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1637 Collection (page 4)

"1637: A Tapestry of Trials, Theories, and Triumphs" Step back in time to the year 1637, a pivotal moment in history where various events unfolded

Background image1637 Collection: Study Age Bronze 1637 Pen brown ink brush wash

Study Age Bronze 1637 Pen brown ink brush wash
Artokoloro

Background image1637 Collection: Study Seated Youth Age Gold 1637 Black chalk

Study Seated Youth Age Gold 1637 Black chalk
Artokoloro

Background image1637 Collection: mid-bust portrait Emperor Ferdinand II within

mid-bust portrait Emperor Ferdinand II within
Artokoloro

Background image1637 Collection: Bernardino Ricci il Tedeschino atop horse center

Bernardino Ricci il Tedeschino atop horse center
Artokoloro

Background image1637 Collection: Sacrifice Offered Statue Jupiter 17th century

Sacrifice Offered Statue Jupiter 17th century
Artokoloro

Background image1637 Collection: Frontispiece Tristan L Hermite Marianne standing

Frontispiece Tristan L Hermite Marianne standing
Artokoloro

Background image1637 Collection: Nicolas-Claude Fabri de Peiresc 1637 Engraving

Nicolas-Claude Fabri de Peiresc 1637 Engraving
Artokoloro

Background image1637 Collection: Fifth scene Inferno marriage gods Le nozze degli Dei

Fifth scene Inferno marriage gods Le nozze degli Dei
Artokoloro

Background image1637 Collection: Sixth scene heavens marriage gods Le nozze degli Dei

Sixth scene heavens marriage gods Le nozze degli Dei
Artokoloro

Background image1637 Collection: Drawings Prints, Print, Saint Jerome Desert, Artist, Lucas Kilian, Bartholomeus Spranger

Drawings Prints, Print, Saint Jerome Desert, Artist, Lucas Kilian, Bartholomeus Spranger
Drawings and Prints, Print, Saint Jerome in the Desert, Artist, After, Lucas Kilian, Bartholomeus Spranger, German, Augsburg 1579-1637 Augsburg, Netherlandish, Antwerp 1546-1611 Prague, Kilian

Background image1637 Collection: First scene Florence marriage gods Le nozze degli Dei

First scene Florence marriage gods Le nozze degli Dei
Artokoloro

Background image1637 Collection: Fourth scene sea marriage gods Le nozze degli Dei

Fourth scene sea marriage gods Le nozze degli Dei
Artokoloro

Background image1637 Collection: Third scene garden Venus marriage gods Le nozze degli Dei

Third scene garden Venus marriage gods Le nozze degli Dei
Artokoloro

Background image1637 Collection: Pierre Gassendi ca 1637 1638 Engraving first state

Pierre Gassendi ca 1637 1638 Engraving first state
Artokoloro

Background image1637 Collection: Drawings Prints, Hercules Antaeus, Artist, Lucas Kilian, Bartholomeus Spranger, German

Drawings Prints, Hercules Antaeus, Artist, Lucas Kilian, Bartholomeus Spranger, German
Drawings and Prints, Hercules and Antaeus, Artist, After, Lucas Kilian, Bartholomeus Spranger, German, Augsburg 1579-1637 Augsburg, Netherlandish, Antwerp 1546-1611 Prague, Kilian, Lucas, Spranger

Background image1637 Collection: Zaleucus Seleucus son 1637 Etching state Sheet

Zaleucus Seleucus son 1637 Etching state Sheet
Artokoloro

Background image1637 Collection: Two putti sleeping landscape Reni 1637 Etching

Two putti sleeping landscape Reni 1637 Etching
Artokoloro

Background image1637 Collection: Abraham Dismissing Hagar Ishmael 1653 Oil canvas

Abraham Dismissing Hagar Ishmael 1653 Oil canvas
Artokoloro

Background image1637 Collection: Conversion St Paul ca 1637 Etching sheet 15 15 / 16 x 11 11 / 16

