Vinci Collection (#3)

Bust of woman with wide-open mouth and long curly hair falling over her shoulders, wearing low-cut dress with ribbon round her waist, in profile to left, 1665

Bust of woman with wide open mouth and up-turned nose, wearing large flat turban with cloth hanging down behind in profile to right, 1665

Bust of woman with protruding mouth wearing low-cut dress and cloth bound around her head, in profile to right, 1660

Bust of a woman wearing low-cut dress, with protruding lipd, growth on her forehead, prominent breast, long flowing hair down her back, in profile to left. 1660

Bust of elderly man with nose that meets his lower lip, wearing wide flat cap in profile to left, 1665

Bust of a man with hooked nose, prominent upper lip, open mouth and short curly hair
Bust of a man with hooked nose, prominent upper lip, open mouth and thick, short curly hair resembling wig in profile to left, 1665

Bust of a man with a small turned-up nose and very high upper lip, wearing hood, in profile to the left, 1666

Title Page, Divers Anticke Faces, 1677. Creator: Wenceslaus Hollar
Title Page, Divers Anticke Faces, 1677

Bust of a man with a flat nose and protruding mouth, wearing flat cap and buttoned coat in profile to right, 1660

Title Page, Diversae Effigies, 1648. Creator: Wenceslaus Hollar
Title Page, Diversae Effigies, 1648

Portrait of Leonardo da Vinci (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), 1786

L Idea della Architettura, 1615. Creator: Vincenzo Scamozzi
L Idea della Architettura, 1615

[Copy of the head of Christ from Leonardo da Vincis The Last Supper]
[Copy of the head of Christ from Leonardo da Vincis " The Last Supper" ], 1857-61

Five grotesque heads, including an elderly man with an oak leaf wreath, 1646. 1646
Five grotesque heads, including an elderly man with an oak leaf wreath, 1646

Portrait of Leonardo da Vinci, ca 1518. Creator: Leonardo da Vinci, (Circle of)
Portrait of Leonardo da Vinci, ca 1518. Found in the Collection of Royal Collection, London

Ludovico il Moro visiting Leonardo da Vinci in the Refectory of the Santa Maria delle Grazie Convent, Mid of the 19th Century. Private Collection

Leonardo da Vinci, 1795. Creator: Bartolozzi, Francesco (1728-1813)
Leonardo da Vinci, 1795. Found in the Collection of Bibliotheque Nationale de France

Allegory of Painting (The Death of Leonardo da Vinci), c. 1790. Creator: Cades, Giuseppe
Allegory of Painting (The Death of Leonardo da Vinci), c. 1790. Found in the Collection of Bibliotheque Nationale de France

The Death of Leonardo da Vinci in the Arms of Francis I, 1781. Creator: Menageot
The Death of Leonardo da Vinci in the Arms of Francis I, 1781. Found in the Collection of Musee de l Hotel de Ville, Amboise

La belle Feronnaire, c1830. Creator: Francois-Seraphin Delpech
La belle Feronnaire, c1830. Portrait of a lady, usually attributed to Leonardo da Vinci, known as Portrait of an Unknown Woman, reputedly a mistress of Francis I of France

Head of a Young Woman (Study for the Angel in the Virgin of the Rocks ), c1485, (1943). Drawing in the Biblioteca Reale, Turin, Italy

Landscape drawing for Santa Maria della Neve on 5th August 1473, (1943). Creator
Landscape drawing for Santa Maria della Neve on 5th August 1473, (1943). The Arno River Valley and Montelupo Castle in Tuscany, Leonardos earliest-known drawing, made when he was 21 years old

Characters and Caricaturas, 1807, (1827). Creator: Thomas Cook
Characters and Caricaturas, 1807, (1827). Hogarths response to the criticism that his characters were caricatures: above are characters with exaggerated features

Leonardo Da Vinci, (1933). Creator: Unknown
Leonardo Da Vinci, (1933). Portrait of Italian Renaissance artist, sculptor, engineer and inventor Leonardo da Vinci (1452-1519)

Leonardo da Vinci statue, Piazza della Scala, Milan, Italy. Date: circa 1900s

The Virgin of the Rocks, c1508, (c1950). Creator: Leonardo da Vinci
The Virgin of the Rocks, c1508, (c1950). Mary bringing the infant St John to be blessed by the Christ Child. Painting in the National Gallery, London

The proportion of the human figure, by Leonardo da Vinci

Variety of expressions, 1743. Artist: William Hogarth
Variety of expressions, 1743. Over 100 faces, illustrating the infinite variety of expression. Final state of plate

The Madonna with the Laughing Child, 1928. Artist: Leonardo da Vinci
The Madonna with the Laughing Child, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

Nude Man With Arms Stretched Out, Seen from the Front, c1480 (1945). Artist: Leonardo da Vinci
Nude Man With Arms Stretched Out, Seen from the Front, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of the Legs of a Man Lunging to the Right, c1480 (1945). Artist: Leonardo da Vinci
Study of the Legs of a Man Lunging to the Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Head of the Virgin - Virgin and Child with St. Anne and Infant St. John, c1480 (1945). Artist: Leonardo da Vinci
Head of the Virgin - Virgin and Child with St. Anne and Infant St. John, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Three Studies of the Paws of a Dog or Wolf, c1480 (1945). Artist: Leonardo da Vinci
Three Studies of the Paws of a Dog or Wolf, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of the Drapery of a Figure Seated to Right, c1480 (1945). Artist: Leonardo da Vinci
Studies of the Drapery of a Figure Seated to Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

