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The Arrest of Diepo Negoro by Lieutenant-General Baron De Kock, c.1830-c.1835. Creator: Nicolaas Pieneman
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The Arrest of Diepo Negoro by Lieutenant-General Baron De Kock, c.1830-c.1835. Creator: Nicolaas Pieneman
The Arrest of Diepo Negoro by Lieutenant-General Baron De Kock, c.1830-c.1835. Other Title(s): The Arrest of Diponegoro by Lieutenant-General De KockThe Arrest of Diponegoro by Lieutenant-General De KockThe Submission of Diepo Negoro to Lieutenant-general Hendrik Merkus Baron de Kock, 28 March 1830, Bringing to an End the Java War (1825-1830)
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Media ID 36319562
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Arrest Arresting Betrayal Betraying Capture Conference Domination Dutch East Indies Indonesia Indonesian Java Javanese Local People Negotiate Negotiating Negotiation Nicolaas Pieneman Nobility Peace Pieneman Nicolaas Aristocrat
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EDITORS COMMENTS
This 19th century painting, titled "The Arrest of Diepo Negoro by Lieutenant-General Baron De Kock," depicts a pivotal moment in the Java War (1825-1830), a conflict between the Dutch colonial forces and the Javanese resistance led by Prince Diponegoro, also known as Diepo Negoro. The painting, created by Dutch artist Nicolaas Pieneman around 1830-1835, portrays the moment of surrender and arrest of the Javanese leader by Lieutenant-General Hendrik Merkus Baron de Kock. The scene takes place in the exterior of a grand building, possibly a palace or a fortified residence. The Dutch colonizers, led by Baron De Kock, are shown in the foreground, with their flags unfurled and their weapons at the ready. The general, dressed in an elegant military uniform, is seen in the act of arresting Diepo Negoro, who is shown kneeling before him, hands bound and a banner bearing the Javanese crest at his feet. Two Javanese nobles, Bendara Raden Mas Antawirya and Bendara Raden Mas Mustahar, are also present, seemingly in a state of submission. The betrayal of the Javanese nobles and the dominance of the Dutch colonial forces are evident in this powerful image. The contrast between the Dutch colonizers, dressed in European attire, and the local people, dressed in traditional Javanese clothing, highlights the cultural and political divide between the two groups. The painting is a poignant reminder of the colonial past and the impact of European domination on the people of Indonesia.
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