Rural Life Collection (#4)

Napoleon received by Frederick Duke of Wurttemberg, October 2, 1805 at Louisbourg castle, 1812 (oil on canvas)
904607 Napoleon received by Frederick Duke of Wurttemberg, October 2, 1805 at Louisbourg castle, 1812 (oil on canvas) by Watelet, Louis-Etienne (1780-1866); 225 x 188 cm; Chateau de Versailles

A Slate Wharf, Brathay, 1810 (Watercolour)
7290976 A Slate Wharf, Brathay, 1810 (Watercolour) by Reinagle, Ramsay Richard (1775-1862); 47.3x67.2 cm; Tyne & Wear Archives & Museums; (add.info)

The Meeting of the Waters, 1850-1859 (Watercolour and gouache)
7290962 The Meeting of the Waters, 1850-1859 (Watercolour and gouache) by Cox, David (1783-1859); 61.1x87.4 cm; Tyne & Wear Archives & Museums; (add.info)

View in Surrey, about 1863-1890 (Watercolour and gouache)
7290956 View in Surrey, about 1863-1890 (Watercolour and gouache) by Foster, Myles Birket (1825-99); 23x35.5 cm; Tyne & Wear Archives & Museums; (add.info)

The Pine, 1926 (Watercolour and pencil)
7290943 The Pine, 1926 (Watercolour and pencil) by Nash, Paul (1889-1946); 54.4x38 cm; Tyne & Wear Archives & Museums; (add.info.: Paul Nash (1889-1946) The Pine

Willows, about 1927 (Watercolour and chalk)
7290942 Willows, about 1927 (Watercolour and chalk) by Nevinson, Christopher Richard Wynne (1889-1946); 25.3x35.8 cm; Tyne & Wear Archives & Museums; (add.info)

Warkworth, 1860 (Watercolour and gouache)
7290938 Warkworth, 1860 (Watercolour and gouache) by Richardson, Henry Burdon (fl.1828-72); 55.6x76.2 cm; Tyne & Wear Archives & Museums; (add.info.: Henry Burdon Richardson (1826-1874) Warkworth

The Fishseller, about 1775-1800 (Watercolour and ink)
7290935 The Fishseller, about 1775-1800 (Watercolour and ink) by Rowlandson, Thomas (1756-1827); 17.4x24.7 cm; Tyne & Wear Archives & Museums; (add.info)

Burial Place of the Breadalbanes, 1826-1827 (Watercolour and pencil)
7290969 Burial Place of the Breadalbanes, 1826-1827 (Watercolour and pencil) by Bennet, Mary Elizabeth (1785-1861); 15.1x10.6 cm; Tyne & Wear Archives & Museums; (add.info)

Yorkshire Moorland, 1942 (Watercolour)
7290965 Yorkshire Moorland, 1942 (Watercolour) by Campbell, Nesta Jennings (1876-1951); 20.2x20.7 cm; Tyne & Wear Archives & Museums; (add.info)

Four hours of the day: Night, 1774 (oil on canvas)
904886 Four hours of the day: Night, 1774 (oil on canvas) by Watteau, Louis Joseph (1731-98) (Watteau de Lille)(attr. to); 65x84 cm; Musee des Beaux-Arts, Valenciennes

The gardener or the engagement (oil on canvas)
904883 The gardener or the engagement (oil on canvas) by Watteau, Louis Joseph (Watteau de Lille) (1731-98); 29x25 cm; Musee des Beaux-Arts, Valenciennes

Roman tomb in the Roman countryside of the Via Appia (drawing)
904724 Roman tomb in the Roman countryside of the Via Appia (drawing) by Nicolle, Victor Jean (1754-1826); Musee des Beaux-Arts, Rouen, France; (add.info.: by Jean Victor Nicolle (1754-1826))

Landscape near Paris (painting)
904739 Landscape near Paris (painting) by Michel, Georges (1763-1843); Musee des Beaux-Arts, Lille, France; (add.info.: Georges Michel (1763-1843))

Lake at Appledale, 1884 (pastel on tan wove paper)
5862015 Lake at Appledale, 1884 (pastel on tan wove paper) by Palmer, Walter Launt (1854-1932); 38.7x54.6 cm; The Art Institute of Chicago, IL, USA; (add.info.: Walter Launt Palmer (1854-1932))

A Bridge in a Snowy Landscape, from the series A Collection of Japanese and Chinese Poems for Recitation, c
5859864 A Bridge in a Snowy Landscape, from the series A Collection of Japanese and Chinese Poems for Recitation, c.1842-43 (colour woodblock print; oban) by Hiroshige

Stagecoach climbing a hill, France (engraving)
1701230 Stagecoach climbing a hill, France (engraving) by Adam, Victor (1801-66) (after); (add.info.: Stagecoach climbing a hill, France : engraving after Victor Adam (1801-1866))

