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Afghan nomad family in front of one of two Buddhas of Bamiyan, 1950, Painting
Filename: 940_18_A2001599.jpg
Size: 2436 x 3502 (3.5MB)
Date: 12th March 2014
Source: Universal Images Group (UIG)
Source: De Agostini Picture Library
© DEA PICTURE LIBRARY
Wall Art and Photo Gifts from Universal Images Group (UIG)
Afghan nomad family in front of one of two Buddhas of Bamiyan, 1950, Painting
Afghanistan, 20th century. Afghan nomad family in front of one of the two Buddhas of Bamiyan, 1950. Painting. Both statues were destroyed by the Taliban in 2001
Universal Images Group (UIG) manages distribution for many leading specialist agencies worldwide
Media ID 9501189
© DEA PICTURE LIBRARY
Afghanistan Buddha Buddhism Camel Caravan Donkey Family Four People Horse Journey Landmark Livestock Medium Group Of Animals Mule Nomad On The Move Painting Riding Rock Face Unrecognizable Person Walking Bamiyan Moving Past
EDITORS COMMENTS
This print from the Universal Images Group (UIG) takes us back to a significant moment in history, capturing an Afghan nomad family standing proudly in front of one of the two Buddhas of Bamiyan. Painted in 1950, this artwork beautifully depicts a scene that would soon be lost forever. The image showcases four people, their faces unrecognizable but their spirits unmistakable. They stand tall against the backdrop of the majestic rock face, with the towering Buddha statue serving as a testament to Afghanistan's rich cultural heritage and its deep-rooted connection to Buddhism. As they embark on their journey, we see them accompanied by a caravan of animals - donkeys, mules, horses, and even camels - symbolizing their nomadic lifestyle and resilience amidst constant movement. The family moves past this iconic landmark with grace and determination; it is evident that they have walked these paths many times before. However, little did anyone know at that time that both statues would meet a tragic fate at the hands of the Taliban in 2001. This photograph serves as a poignant reminder not only of what once stood there but also of how fragile our shared human history can be. Through this painting captured on film decades ago, we are transported to an era where tradition met modernity and where families like these found solace amidst ancient wonders. It is an invaluable piece documenting not just Afghan culture but also global heritage lost forever.
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