Thomas W Collection

Where Do You Want To Go?, 1922. Creator: Unknown
Where Do You Want To Go?, 1922. From The Romance of Modern Railways, by T. W. Corbin. [Seeley Service & Co. Limited, London, 1922]

Rifle fete at Ecclesbourne, near Hastings, 1860. Creator: W Thomas
Rifle fete at Ecclesbourne, near Hastings, 1860. The contest was chiefly among the members of the Cinque Ports Corps...The first prize was a Lancaster rifle, value ten guineas, which was won by Mr

The Highland Shepherd - painted by R. Ansdell - from the Exhibition of the Royal Academy, 1856. Creator: W Thomas
The Highland Shepherd - painted by R. Ansdell - from the Exhibition of the Royal Academy, 1856. Engraving of a painting....one of those happy transcripts of Highland life that has made Mr

Before Capt. Walsh's, between c1910 and c1915. Creator: Bain News Service
Before Capt. Walsh's, between c1910 and c1915. Shows grand jury members gathered outside the house of Captain Thomas W. Walsh at 1958 Madison Avenue, New York City

"Autolycus", by C.R. Leslie, from the National Collection in the South Kensington Museum, 1865. Engraving of a painting, scene '...from "The Winter's Tale," act iv

"Two Yorkshire Bairns," by J. Deffet Francis...Wakefield Fine-Art and Industrial Exhibition, 1865
"Two Yorkshire Bairns," by J. Deffet Francis, in the Wakefield Fine-Art and Industrial Exhibition, 1865. Engraving of a painting

"The Foster Sisters", by John Bostock, in the Manchester Exhibition, 1865. Creator: W Thomas
"The Foster Sisters", by John Bostock, in the Manchester Exhibition, 1865. Engraving of a painting. 'What a contrast there is between these two maidens, though of the same age

"Infant Orphan Election at the London Tavern - Polling", by G.E. Hicks..., 1865. Creator: W Thomas
"Infant Orphan Election at the London Tavern - Polling", by G.E. Hicks, in the exhibition of the Royal Academy, 1865. Engraving of a painting

Lady Gertrude Fitzpatrick, painted by Sir Joshua Reynolds...at the British Institution, 1865. Creator: W Thomas
Lady Gertrude Fitzpatrick, painted by Sir Joshua Reynolds, in the exhibition of the works of Old Masters at the British Institution, 1865. Engraving of a painting

"Whitefield Preaching in Moorfields" A.D. 1742, by E. Crowe...the Royal Academy, 1865. Creator: W Thomas
"Whitefield Preaching in Moorfields" A.D. 1742, by E. Crowe, in the exhibition of the Royal Academy, 1865. Engraving of a painting

"A Tavern Brawl", by John Gilbert,...Exhibition of the Society of Painters in Water Colours, 1864
"A Tavern Brawl", by John Gilbert, in the Exhibition of the Society of Painters in Water Colours, 1864. Engraving of a painting

"The Beacon", by J. Absolon, in the Exhibition of the Institute of Painters in Water Colours, 1864. Engraving of a painting

"Christmas Time", by Miss E. Osborne, in the exhibition of the Royal Academy, 1865. Creator: W Thomas
"Christmas Time", by Miss E. Osborne, in the exhibition of the Royal Academy, 1865. Engraving of a painting '...which in technical qualities

"For the Last Time", by Miss E. Osborn, in the Royal Academy Exhibition, 1864. Creator: W Thomas
"For the Last Time", by Miss E. Osborn, in the Royal Academy Exhibition, 1864. Engraving of a painting. 'Question after question involuntarily arises in the mind as we look at these

Tableau of Shakspeare characters, designed by John Gilbert, 1864. Creator: W Thomas
Tableau of Shakspeare characters, designed by John Gilbert, 1864. Illustration celebrating the tricentenary of Shakespeare's birth

"On Thoughts of Charity Intent", by Miss E. Brownlow - from the Female Artists' Exhibition, 1864. A '...charming little picture

"The Time and Place", by J. Pettie, in the Exhibition of the British Institution, 1864. Creator: W Thomas
"The Time and Place", by J. Pettie, in the Exhibition of the British Institution, 1864. Engraving of a painting. '...the costume is that of the dissolute times of Charles II

"Seule à La Maison," by C. Bisschop, in the Exhibition of French and Flemish Art, Pall-Mall, 1864
"Seule a La Maison," by C. Bisschop, in the Exhibition of French and Flemish Art, Pall-Mall, 1864. Engraving of a painting

"John of the Syde", by F. Weekes, in the Exhibition of the British Institution, 1864. Creator: W Thomas
"John of the Syde", by F. Weekes, in the Exhibition of the British Institution, 1864. Engraving of a painting. 'Mosstroopers and Border freebooters, with their adventures

