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Self -portrait with damaged foot, c. 1898. Creator: Jozef Israels
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Self -portrait with damaged foot, c. 1898. Creator: Jozef Israels
Self -portrait with damaged foot, c. 1898
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Media ID 36357277
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Damage Damaged Feet Feet Up Foot Hague School Israels Josef Israels Jozef Josef Israels Jozef Israels Leaning Leaning On Elbow Lying Lying Down Reclining Recumbent Rest Resting Self Portrait Posture Watercolour Paint
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EDITORS COMMENTS
Self-Portrait with Damaged Foot" is a poignant and introspective watercolor painting created by Dutch artist Jozef Israels in approximately 1898. The image captures Israels in a contemplative moment as he lies down with one leg bent and his foot propped up, revealing a damaged and bandaged sole. The artist's expression is thoughtful and introspective, suggesting a deep reflection on the passing of time and the physical toll it takes on the body. Israels' posture in the painting is unconventional for the time, as he deviates from the traditional standing or seated poses commonly used in self-portraits. Instead, he adopts a reclining position, leaning on his elbow, with his feet up and resting on a chair. This low-key, informal setting adds to the intimate and personal nature of the work. The painting is a testament to the Hague School tradition, a Dutch art movement characterized by its naturalistic and realistic approach to painting. The use of watercolor paint adds to the delicate and nuanced rendering of the artist's features and the intricacies of the damaged foot. The "Self-Portrait with Damaged Foot" is a powerful reminder of the human condition and the inevitable passage of time. It invites the viewer to contemplate the artist's experience and to reflect on their own mortality and the physical changes that come with aging. This poignant work is a significant contribution to the heritage of European art and a must-see for anyone interested in the human condition and the art of the 19th century. The painting is part of the esteemed collection of the Rijksmuseum in Amsterdam, the Netherlands, and is a testament to the enduring legacy of Jozef Israels as a master painter of the Dutch tradition.
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