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Stephan Paumgartner portrayed as Saint George, left panel of the Paumgartner Altarpiece, c

Stephan Paumgartner portrayed as Saint George, left panel of the Paumgartner Altarpiece, c


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Stephan Paumgartner portrayed as Saint George, left panel of the Paumgartner Altarpiece, c

XIR498140 Stephan Paumgartner portrayed as Saint George, left panel of the Paumgartner Altarpiece, c.1500 (tempera on panel) (see also 495745) by DAOErer or Duerer, Albrecht (1471-1528); Alte Pinakothek, Munich, Germany; (add.info.: St.George is depicted carrying a banner with the cross of Saint George and holding down the defeated dragon; considered to be the earliest occasion on which an artist is known to have used the facial features of a donor in depicting a saint; painting commissioned by Stephan and Lukas for the Church of Saint Catherine in Nuremberg, perhaps after the safe return of Stephan from a pilgrimage to Jerusalem in 1498; ); German, out of copyright

Media ID 12916134

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Defeated Donor Donors Dragon Evil George Georges Gift Nuernberg Nurnberg Piety Retable Stag Triptych Vision Monster


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> Arts > Art Movements > Medieval Art

> Europe > Germany > Munich (Munchen)

> Europe > Germany > Nuremberg

> Europe > Germany > Paintings

> Fine Art Finder > Artists > Albrecht Dürer or Duerer


EDITORS COMMENTS
This print showcases Stephan Paumgartner portrayed as Saint George, the left panel of the Paumgartner Altarpiece. Painted around 1500 by Albrecht Dürer, this tempera on panel masterpiece is currently housed in the Alte Pinakothek in Munich, Germany. In this iconic depiction, St. George stands triumphantly with a banner bearing the cross of Saint George while subduing a defeated dragon beneath him. What makes this artwork truly remarkable is that it is believed to be one of the earliest instances where an artist used the facial features of a donor to portray a saint. Commissioned by Stephan and Lukas for the Church of Saint Catherine in Nuremberg, it is speculated that this painting was created after Stephan's safe return from his pilgrimage to Jerusalem in 1498. The altarpiece serves as both a religious offering and a testament to their gratitude for his safe journey. The intricate details and vibrant colors bring life to this medieval scene filled with symbolism and piety. The presence of St. George represents bravery and victory over evil forces, making it an inspiring piece that resonates even today. As we admire this gift from centuries past, we are reminded not only of its artistic significance but also its historical context within German art history during the Middle Ages. This print allows us to appreciate Dürer's masterful technique and storytelling ability while capturing our imagination with its timeless beauty.

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