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Image Licensing : Castle Combe font BB49_00415
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Castle Combe font BB49_00415
ST ANDREWs CHURCH, CHURCHYARD, MARKET PLACE, CASTLE COMBE, WILTSHIRE. 14th century octagonal stone font with openwork carved pillars in St Andrews Church.
Detail of a 14th century octagonal stone font with panelled reliefs on the bowl and openwork patterns on the pillars. On the left side of the bowl is a book rest above a panel with a floral design. The other panels on the bowl have reliefs of Gothic archways, and there are small figures on the underside of the bowl at each corner. The plinth is octagonal, with the side under the book rest extended for reading. Historic England is the public body that champions and protects England's historic places. © Historic England Archive
Media ID 26525509
Filename: bb49_00415.jpg
Size: 3822 x 6482 (5.2MB)
Date: 11th October 2022
Source: Historic England
Credit: His toric England Archive
Copyright Status: Copyrighted Work
Source: His toric England Archive
Owner URL: https ://images .his toricenglands ervices .org.uk/
Job Title: Photographer
Font Medieval Sculpture Easter
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> Fine Art > Medieval Art and Sculpture > Medieval stone sculpture
> Historic Images > Famed Photographers > Mrs E M Booty (1940s)
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EDITORS COMMENTS
This print showcases the exquisite Castle Combe font, located in St Andrews Church in Castle Combe, Wiltshire. Dating back to the 14th century, this octagonal stone font is a true testament to medieval craftsmanship and artistry. The font's intricate details are beautifully captured in this image. The bowl features panelled reliefs adorned with Gothic archways, transporting viewers into a world of historical grandeur. On the left side of the bowl, a book rest sits gracefully above a panel embellished with an enchanting floral design. What truly sets this font apart are its openwork carved pillars that add an extra layer of elegance and sophistication. Delicate patterns adorn these pillars, showcasing the skillful handiwork of long-forgotten artisans. As we delve deeper into this visual masterpiece, we discover small figures nestled on the underside of the bowl at each corner – hidden treasures waiting to be discovered by those who take time to admire them. The plinth itself follows suit with its octagonal shape but holds a unique surprise: an extended section under the book rest specifically designed for reading purposes – a thoughtful touch from centuries ago that still resonates today. Elegantly photographed by E M Booty for Historic England, this stunning print invites us to appreciate not only the beauty but also the historical significance of this remarkable piece of medieval sculpture.
