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Rogier Van Der Collection

Rogier van der Weyden, a renowned Netherlandish artist of the 15th century, left an indelible mark on the world of art with his exquisite works

Background imageRogier Van Der Collection: Christ Appearing to His Mother, c1440. Artist: Rogier Van der Weyden

Christ Appearing to His Mother, c1440. Artist: Rogier Van der Weyden
Christ Appearing to His Mother, c1496. The scene on the right panel of the Miraflores Altarpiece is the only one in this altarpiece that illustrates two events at once

Background imageRogier Van Der Collection: Portrait of Philippe de Machefoin (?-1453). Creator: Weyden, Rogier van der, (Workshop)

Portrait of Philippe de Machefoin (?-1453). Creator: Weyden, Rogier van der, (Workshop)
Portrait of Philippe de Machefoin (?-1453). Private Collection

Background imageRogier Van Der Collection: Portrait of a Lady, c. 1460. Creator: Rogier Van der Weyden

Portrait of a Lady, c. 1460. Creator: Rogier Van der Weyden
Portrait of a Lady, c. 1460

Background imageRogier Van Der Collection: Francesco d Este (born about 1429, died after July 20, 1486), ca. 1460. Creator: Rogier

Francesco d Este (born about 1429, died after July 20, 1486), ca. 1460. Creator: Rogier
Francesco d Este (born about 1429, died after July 20, 1486), ca. 1460. Son of Leonello d Este, ruler of Ferrara with hammer and ring may be jousting prizes or symbols of power

Background imageRogier Van Der Collection: The Nativity, mid-15th century. Creator: Workshop of Rogier van der Weyden (Netherlandish

The Nativity, mid-15th century. Creator: Workshop of Rogier van der Weyden (Netherlandish
The Nativity, mid-15th century. Altarpiece of Nativity flanked on the left by the annunciation of the Tiburtine Sibyl to the emperor Augustus, and on the right by the Annunciation to the Magi

Background imageRogier Van Der Collection: The Holy Family with Saint Paul and a Donor. Creator: Unknown

The Holy Family with Saint Paul and a Donor. Creator: Unknown
The Holy Family with Saint Paul and a Donor. (Netherlandish, mid-15th century)

Background imageRogier Van Der Collection: Madonna with Christ-Child Blessing, 1440-1450, (1943). Creator: Unknown

Madonna with Christ-Child Blessing, 1440-1450, (1943). Creator: Unknown
Madonna with Christ-Child Blessing, 1440-1450, (1943). Believed to be a copy drawn in the workshop of Rogier Van Der Weyden after a lost painting by him

Background imageRogier Van Der Collection: Portrait of Philip the Good (1396-1467). Artist: Weyden, Rogier van der, (Workshop)

Portrait of Philip the Good (1396-1467). Artist: Weyden, Rogier van der, (Workshop)
Portrait of Philip the Good (1396-1467). Found in the collection of the Royal Museum of Fine Arts, Antwerp

Background imageRogier Van Der Collection: Portrait of Philip the Good (1396-1467), after 1450. Artist: Weyden, Rogier van der, (Workshop)

Portrait of Philip the Good (1396-1467), after 1450. Artist: Weyden, Rogier van der, (Workshop)
Portrait of Philip the Good (1396-1467), after 1450. Found in the collection of the Groeningemuseum, Bruges

Background imageRogier Van Der Collection: Pieta, ca 1465. Artist: Weyden, Rogier van der, (Workshop)

Pieta, ca 1465. Artist: Weyden, Rogier van der, (Workshop)
Pieta, ca 1465. Found in the collection of the National Gallery, London

Background imageRogier Van Der Collection: Portrait of a Man, 1430. Artist: Weyden, Rogier van der, (Workshop)

Portrait of a Man, 1430. Artist: Weyden, Rogier van der, (Workshop)
Portrait of a Man, 1430. Found in the collection of the National Museum of Western Art, Tokyo

Background imageRogier Van Der Collection: Portrait of a Lady, c1460. Artist: Rogier Van der Weyden

Portrait of a Lady, c1460. Artist: Rogier Van der Weyden
Portrait of a Lady, c1460. The painting is part of the Mellon Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

Background imageRogier Van Der Collection: Philippe de Croy, Seigneur of Sempy, 1927. Artist: Rogier Van der Weyden

Philippe de Croy, Seigneur of Sempy, 1927. Artist: Rogier Van der Weyden
Philippe de Croy, Seigneur of Sempy, 1927. Found in the collection of the Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium

Background imageRogier Van Der Collection: Portrait of Jean Gros, c1460. Artist: Rogier Van der Weyden

Portrait of Jean Gros, c1460. Artist: Rogier Van der Weyden
Portrait of Jean Gros, c1460. Jean Gros (c1430-1484), was an ambitious administrator in the service of Charles, the future Duke of Burgundy

Background imageRogier Van Der Collection: Portrait of Antoine, Bastard of Burgundy, c1456, (1927). Artist: Rogier Van der Weyden

Portrait of Antoine, Bastard of Burgundy, c1456, (1927). Artist: Rogier Van der Weyden
Portrait of Antoine, Bastard of Burgundy, c1456, (1927). Found in the collection of the Musees Royaux des Beaux-Arts de Belgique, Brussels, Belgium

Background imageRogier Van Der Collection: Virgin and Child, 1420-1460 (1927). Artist: Rogier Van der Weyden

Virgin and Child, 1420-1460 (1927). Artist: Rogier Van der Weyden
Virgin and Child, 1420-1460 (1927). A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London

Background imageRogier Van Der Collection: Francesco d Este, c1460 (1927). Artist: Rogier Van der Weyden

Francesco d Este, c1460 (1927). Artist: Rogier Van der Weyden
Francesco d Este, c1460 (1927). Found in the collection of The Friedsam Collection, Metropolitan Museum of Art, however, the painting in the Met, he is holding a ring?

