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Pagoda of Brihadeeswarar Temple or Peruvudaiyar

Pagoda of Brihadeeswarar Temple or Peruvudaiyar


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Pagoda of Brihadeeswarar Temple or Peruvudaiyar

Pagoda of Brihadeeswarar Temple or Peruvudaiyar Kovil, Thanjavur, India. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrarios Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844

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Media ID 23173658

© Florilegius/Mary Evans

Andrea Bernieri Ferrario Giulio Hindu Pagoda Peoples Tanjore Thanjavur


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EDITORS COMMENTS
1. Title: "A Handcoloured Copperplate Illustration of the Pagoda of Brihadeeswarar Temple, Thanjavur, India, by Andrea Bernieri (1844)" The captivating image before you is a handcoloured copperplate drawing and engraving of the Pagoda of Brihadeeswarar Temple, also known as Peruvudaiyar Kovil, located in Thanjavur, India. This magnificent structure, a testament to ancient Hindu architectural prowess, was meticulously captured by the skilled Italian artist, Andrea Bernieri, as part of Giulio Ferrario's "Ancient and Modern Costumes of all the Peoples of the World," published in Florence, Italy, in 1844. The Pagoda of Brihadeeswarar Temple, a UNESCO World Heritage Site, is renowned for its architectural grandeur and intricate carvings. Constructed during the Chola dynasty, this temple is dedicated to Lord Shiva and is considered one of the finest examples of Dravidian architecture. The temple complex is composed of a series of enclosed courts, shrines, and the central tower or 'vimana,' which is the focus of this illustration. The handcoloured copperplate technique employed by Bernieri adds a vibrant and intricate dimension to the image, enhancing the details of the temple's towering structure, ornate carvings, and the surrounding lush greenery. The illustration offers a unique glimpse into the architectural beauty and historical significance of the Pagoda of Brihadeeswarar Temple, which continues to captivate visitors and scholars alike. This exquisite piece of art not only serves as a visual representation of the temple but also offers a window into the rich cultural heritage of India during the 19th century. The meticulous attention to detail and the use of handcolouring techniques make this illustration a valuable addition to any collection of historical and artistic works.

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