Robert Anning Bell Collection

Ariadne, (paster relief painted and gilt)
828391 Ariadne, (paster relief painted and gilt) by Bell, Robert Anning (1863-1933); 62.2x36.2 cm; Private Collection; (add.info.: Ariadne. Robert Anning Bell (1863-1933)

Design for Stained Glass, 1926. Artist: Robert Anning Bell
Design for Stained Glass, 1926. From The Studio Volume 91. [London Offices of the Studio, London, 1926]

The Adoration of the Magi, late 19th century, (1912). Artist: Robert Anning Bell
The Adoration of the Magi, late 19th century, (1912). The Adoration of the Magi, is the name traditionally given to the subject in the Nativity when the three Magi, represented as kings

Illustration for The Altar Book, 1892, (1897). Artist: Robert Anning Bell
Illustration for The Altar Book, 1892, (1897). Daniel Berkeley Updike (1860-1941) oversaw the design of The Altar Book, a large format liturgical book for the Episcopal Church in New England

A Bookplate, 1894, (1894). Artist: Robert Anning Bell
A Bookplate, 1894, (1894). A bookplate designed for Frederic Leighton (1830-1896). From The Studio Volume 3. [London Offices of the Studio, London, 1894]

Sketch of The Seven Seas, c1922, (1923). Artist: Robert Anning Bell
Sketch of The Seven Seas, c1922, (1923). 1923. Sketch design for The Mediterranean, one of the decorative panels of The Seven Seas in the British Pavilion at the Rio International Exhibition

The Pool, 1906, (1918). Artist: Robert Anning Bell
The Pool, 1906, (1918). From The Studio Volume 74. [London Offices of the Studio, London, 1918]

The Prisoners, c1900. Artist: Robert Anning Bell
The Prisoners, c1900. From Modern Pen Drawings: European and American, Edited by Charles Holme. [The Offices of the Studio, London, Paris, New York, 1900-01]

An illustration from The Tempest, 1901 (1901-1902). Artist: Robert Anning Bell
An illustration from The Tempest, 1901 (1901-1902). From The Studio Volume 24. [The Offices of the Studio Ltd. London, 1901-2]

The Golden Goose from Grimms Household Tales, c1900 (1901-1902). Artist: Robert Anning Bell
The Golden Goose from Grimms Household Tales, c1900 (1901-1902). From The Studio Volume 24. [The Offices of the Studio Ltd. London, 1901-1902]

An Angel Adoring`, a coloured plaster relief by Robert Anning Bell, c1901 (1901-1902) Artist: Robert Anning Bell
An Angel Adoring`, a coloured plaster relief by Robert Anning Bell, c1901 (1901-1902). From The Studio Volume 24. [The Offices of the Studio Ltd. London, 1901-1902]

A study in Sanguine, c1900. Artist: Robert Anning Bell
A study in Sanguine, c1900. From The Studio Volume 49. [London Offices of the Studio, London, 1910]

Mother and Children, c1900. Artist: Robert Anning Bell
Mother and Children, c1900. From The Studio Volume 42 [London Offices of the Studio, London, 1907-8]

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Robert Anning Bell was a versatile and talented artist known for his diverse range of works. One of his notable creations is the stunning piece titled "Ariadne, " which features a relief painted and gilt plaster. This intricate design showcases Bell's attention to detail and mastery of technique. In 1926, Bell demonstrated his expertise in stained glass with his captivating "Design for Stained Glass. " The vibrant colors and graceful lines bring this artwork to life, showcasing the artist's ability to create beauty through light and color. "The Adoration of the Magi" is another masterpiece by Robert Anning Bell, created in the late 19th century but completed in 1912. This painting captures the awe-inspiring moment when three wise men pay homage to baby Jesus. Bell's skillful brushwork and use of rich hues make this scene truly enchanting. Bell also showcased his talent as an illustrator with works like "Illustration for The Altar Book" from 1892 (published in 1897). His illustrations breathe life into religious texts, adding depth and emotion to these sacred stories. "A Bookplate, " created by Bell in 1894, is a testament to his ability to capture elegance within simplicity. This small yet exquisite artwork serves as a personal mark or label inside books while displaying Bell's artistic finesse. In "Sketch of The Seven Seas" from around 1922 (completed in 1923), we see Bell's versatility as he explores different themes. This sketch demonstrates his ability to convey movement and energy through bold strokes. "The Pool, " completed in 1906 but published later in 1918, showcases Bell's fascination with nature. With its serene atmosphere and meticulous attention to detail, this painting invites viewers into a tranquil oasis away from everyday worries. "The Prisoners, " dating back to around c1900, reveals another facet of Robert Anning Bell's artistry – capturing raw emotions on canvas.