Officers of the 1st Surrey Volunteer Rifle Corps., 1864. Creator: W Thomas
Officers of the 1st Surrey Volunteer Rifle Corps., 1864. Portrait of British soldiers '...in full uniform. This is one of the oldest of the metropolitan [ie London] corps

"Going To School," by T. Webster, R.A., in the National Gallery..., South Kensington, 1864. Creator: W Thomas
"Going To School," by T. Webster, R.A., in the National Gallery (British School), South Kensington, 1864. Engraving of a painting

"A Train of Thought," by J. D. Watson, in the Winter Exhibition, 1864. Creator: W Thomas
"A Train of Thought," by J. D. Watson, in the Winter Exhibition, 1864. '...the subject of this picture...is simply a young, intelligent, and gallant-looking fellow

"Loch Ericht - a Bright Night", by A. Gilbert - from the last Winter Exhibition, 1864. Creator: W Thomas
"Loch Ericht - a Bright Night", by A. Gilbert - from the last Winter Exhibition, 1864. Engraving of a painting. Loch Ericht, or Erochd, though either not mentioned at all

"The Waefu Heart", by T. Duncan, A.R.A. in the gallery of the South Kensington Museum, 1864. Engraving of a painting...from the Sheepshanks Collection of the South Kensington Museum

"John Bunyan Reciting The Pilgrim's Progress'...in Bedford Gaol, ...by G. F. Folingsby... 1864
"John Bunyan Reciting The Pilgrim's Progress to his friends in Bedford Gaol", by G. F. Folingsby, of Munich, in the exhibition of Fine Arts at Melbourne, Australia, 1864

The promenade on the Pantiles, Tunbridge Wells, 1864. Creator: W Thomas
The promenade on the Pantiles, Tunbridge Wells, 1864. We present a view of that famous promenade at Tunbridge Wells called "The Pantiles, " from the materials with which it is paved

'The Offering', by F. Wyburd, in the Exhibition of the British Institution, 1864. Creator: W Thomas
'The Offering', by F. Wyburd, in the Exhibition of the British Institution, 1864. Engraving of a painting. What offering is it the painter would have us chiefly understand...Is it the floral

"The Flyfisher", by W. Hunt, in the winter exhibition of the Water-colour Society, 1862. Creator: W Thomas
"The Flyfisher", by W. Hunt, in the winter exhibition of the Water-colour Society, 1862. Engraving of a painting

"Lord Riverdale's Repentance": the Last Home of the Riverdales - drawn by Samuel Read, 1862. Illustration to a short story by William J. Stewart

"The Queen's Highway in the Sixteenth Century", by J. Hayllar... 1864. Creator: W Thomas
"The Queen's Highway in the Sixteenth Century", by J. Hayllar, in the Winter Exhibition at the gallery of the Institute of Painters in Water-colours, 1864. Engraving of a painting

"Dead Swan and Peacock", by the late W. Duffield, 1864. Creator: W Thomas
"Dead Swan and Peacock", by the late W. Duffield, 1864. Engraving of a painting. From "Illustrated London News", 1864

"Children Playing at Horses", by C. R. Leslie, in the late International Exhibition, 1862. Creator: W Thomas
"Children Playing at Horses", by C. R. Leslie, in the late International Exhibition, 1862. We cannot seize and confine in words the delicate aroma of natural truth

"Le Bourgeois Gentilhomme", by the late C. R. Leslie...South Kensington Museum, 1864. Creator: W Thomas
"Le Bourgeois Gentilhomme", by the late C. R. Leslie, R.A. in the Sheepshanks Collection, South Kensington Museum, 1864. Engraving of a painting

"After the Battle", by P. H. Calderon, A.R.A. 1864. Creator: W Thomas. "After the Battle", by P. H
"After the Battle", by P. H. Calderon, A.R.A. 1864. Engraving of a painting. A battle has raged in and around a Flemish village; the English have been victorious

"The Note and the Nosegay", by W. F. Yeames, in the Winter Exhibition, Pall-Mall, 1864. Creator: W Thomas
"The Note and the Nosegay", by W. F. Yeames, in the Winter Exhibition, Pall-Mall, 1864. Engraving of a painting....this artist's study...is noticeably different in its treatment

"Master Slender and Anne Page", by Sir Augustus W. Callcott, R.A....South Kensington Museum, 1864
"Master Slender and Anne Page", by Sir Augustus W. Callcott, R.A. in the Sheepshanks Collection, South Kensington Museum, 1864. Engraving of a painting

