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Gathering Shellfish at Low Tide at Shinagawa (Shinagawa shiohigari no zu), 1740s. Creator: Furuyama Moromasa
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Gathering Shellfish at Low Tide at Shinagawa (Shinagawa shiohigari no zu), 1740s. Creator: Furuyama Moromasa
Gathering Shellfish at Low Tide at Shinagawa (Shinagawa shiohigari no zu), 1740s. View from the veranda of a house on the coast. Detail from a larger artwork
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Media ID 36202138
© Heritage Art/Heritage Images
Aquatic Life Balconies Balcony Bare Feet Beach Boatman Collecting Engawa Feet Fisherfolk Fisherman Fishermen Fishing Fishing Boat Fishing Boats Foot Gatherer Gathering Hand Coloured Woodblock Print Low Tide Mollusc Octopus Octopus Vulgaris Paddling Seafood Seaside Shellfish Shinagawa Tokyo Japan Teapot Tide Veranda Verandah Barefoot Furuyama Moromasa Hand Tinted Pastime
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EDITORS COMMENTS
Gathering Shellfish at Low Tide at Shinagawa" is a captivating hand-colored woodblock print created by the renowned Japanese artist Furuyama Moromasa during the 1740s. This intricate and detailed artwork offers a glimpse into the daily life of the fisherfolk during the Edo period in Japan. The scene unfolds from the veranda of a traditional Japanese house on the coast, where a group of people, both men and women, are seen collecting mollusks and other shellfish at low tide. The boatman in the foreground expertly navigates his boat towards the shore, while other fishermen wade through the shallow waters, their bare feet leaving faint footprints in the sand. The architectural features of the houses, with their sloping roofs and balconies (engawa), add to the serene atmosphere of the scene. The boats, with their distinctive shapes and vibrant colors, dot the coastline, adding to the bustling activity. The bodies of the fisherfolk, their forms outlined against the backdrop of the water, create a sense of movement and energy. This artwork is a testament to the rich artistic traditions of Japan during the eighteenth century. The intricate details, from the textures of the shellfish to the folds of the fisherfolk's clothing, are a testament to Moromasa's skill as a master printmaker. The use of hand-colouring and hand-tinting adds depth and dimension to the artwork, making it a true masterpiece of the artistic school of ukiyo-e. Today, this artwork is housed in the Art Institute of Chicago, where it continues to inspire and captivate audiences from around the world. It serves as a reminder of the beauty and simplicity of daily life in Japan during the Edo period, and the enduring legacy of Japanese art and culture.
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