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A Corner of the Temple Isis, 1881. Artist: Zehrfeld

A Corner of the Temple Isis, 1881. Artist: Zehrfeld


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A Corner of the Temple Isis, 1881. Artist: Zehrfeld

A Corner of the Temple Isis, 1881. Published in L Egypt by Gaston Maspero, 1881

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Media ID 14872740

© / Heritage-Images

5th Dynasty As Said Corner Gaston Gaston Camille Charles Maspero Gaston Maspero Hieroglyphic Hieroglyphics Isis Maspero Philae Portico Sir Gaston Camille Charles Maspero Temple Of Isis Ancient Egyptian Print Collector3


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> Africa > Egypt > Related Images

> Architecture > Religious

> Architecture > Styles > Ancient Egyptian Architecture

> Architecture > Styles > Egyptian Architecture

> Architecture > Temples

> Religious Art > Religious Architecture > Temples

> Religious Art > Religious Architecture


EDITORS COMMENTS
This print titled "A Corner of the Temple Isis, 1881" takes us back to ancient Egypt during the 5th dynasty. The artist, Zehrfeld, skillfully captures an architectural feature of this magnificent temple dedicated to the goddess Isis. Published in L'Egypt by Gaston Maspero in 1881, this image showcases a corner of the temple's portico. The carved stone walls stand tall against the backdrop of a bright day. Hieroglyphics are meticulously engraved on these ancient structures, telling stories and conveying religious messages from centuries past. A male figure can be seen outside the temple, perhaps a devotee or priest engaged in religious rituals. The Temple of Isis was not only a place for worship but also an architectural marvel that showcased the ingenuity and artistic prowess of ancient Egyptians. This monochrome photograph beautifully highlights its grandeur while capturing every intricate detail. As we gaze upon this print, we are transported to another time and place - a world where gods and goddesses were revered and temples stood as testaments to human devotion. It serves as a reminder of Egypt's rich cultural heritage and its significant contributions to art and architecture. Zehrfeld's masterful composition combined with Gaston Maspero's publication brings forth an exquisite piece that allows us to appreciate both the beauty of Egyptian artistry and our own fascination with history.

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