A Corner of Moret-sur-Loing, 1895 (pastel on paper)
5861046 A Corner of Moret-sur-Loing, 1895 (pastel on paper) by Sisley, Alfred (1839-99); 33.7--42.6 cm; The Art Institute of Chicago, IL, USA; (add.info.: Alfred Sisley (1839-99))

Minamoto no Yoshiie on horseback and a bird on a branch, c. 1825 (colour woodblock print; sheet from shikishiban)
5860872 Minamoto no Yoshiie on horseback and a bird on a branch, c.1825 (colour woodblock print; sheet from shikishiban hexaptych, surimono) by Shinsai

Full-Orbed Moon, 1901 (oil on canvas)
5859653 Full-Orbed Moon, 1901 (oil on canvas) by Davies, Arthur Bowen (1862-1928); 58.6--40 cm; The Art Institute of Chicago, IL, USA; (add.info.: Arthur B. Davies (1862-1928))

Figures Outside an Inn by the Town Walls in Summertime, 1635-76 (oil on panel)
7286013 Figures Outside an Inn by the Town Walls in Summertime, 1635-76 (oil on panel) by Molenaer, Claes (Nicolaes) (1630-76); 22x30 cm; Private Collection; (add.info)

Landscape, Woods (#13) c. 1880 (graphite on paper)
7276750 Landscape, Woods (#13) c. 1880 (graphite on paper) by Bannister, Edward Mitchell (1833-1901); 19.05x26.67 cm; Amistad Research Center, New Orleans, LA, USA; (add.info.: An impressionistic)

Landscape with Log on the Beach (#40), c. 1880 (watercolor on paper)
7276738 Landscape with Log on the Beach (#40), c. 1880 (watercolor on paper) by Bannister, Edward Mitchell (1833-1901); 15.24x24.77 cm; Amistad Research Center, New Orleans, LA

Landscape (#1) c. 1880s (graphite on paper)
7276734 Landscape (#1) c. 1880s (graphite on paper) by Bannister, Edward Mitchell (1833-1901); 16.51x24.13 cm; Amistad Research Center, New Orleans, LA, USA; (add.info.: An impressionistic, realist)

Newport, Rhode Island (#13B) c. 1880s (graphite on paper)
7276733 Newport, Rhode Island (#13B) c. 1880s (graphite on paper) by Bannister, Edward Mitchell (1833-1901); 13.97x21.59 cm; Amistad Research Center, New Orleans, LA

Landscape, Rowboat and Cows (#57) C. 1880 (graphite on paper)
7276731 Landscape, Rowboat and Cows (#57) C. 1880 (graphite on paper) by Bannister, Edward Mitchell (1833-1901); 13.97x22.86 cm; Amistad Research Center, New Orleans, LA

Woman Washing, c. 1934 (watercolor)
7276859 Woman Washing, c. 1934 (watercolor) by Johnson, Malvin Gray (1896-1934); 45.72x30.48 cm; Amistad Research Center, New Orleans, LA

Uncle Joe, 1934 (oil on canvas)
7276858 Uncle Joe, 1934 (oil on canvas) by Johnson, Malvin Gray (1896-1934); 77.47x59.69 cm; Amistad Research Center, New Orleans, LA

Thinning Corn, 1934 (oil on canvas)
7276857 Thinning Corn, 1934 (oil on canvas) by Johnson, Malvin Gray (1896-1934); 54.61x73.66 cm; Amistad Research Center, New Orleans, LA

Old Virginia Home, 1864 (oil on canvas)
5861084 Old Virginia Home, 1864 (oil on canvas) by Blythe, David Gilmour (1815-65); 52.7--73 cm; The Art Institute of Chicago, IL, USA; (add.info.: by David Gilmour Blythe (1815-65))

Seikenji Fuji, from the series Mirror of Stone Rubbings of Views of the Province (woodblock print; ishizuri-e)
5859824 Seikenji Fuji, from the series Mirror of Stone Rubbings of Views of the Province (woodblock print; ishizuri-e, harimaze) by Hiroshige

Autumn Moon at Ishiyama from the series Eight Views of Omi in Etching Style, 1799-1820 (color woodblock print)
5858823 Autumn Moon at Ishiyama from the series Eight Views of Omi in Etching Style, 1799-1820 (color woodblock print) by Hokusai

Illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803) pub. 1934 (pochoir print)
3025982 Illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803) pub. 1934 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

A View of Capodimonte in Naples: A Souvenir of the Grand Tour, 1800-50 (pen and black ink on laid paper)
7286022 A View of Capodimonte in Naples: A Souvenir of the Grand Tour, 1800-50 (pen and black ink on laid paper) by Senape

Landscape w / Dock, Sea and Beach (#18), c. 1880 (watercolor on paper)
7276745 Landscape w/Dock, Sea and Beach (#18), c. 1880 (watercolor on paper) by Bannister, Edward Mitchell (1833-1901); 13.02x24.77 cm; Amistad Research Center, New Orleans, LA