"A Herd of Bisons crossing a River Bottom on the Upper Missouri", by W. J. Hays, 1862. Creator: W Thomas
"A Herd of Bisons crossing a River Bottom on the Upper Missouri", by W. J. Hays, 1862. Engraving of a painting. In crossing the richer pastures of the river bottoms the herd will sometimes

"Fluffy", by J. M. Jopling, in the Exhibition of the Institute of Painters in Water Colours, 1864. Engraving of a painting

"Saved", by F. W. Topham, in the exhibition of the Society of Painters in Water Colours, 1864. Engraving. We must sympathise with the terror through which these humble Irish folk have

"Scene from Tennyson's Dora'", by A. H. Burr, 1864. Creator: W Thomas
"Scene from Tennyson's Dora'", by A. H. Burr, 1864. Engraving of a painting. The...reconciliation scene...We remember nothing finer in the whole exhibition than that rugged head of

"The Escape", by R. Beavis, from the Exhibition of the Royal Academy, 1864. Creator: W Thomas
"The Escape", by R. Beavis, from the Exhibition of the Royal Academy, 1864. Engraving of a painting depicting a...chivalric and important personage - a [Scottish] Border chieftain

"The Reverse of Fortune", by Mademoiselle Amanda Fougère...the Paris Exhibition of Fine Arts, 1864
"The Reverse of Fortune", by Mademoiselle Amanda Fougere...the Paris Exhibition of Fine Arts, 1864. Engraving of a painting

"Ruth", by A. Johnston, from the exhibition of the British Institution, 1864. Creator: W Thomas
"Ruth", by A. Johnston, from the exhibition of the British Institution, 1864. Engraving of a painting. The colouring of this picture is extremely vivid and effective; moreover

"The Meeting of Abraham's Servant with Rebekah at the Well", by W. Hilton, R.A... 1864
"The Meeting of Abraham's Servant with Rebekah at the Well", by W. Hilton, R.A. in the National Gallery, South Kensington, 1864. Engraving of a painting

"Daughters of the Alhambra" - painted by J. Phillip - from the Royal Academy Exhibition, 1858. Spain, which has offered so many tempting subjects to art

Installation of the Duke of Newcastle at the Mechanics Hall, Nottingham, as Provincial... 1860. Creator: W Thomas
Installation of the Duke of Newcastle at the Mechanics Hall, Nottingham, as Provincial Grand Master of the Freemasons of Nottinghamshire, 1860

"Robin Hood and the Curtal Friar", from "The Boy's Book of Ballads", 1860. Creator: W Thomas
"Robin Hood and the Curtal Friar", from "The Boy's Book of Ballads", 1860. Of the romantic characteristics of John Gilbert's illustrations it is of course unnecessary to

"Don Quixote in his Study" - from a painting by Schrödter, 1860. Creator: W Thomas
"Don Quixote in his Study" - from a painting by Schrodter, 1860. M. Schrodter's...influence upon the arts of his country will, doubtless, be considerable

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Thomas W is a man of many interests and talents, as evidenced by the diverse range of images associated with his name. From vintage transportation to artistic masterpieces, Thomas W's world is filled with wonder and innovation. In "Where Do You Want To Go?", we catch a glimpse of Thomas W's adventurous spirit, always seeking new horizons and exciting destinations. The image captures the essence of exploration and curiosity that defines him. "The Queens Carriage" showcases Thomas W's appreciation for history and regal elegance. He has an eye for beauty in even the most mundane objects, finding artistry in everyday life. "A Busy Spot" reveals Thomas W's fascination with bustling cityscapes and vibrant energy. He thrives in dynamic environments where there is constant movement and activity. With "Automatic Train Stop", we witness Thomas W's affinity for technological advancements. He embraces progress wholeheartedly, constantly seeking ways to improve efficiency and convenience in his surroundings. "A Double Locomotive" reflects Thomas W's love for all things mechanical. His passion for trains extends beyond their functionality; he sees them as symbols of power and strength. "Lady with a Lute" introduces us to another side - his appreciation for fine arts. This painting by Dewing demonstrates his admiration for classical beauty and timeless elegance. In "Victorias Visit to Louis Philippe in 1843: Fete Champetre. . in the Forest of Eu, " we witness Thomas W's interest in historical events. He enjoys immersing himself in the past, reliving significant moments through visual representations like this one from 1901. The "Track-Laying Machine" highlights yet another aspect of Thomas W's multifaceted personality - his fascination with engineering marvels. His mind is captivated by intricate mechanisms that shape our modern world. As seen in both "An Escalator In Course Of Construction" and "A Moving Staircase, " it is clear that a keen eye for innovation and progress.