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Vue generale du Temple de Dakkeh (Pselcis), prise au Nord, April 5, 1850

Vue generale du Temple de Dakkeh (Pselcis), prise au Nord, April 5, 1850


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Vue generale du Temple de Dakkeh (Pselcis), prise au Nord, April 5, 1850

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Media ID 20134331

© Heritage Art/Heritage Images

Ancient Egypt Archaeological Camp Camp Maxime Du Du Camp Du Camp Maxime Maxime Maxime Du Maxime Du Camp Pylon Pylons Salted Paper Print Ancient Egyptian Mizraim


FEATURES IN THESE COLLECTIONS

> Africa > Egypt > Related Images

> Architecture > Country > France

> Architecture > Religious

> Architecture > Styles > Ancient Egyptian Architecture

> Architecture > Styles > Egyptian Architecture

> Architecture > Temples

> Arts > Artists > C > Maxime Du Camp

> Arts > Landscape paintings > Landscape art > Landscape paintings

> Arts > Landscape paintings

> Europe > France > Canton > Nord


EDITORS COMMENTS
This print captures a mesmerizing panoramic view of the Temple of Dakkeh (Pselcis) in ancient Egypt. Taken on April 5,1850, by Maxime du Camp, a renowned French photographer and writer, this image showcases the architectural grandeur and religious significance of this archaeological site. The Temple of Dakkeh is depicted from the northern perspective, revealing its majestic pylons and intricate details. The salted paper print technique used adds depth to the monochromatic composition, enhancing the contrast between light and shadow. Du Camp's lens transports us back to the 19th century as we immerse ourselves in this landscape. The ruins stand proudly against the backdrop of Egypt's vast countryside, evoking a sense of awe at their enduring beauty. As we gaze upon this photograph, we are reminded of Egypt's rich heritage and its deep-rooted connection with religion. The temple's sacred aura emanates through Du Camp's lens, inviting contemplation on centuries-old rituals that once took place within these hallowed walls. Preserved today at The Metropolitan Museum of Art as part of their collection dedicated to heritage art from around the world, this remarkable piece serves as a testament to both Maxime du Camp's artistic prowess and his dedication to documenting ancient civilizations for future generations.

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