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Image Licensing : Austria, Vienna, The Bad Mothers, 1894, oil on canvas 105x200 cm

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Austria, Vienna, The Bad Mothers, 1894, oil on canvas 105x200 cm

Giovanni Segantini (1858-1899), The Bad Mothers, 1894, oil on canvas, 105x200 cm. Universal Images Group (UIG) manages distribution for many leading specialist agencies worldwide. © DEA / G. NIMATALLAH

Media ID 9570553

Filename: 940_18_86010517.jpg

Size: 4920 x 2549 (3.5MB)

Date: 16th March 2014

Source: Universal Images Group (UIG)

Source: De Agostini Picture Library

Allegory Painting Bare Tree Fantasy Field Loneliness Motherhood Mountain Mystery Oil Painting One Woman Only Symbolism Trapped Giovanni Segantini Non Urban Scene

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EDITORS COMMENTS

This print showcases "The Bad Mothers" a mesmerizing oil painting created by Giovanni Segantini in 1894. The artwork, measuring 105x200 cm, transports viewers to Austria's enchanting city of Vienna. In this piece, Segantini masterfully captures the essence of mystery and loneliness amidst a breathtaking natural landscape. A vast field stretches before us, framed by majestic mountains that evoke a sense of awe and wonder. The artist skillfully employs symbolism to convey his message - an allegory painting that delves into the depths of motherhood. A solitary figure stands beneath a bare tree, her presence evoking both strength and vulnerability simultaneously. Trapped within the confines of societal expectations and responsibilities, she represents the struggles faced by mothers throughout history. Segantini's use of color and brushstrokes adds an ethereal quality to the scene, infusing it with elements of fantasy and dreamlike beauty. This 19th-century style masterpiece is a testament to the timeless power of fine art painting. As we gaze upon this horizontal composition on display outdoors, we are transported back in time to an era where nature reigned supreme over urban landscapes. It serves as a poignant reminder of our connection with the natural world and invites contemplation on themes such as femininity, sacrifice, and human existence itself. This print from Universal Images Group (UIG) allows us to appreciate Segantini's genius while immersing ourselves in this visual narrative – one that continues.

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