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Sketch for The Last Judgement in Gerard d Euphrate, Paris, 1549, (1870)
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Sketch for The Last Judgement in Gerard d Euphrate, Paris, 1549, (1870)
Sketch for The Last Judgement in Gerard d Euphrate, Paris, 1549, (1870). A wood engraving from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul Lacroix, (London, 1870)
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Media ID 14907926
© The Print Collector / Heritage-Images
Cousin Damnation Damned Demon Devil Eternity Evil Hell Inferno Jean Lacroix Last Judgement Paul Paul Lacroix Sea Monster Torment Jean Cousin Mythical Beast Mythical Creature Print Collector2
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EDITORS COMMENTS
This print, titled "Sketch for The Last Judgement in Gerard d Euphrate, Paris, 1549" takes us back to the depths of the Renaissance era. Created by Jean Cousin and Paul Lacroix in 1870, this wood engraving is a remarkable piece from their book "The Arts of the Middle Ages and at the Period of the Renaissance". In this intricate artwork, we are transported into a world where mythology intertwines with religious symbolism. A vast sea stretches before us, its calm surface disrupted by a menacing mythical creature lurking beneath. This sea monster represents evil itself as it awaits souls condemned to eternal damnation. The concept of torment and punishment is vividly depicted through demons and devils surrounding a ship filled with damned souls. As we gaze upon this scene, we can almost feel the despair emanating from those trapped within their infernal fate. Jean Cousin's attention to detail brings every element to life – from the waves crashing against rocks to each tormented expression on faces consumed by fear. The monochrome palette adds an eerie atmosphere that intensifies our perception of this haunting moment. Through this print, we are reminded of Christianity's belief in divine judgment after death – The Last Judgement. It serves as a powerful reminder that our actions have consequences beyond our mortal existence. As admirers of art history delve into these engravings centuries later, they continue to evoke emotions and provoke contemplation about humanity's relationship with good versus evil
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