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Anti-Saccharites, or John Bull and his Family leaving off the use of Sugar
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Anti-Saccharites, or John Bull and his Family leaving off the use of Sugar
NCO190496 Anti-Saccharites, or John Bull and his Family leaving off the use of Sugar, published by Hannah Humphrey in 1792 (hand-coloured etching) by Gillray, James (1757-1815); 31.4x39.8 cm; Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: George III (1738-1820) and Queen Charlotte (1744-1818) set an example to their children; ); English, out of copyright
Media ID 23356274
© Bridgeman Images
Crone Daughters Economical Enjoying Gaunt Giving Up Hanoverian Knife Miser Miserable Pitcher Political Satire Royal Family Saucer Scowling Sipping Sovereign Speech Bubble Spoon Sulking Teacup Toothless Ugly Unhappy Miserliness Monarch
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The satirical print titled "Anti-Saccharites, or John Bull and his Family leaving off the use of Sugar" captures a moment in history when George III and Queen Charlotte decided to set an example for their children by giving up sugar. Created by James Gillray in 1792, this hand-coloured etching showcases the royal family's commitment to austerity during a time of political unrest. In the image, we see King George III and Queen Charlotte sitting at a table with their daughters. The monarchs are depicted as toothless and scowling, while their daughters appear unhappy and sulking. They are all drinking tea without sugar from plain cups, emphasizing their dedication to abstaining from indulgences. Gillray's caricature highlights not only the royal family's miserliness but also serves as political satire. By portraying them as gaunt and miserable figures, he criticizes their perceived lack of empathy towards the hardships faced by ordinary people during that era. This artwork is significant because it reflects broader societal debates surrounding consumption habits and economic frugality during the Georgian period. It offers insight into how even royalty was affected by changing attitudes towards luxury goods like sugar. Today, this print serves as a historical artifact reminding us of past struggles for social change while showcasing Gillray's talent for using humor to convey powerful messages about politics and society.
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