Conversion St Paul ca 1637 Etching sheet 15 15 / 16 x 11 11 / 16
Artokoloro

Background image1637 Collection: Winter ca 1637 Etching Sheet trimmed 10 5 / 16

Winter ca 1637 Etching Sheet trimmed 10 5 / 16
Artokoloro

Background image1637 Collection: Spring ca 1637 Etching first state two Sheet

Spring ca 1637 Etching first state two Sheet
Artokoloro

Background image1637 Collection: Winter ca 1637 Etching first state two Sheet

Winter ca 1637 Etching first state two Sheet
Artokoloro

Background image1637 Collection: Abraham Casting out Hagar Ishmael 1637 Etching

Abraham Casting out Hagar Ishmael 1637 Etching
Artokoloro

Background image1637 Collection: Bearded Man Velvet Cap Jewel Clasp 1637 Etching

Bearded Man Velvet Cap Jewel Clasp 1637 Etching
Artokoloro

Background image1637 Collection: Wedding Gods Second Scene Diana 1637 Etching

Wedding Gods Second Scene Diana 1637 Etching
Artokoloro

Background image1637 Collection: Young Man Velvet Cap Ferdinand Bol 1637 Etching

Young Man Velvet Cap Ferdinand Bol 1637 Etching
Artokoloro

Background image1637 Collection: Autumn ca 1637 Etching Sheet trimmed 10 1 / 4 12 5 / 8

Autumn ca 1637 Etching Sheet trimmed 10 1 / 4 12 5 / 8
Artokoloro

Background image1637 Collection: Summer ca 1637 Etching Sheet 10 1 / 16 12 13 / 16

Summer ca 1637 Etching Sheet 10 1 / 16 12 13 / 16
Artokoloro

Background image1637 Collection: after Claude Mellan, Nicolas-Claude Fabri de Peiresc, 1637 or after, engraving

after Claude Mellan, Nicolas-Claude Fabri de Peiresc, 1637 or after, engraving on laid paper

Background image1637 Collection: Vicente Salvador Gaomez (Spanish, 1637-c. 1680), The Madonna of the Rosary, 1674

Vicente Salvador Gaomez (Spanish, 1637-c. 1680), The Madonna of the Rosary, 1674, pen and brown ink on laid paper

Background image1637 Collection: Adriaen Haelwegh (Dutch, 1637 - after 1696), Ferdinando II, Grand Duke of Tuscany

Adriaen Haelwegh (Dutch, 1637 - after 1696), Ferdinando II, Grand Duke of Tuscany, before 1691, engraving on laid paper

Background image1637 Collection: Adriaen Haelwegh (Dutch, 1637 - after 1696), Cosimo II, Grand Duke of Tuscany, before

Adriaen Haelwegh (Dutch, 1637 - after 1696), Cosimo II, Grand Duke of Tuscany, before 1691, engraving on laid paper

Background image1637 Collection: Crispijn de Passe I after Maarten de Vos (Dutch, c. 1565 - 1637), Belshazzars Feast

Crispijn de Passe I after Maarten de Vos (Dutch, c. 1565 - 1637), Belshazzars Feast, engraving on laid paper

Background image1637 Collection: Giovanni Battista Mercati (Italian, 1600 - active 1637), Saint Anthony of Padua, etching

Giovanni Battista Mercati (Italian, 1600 - active 1637), Saint Anthony of Padua, etching

Background image1637 Collection: Stefano Della Bella after Alfonso Parigi II (Italian, 1610 - 1664), Sesta Scena di

Stefano Della Bella after Alfonso Parigi II (Italian, 1610 - 1664), Sesta Scena di Tutto Cielo, 1637, etching on laid paper

Background image1637 Collection: Sa bastien Le Clerc I (French, 1637 - 1714), Landscape with Church and Town in Distance

Sa bastien Le Clerc I (French, 1637 - 1714), Landscape with Church and Town in Distance
Sa© bastien Le Clerc I (French, 1637 - 1714), Landscape with Church and Town in Distance, 1673, etching

