-1902) or Grimms Household Tales (1901-1902).