Portrait of a Man, 1763 (oil on canvas)
5860276 Portrait of a Man, 1763 (oil on canvas) by Devis, Arthur (1712-87); 76.5--64.1 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Arthur Devis (1712-87))

In the Oise Valley, 1878-80 (graphite, gouache, and w / c)
7286109 In the Oise Valley, 1878-80 (graphite, gouache, and w/c) by Cezanne, Paul (1839-1906); 32.4x50 cm; Metropolitan Museum of Art, New York, USA

Hampstead, Stormy Sky, 1814 (oil on canvas)
5860980 Hampstead, Stormy Sky, 1814 (oil on canvas) by Constable, John (1776-1837); 46--61 cm; The Art Institute of Chicago, IL, USA; (add.info.: by John Constable (1776-1837))

Front Cover of Le Credo du Peasant by Goublier and S. F. Borel (litho)
1734301 Front Cover of Le Credo du Peasant by Goublier and S.F. Borel (litho) by French School; (add.info.: Cover of the sheet music for the song " Le Credo du peasant" sung by Marius)

View of the Roman Campagna (oil on canvas)
904737 View of the Roman Campagna (oil on canvas) by Dughet, Gaspard Poussin (1615-75); Palais des Beaux-Arts de Lille, France; (add.info.: by Gaspard Dughet (1615 - 1675))

The Laundress, 1885 (oil on canvas)
7276973 The Laundress, 1885 (oil on canvas) by Tanner, Henry Ossawa (1859-1937); 49.53x65.41 cm; Amistad Research Center, New Orleans, LA

A Winter Landscape with Skaters on a Frozen River Outside a Village, 1635-76 (oil on panel)
7286015 A Winter Landscape with Skaters on a Frozen River Outside a Village, 1635-76 (oil on panel) by Molenaer, Claes (Nicolaes) (1630-76); Private Collection; (add.info)

Landscape with Cattle, 1880 (oil on board)
7276741 Landscape with Cattle, 1880 (oil on board) by Bannister, Edward Mitchell (1833-1901); 24.13x35.56 cm; Amistad Research Center, New Orleans, LA, USA; (add.info.: An impressionistic, realist)

Landscape of Andresy, 1891 (pastel)
904601 Landscape of Andresy, 1891 (pastel) by Parrot, Philippe (1831-1894); Private Collection; (add.info.: by Philippe Parrot (1831-1894))

A Traveller with his rucksack walking along the side of the road, USA, c. 1930 (b / w photo)
1700221 A Traveller with his rucksack walking along the side of the road, USA, c.1930 (b/w photo) by American Photographer

A family of botanists attacked by a charging bull in a field. 1831 (engraving)
7234784 A family of botanists attacked by a charging bull in a field. 1831 (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info.: One-legged admiral)

A Village Fair, 1603 (oil on copper)
7262153 A Village Fair, 1603 (oil on copper) by Schoubroeck, Pieter (1570-1607); 33.5x54 cm; Private Collection; (add.info.: Artist)

Romantic couple having a picnic (colour litho)
7151028 Romantic couple having a picnic (colour litho) by Maurice, Reg (fl.c.1900-30); Private Collection; (add.info.: Comic postcard on a food related theme)

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"Capturing the Essence of Rural Life: A Glimpse into the Past" Step back in time and immerse yourself in the idyllic charm of rural life. From picturesque windmills to vibrant carnivals, Kent's countryside offers a window into a bygone era. The Willesborough windmill stands tall against the sky, its majestic presence reminding us of simpler times when this Kentish smock mill was at the heart of agricultural communities in 1935. Transporting us further back, we stumble upon an enchanting backyard carnival from the 1800s. Laughter fills the air as families gather for joyous festivities under colorful tents, relishing in traditional games and delectable treats that bring smiles to young and old alike. Venturing deeper into Kent's rustic landscapes, we witness hop kilns bustling with activity as they remove dried hops in Goudhurst during 1937. This glimpse into history reveals how vital these aromatic plants were to local economies, their fragrant essence permeating through every corner. By The Sea beckons us with its tranquil beauty captured on canvas in 1881. As waves gently caress sandy shores, Victorian-era beachgoers bask under parasols while indulging in leisurely pursuits – a testament to nature's soothing embrace even centuries ago. The harvest season comes alive as hop pickers labor diligently at Maplescombe Farm and East Peckham during September 1938. Young and old unite amidst golden fields, working tirelessly to ensure a bountiful yield while fostering community bonds that endure through generations. Not all scenes depict joyful moments; some capture poignant transitions like an old man watching his beloved shack being demolished in Kingsdown during 1936. Reminders of impermanence mingle with nostalgia as progress reshapes familiar landscapes forever etched within memories. Beyond Kent's borders lies another captivating sight – Dutch skaters gracefully gliding across frozen waters of the Zuider Zee during the 1800s.