Background image1637 Collection: Tiberio Tinelli (Italian, 1586 - 1638), Lodovico Widmann, probably 1637, oil on canvas

Tiberio Tinelli (Italian, 1586 - 1638), Lodovico Widmann, probably 1637, oil on canvas

Background image1637 Collection: The Sovereign of the Seas. 1637

The Sovereign of the Seas. 1637

Background image1637 Collection: Siege of Breda, The Netherlands, sheet with portrait of Frederik Hendrik, 1637, Jan

Siege of Breda, The Netherlands, sheet with portrait of Frederik Hendrik, 1637, Jan Gerritsz. van Bronchorst, 1637

Background image1637 Collection: Penitent Mary Magdalene, Jan Barentsz. Muyckens, 1637

Penitent Mary Magdalene, Jan Barentsz. Muyckens, 1637

Background image1637 Collection: The transept of the Mariakerk in Utrecht, seen from the northeast, The Netherlands

The transept of the Mariakerk in Utrecht, seen from the northeast, The Netherlands, Pieter Jansz. Saenredam, 1637

Background image1637 Collection: Harbour at Sunrise, Gellee, Le Lorrain, Claude, c. 1637 - c. 1638

Harbour at Sunrise, Gellee, Le Lorrain, Claude, c. 1637 - c. 1638

Background image1637 Collection: Pan and Syrinx, Caesar Boetius van Everdingen, c. 1637 - c. 1640

Pan and Syrinx, Caesar Boetius van Everdingen, c. 1637 - c. 1640

Background image1637 Collection: Portrait of a Woman, Pieter Dubordieu, 1637

Portrait of a Woman, Pieter Dubordieu, 1637

Background image1637 Collection: View of the Island of Itamaraca, Brazil, Frans Jansz Post, 1637

View of the Island of Itamaraca, Brazil, Frans Jansz Post, 1637

Background image1637 Collection: The carrying of the cross, Peter Paul Rubens, 1634 - 1637

The carrying of the cross, Peter Paul Rubens, 1634 - 1637

Background image1637 Collection: Portrait of a young Woman, Anonymous, 1637

Portrait of a young Woman, Anonymous, 1637

Background image1637 Collection: Return of the Falconer, Simon de Vlieger, 1637

Return of the Falconer, Simon de Vlieger, 1637




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"1637: A Tapestry of Trials, Theories, and Triumphs" Step back in time to the year 1637, a pivotal moment in history where various events unfolded, shaping the world as we know it today. Among these significant occurrences was the trial of Anne Hutchinson at Boston. This wood engraving from the 19th century vividly depicts this historic event, showcasing the strength and resilience of a woman who dared to challenge societal norms. Meanwhile, across continents and disciplines, great minds were delving into new realms of knowledge. René Descartes' groundbreaking optics theory emerged during this era, revolutionizing our understanding of light and vision. His ideas paved the way for advancements that would shape modern science. Artistic brilliance also flourished during this period with Theodore Rombouts' masterpiece "Boulon. " This captivating painting transports us to another realm as we witness Peter Paul Rubens' interpretation of Icarus's tragic fall in his oil sketch on wood titled "The Fall of Icarus. " These works serve as timeless reminders of human creativity transcending time. In matters political and social, Charles I reigned over England and Scotland during these tumultuous times. His rule faced challenges that would ultimately lead to his downfall but not before leaving an indelible mark on British history. Amidst all these happenings came a satirical take on Tulipomania – a craze surrounding tulips that gripped society in 1637. Through biting humor and wit, this satire shed light on irrational exuberance within financial markets while offering commentary on human nature itself. Johann Gerhard's contributions to theology further enriched intellectual discourse during this period. His writings explored profound questions about faith and spirituality that continue to resonate with seekers even today. As dawn broke over Durbar Square with its majestic Garuda statue perched atop a column, one could sense both tranquility and grandeur.