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The First Reading at Mme Geoffrins of Voltaires Tragedy L Orphelin
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The First Reading at Mme Geoffrins of Voltaires Tragedy L Orphelin
XIR159134 The First Reading at Mme Geoffrins of Voltaires Tragedy L Orphelin de la Chine, 1755 (oil on canvas) by Lemonnier, Anicet-Charles (1743-1824); 129.5x196 cm; Musee National du Chateau de Malmaison, Rueil-Malmaison, France; (add.info.: Written by Voltaire (1694-1778) in 1753 and adapting the Chinese play: The Orphan of Zhao, Voltaire saw it as a story exemplifying morality: that genius and reason have a natural superiority over blind force and barbarism. The reading was in 1755. Lecture de la Tragedie de L Orphelin de la Chine dans le Salon de Madame Geoffrin ou Une Soiree Chez Madame Geoffrin (1699-1777); Diderot, Turgot, d Alembert and Condillac depicted grouped around a bust of Voltaire; Reading of the Tragedy L Orphelin de la Chine in the Salon of Madame Geoffrin, or An Evening at Madame Geoffrin s, 1812. Marie Therese Rodet Geoffrin, leading female figure in the French Enlightenment.); French, out of copyright
Media ID 12733068
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1812 Audience Chinoiserie Drawing Room Enlightenment Siecle Des Lumieres
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The First Reading at Mme Geoffrins of Voltaire's Tragedy L'Orphelin de la Chine, 1755
EDITORS COMMENTS
. In this oil on canvas print, we are transported back to the year 1755, witnessing a momentous occasion in the Salon of Madame Geoffrin. The painting, created by Anicet-Charles Lemonnier, immortalizes an evening dedicated to intellectual discourse and artistic appreciation. The focal point of the composition is a group gathered around a bust of Voltaire himself. Diderot, Turgot, d'Alembert, and Condillac - prominent figures of the French Enlightenment - are depicted engrossed in deep conversation as they listen attentively to the first reading of Voltaire's tragedy "L'Orphelin de la Chine". Their animated expressions reflect their admiration for Voltaire's work and their shared commitment to advancing human reason and morality. Madame Geoffrin herself stands proudly amidst her esteemed guests. Known as one of the leading female figures in the French Enlightenment, she hosted gatherings like these where intellectuals could exchange ideas freely. Her salon became a hub for philosophical discussions that challenged societal norms and paved the way for progressive thinking. This artwork not only captures a historical moment but also symbolizes the power of intellect over blind force and barbarism. Through his adaptation of "The Orphan of Zhao". Voltaire sought to convey that genius and reason should prevail over oppressive forces. Lemonnier skillfully brings this message to life through his masterful use of light and color. Displayed at Musee National du Chateau de Malmaison in Rueil-Malmaison, France, this painting serves as a testament to both artistic brilliance and intellectual enlightenment during one pivotal evening in history.
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