The Virgin of the Rocks (detail), c1491. Artist: Leonardo da Vinci
The Virgin of the Rocks (detail), c1491. This painting is part of the group of panels from the S. Francesco Altarpiece, Milan. Held at The National Gallery, London. From The Studio Volume 117

Anatomical drawing, c1472-c1519 (1883). Artist: Leonardo da Vinci
Anatomical drawing, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Drawing of churches, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of churches, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Giant crossbow, 1480-1485 (1954). Artist: Leonardo da Vinci
Giant crossbow, 1480-1485 (1954). Codex Atlanticus, 53v-b. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Horses, c1490-1510. Artist: Leonardo da Vinci
Horses, c1490-1510. Left: Three Horses, c1508-1510; right: Two Horses, c1490, both studies for the Trivulzio Monument and found in the collection of the Royal Library, Windsor Castle, Windsor, England

The Last Supper, 1803. Artist: Michael Kock
The Last Supper, 1803. A copy of the famous painting by Leonardo da Vinci in the 1490s

The Mona Lisa Smile by Fortunino Matania
Scene painted by Fortunino Matania depicting the reason behind the famous smile of Leonardo da Vincis Mona Lisa Da Vinci. employs a variety of musicians, clowns and monkeys to keep his model amused

Drawing on anatomy by Leonardo da Vinci (1452-1519) The Musc
Leonardo da Vinci (1452-1519). Italian polymanth. Genius. Renaissance. Drawing on anatomy by Leonardo da Vinci (1452-1519) The Muscles of the legs

St. John the Baptist by Leonardo da Vinci (1452-1519). 1513-1
St. John the Baptist by Leonardo da Vinci (1452-1519). Completed from 1513-1516. High Renaissance. Oil walnut wood. Museum of Louvre. Paris. France

Leonardo da Vinci (1452 A?i? 1519). The Madonna of the Carn
Leonardo da Vinci (1452 A?i? 1519) was an Italian Renaissance polymath. The Madonna of the Carnation. 1478-1480. Virgin Mary is holding a carnation. Alte Pinakothek. Munich. Germany

The Rearing Horse and Mounted Warrior. Bronze. 16th century
The Rearing Horse and Mounted Warrior. 16th century. Bronze. Attributed to Leonardo da Vinci (1452-1519). Italian Renaissance polymath. Museum of Fine Arts. Budapest. Hungary

Medicine. Study of anatomy by Leonardo Da Vinci. 15th centur
Study of anatomy by Leonardo Da Vinci. 15th century. Skeletal structure. National Museum of Science and Technology Leonardo da Vinci. Milan. Italy

Wheel of Ur, 3500 BC. Mesopotamian art. ITALY. LOMBARDY. Milan. National Museum of Science and Technology Leonardo da Vinci

Last Supper - after Leonardo da Vinci
The Last Supper - 19th century engraving after a late 15th-century mural painting by Leonardo da Vinci, which can be found in the refectory of the Convent of Santa Maria delle Grazie, Milan

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"Unveiling the Genius: Exploring the Diverse Works of Leonardo da Vinci" Step into the world of Leonardo da Vinci, a mastermind who transcended time with his extraordinary creations. From his iconic "Head of a Bear, c1480" to his visionary helicopter design, this Renaissance polymath left an indelible mark on art and innovation. In 1800, artists Raphael Morghen and Teodoro Matteini paid homage to da Vinci's masterpiece "The Last Supper, " showcasing its enduring influence. Another captivating portrait by da Vinci is "Lady with an Ermine, " where Cecilia Gallerani's allure is immortalized in delicate strokes. Da Vinci's fascination with flight led him to conceptualize a helicopter centuries before its realization. His sketches and designs for this groundbreaking invention continue to inspire modern aviation enthusiasts. Beyond artistry, da Vinci delved into anatomy as seen in his anatomical studio. This glimpse into his meticulous study reveals his dedication towards understanding the human body in intricate detail. Shifting gears to more contemporary works inspired by da Vinci's genius, we encounter Emma de Burgh, the tattooed lady from 1897 whose striking appearance pays tribute to Leonardo's unconventional spirit. His diverse range of sketches showcases not only artistic prowess but also scientific curiosity. Whether it be machines or Armenian letters captured on paper, each stroke reflects boundless creativity that knows no bounds. Among these remarkable pieces lies "A Condottiere, " painted around 1480 but rediscovered in 1932. Its revival reminds us of how timeless and influential da Vinci's work remains even after centuries have passed. Finally, we delve into one of his most intimate studies – hands. Da Vinci meticulously examined their form and function during the fifteenth century; a testament to both artistic expression and scientific exploration that defined him as an unparalleled genius. Leonardo da Vinci continues to captivate our imagination through these glimpses into his multifaceted brilliance.