Background imageRogier Van Der Collection: Portrait of an Elderly Woman, 1420-1460 (1927). Artist: Rogier Van der Weyden

Portrait of an Elderly Woman, 1420-1460 (1927). Artist: Rogier Van der Weyden
Portrait of an Elderly Woman, 1420-1460 (1927). A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London

Background imageRogier Van Der Collection: Portrait of a Lady, c1460 (1927)Artist: Rogier Van der Weyden

Portrait of a Lady, c1460 (1927)Artist: Rogier Van der Weyden
Portrait of a Lady, c1460 (1927). Found in the collection of the National Gallery of Art, Washington, DC. A print from Flemish and Belgian art 1300-1900

Background imageRogier Van Der Collection: Sketch of a saint, 1913. Artist: Rogier Van der Weyden

Sketch of a saint, 1913. Artist: Rogier Van der Weyden
Sketch of a saint, 1913. A print from The Art of the Great Masters, by Frederic Lees, Sampson Low, Marston and Co, London, 1913

Background imageRogier Van Der Collection: Saint Luke Drawing the Virgin, 15th century. Artist: Rogier Van der Weyden

Saint Luke Drawing the Virgin, 15th century. Artist: Rogier Van der Weyden
Saint Luke Drawing the Virgin, 15th century. Weyden, Rogier, van der (ca. 1399-1464). Found in the collection of the State Hermitage, St. Petersburg

Background imageRogier Van Der Collection: Madonna and Child, (1927). Artist: Rogier Van der Weyden

Madonna and Child, (1927). Artist: Rogier Van der Weyden
Madonna and Child, (1927). A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London

Background imageRogier Van Der Collection: St Luke Drawing the Virgin, detail, 15th century. Artist: Rogier Van der Weyden

St Luke Drawing the Virgin, detail, 15th century. Artist: Rogier Van der Weyden
St Luke Drawing the Virgin, detail, 15th century. The subject is taken from a 6th-century legend of Greek origin, according to which St Luke was the first ever to draw a portrait of the Virgin Mary

Background imageRogier Van Der Collection: St Luke Drawing the Virgin, 15th century. Artist: Rogier Van der Weyden

St Luke Drawing the Virgin, 15th century. Artist: Rogier Van der Weyden
St Luke Drawing the Virgin, 15th century. The subject is taken from a 6th-century legend of Greek origin, according to which St Luke was the first ever to draw a portrait of the Virgin Mary

Background imageRogier Van Der Collection: St. Joseph, c1445. Artist: Rogier Van der Weyden

St. Joseph, c1445. Artist: Rogier Van der Weyden
St. Joseph, c1445. This fragment was sawn out of the same large altarpiece as the Mary Magdalene in the National Gallery, London

Background imageRogier Van Der Collection: Descent from the Cross, c1430. Artist: Rogier Van der Weyden

Descent from the Cross, c1430. Artist: Rogier Van der Weyden
Descent from the Cross, c1430

Background imageRogier Van Der Collection: Portrait of a Lady, 1460. Artist: Rogier Van der Weyden

Portrait of a Lady, 1460. Artist: Rogier Van der Weyden
Portrait of a Lady, 1460. The costume suggests a date after 1460, perhaps around 1466. It also suggests that the sitter is a gentlewoman, rather than a member of the nobility



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Rogier van der Weyden, a renowned Netherlandish artist of the 15th century, left an indelible mark on the world of art with his exquisite works. His masterpiece "Christ Appearing to His Mother" captures a poignant moment in religious history, showcasing his exceptional talent for conveying emotion through paintbrush strokes. In "Philippe de Croy, Seigneur of Sempy, " Van der Weyden's attention to detail and skillful use of light and shadow bring this nobleman's portrait to life. The enigmatic beauty portrayed in "Portrait of a Lady" showcases Van der Weyden's ability to capture the essence and individuality of his subjects. Similarly, in "Francesco d Este, " he masterfully portrays the sitter's regal demeanor and intricate attire. Van der Weyden's influence extended beyond portraits; he also excelled at depicting religious scenes such as "The Nativity. " Although created by his workshop, it reflects his signature style characterized by delicate brushwork and rich colors. "The Holy Family with Saint Paul and a Donor" is another testament to Van der Weyden's mastery. While its creator remains unknown, the painting bears striking similarities to his work—expressive faces filled with tenderness and devotion. In "Madonna with Christ-Child Blessing, " we witness Van der Weyden's depiction of maternal love radiating from Mary as she cradles baby Jesus—a timeless portrayal that resonates even today. His association with Philip the Good is evident in two remarkable portraits: one dating after 1450 displays an aging ruler while another reveals Philip during earlier years. Both exemplify Van der Weyden’s ability to capture personality through meticulous details. "Pietà" showcases Van der Weyden’s exploration of grief as he depicts Mary mourning over her son’s lifeless body—an emotionally charged scene rendered with remarkable sensitivity.