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Image Licensing : Jervas - Henrietta Howard J920090
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Jervas - Henrietta Howard J920090
MARBLE HILL HOUSE, Richmond, Middlesex. " Henrietta Howard, Countess of Suffolk " c.1724 by Charles JERVAS. Mistress of George II. Historic England is the public body that champions and protects England's historic places. © Historic England
Media ID 436055
Filename: J920090.jpg
Size: 4579 x 3817 (20.4MB)
Date: 3rd April 2007
Source: Historic England
Credit: Historic England Photo Library
Source: English Heritage Images
Job Title: Photographer
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> Fine Art > Other paintings in London
> Heritage > English Stately Homes > Other English Heritage houses > Marble Hill House > Artwork at Marble Hill
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This stunning 18th-century portrait captures the elegance and grace of Henrietta Howard, Countess of Suffolk, as depicted in this masterpiece by the renowned Irish painter, Charles Jervas. The portrait, titled "Henrietta Howard, Countess of Suffolk," was painted around 1724 during the height of the Georgian era in England. Henrietta, who was the long-term mistress of King George II, is depicted in the portrait wearing a richly adorned gown, with a delicate lace collar and cuffs, and a sumptuous velvet mantle draped over her shoulders. Her expressive eyes and poised posture convey a sense of intelligence, beauty, and confidence. The painting was created during a time when the monarchy held significant influence over British society and culture. Henrietta Howard, as the king's mistress, was an important figure in the court and was known for her wit, charm, and patronage of the arts. This portrait, which was painted at Marble Hill House in Richmond, Middlesex, is a testament to the power and allure of the Georgian monarchy and the role of its most influential figures. Charles Jervas was a leading figure in the Irish artistic community and was known for his portraits of the Irish gentry and aristocracy. His ability to capture the essence of his subjects and their surroundings is evident in this stunning portrait of Henrietta Howard. The intricate detail and lifelike quality of the painting make it a valuable addition to the historical record of the Georgian era and the role of women in British society during this time.