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Metal Print : THE TRAIL OF TEARS, 1838. The removal of the Cherokee Native Americans to the West in 1838. Oil on canvas, 1942, by Robert Lindneux

THE TRAIL OF TEARS, 1838. The removal of the Cherokee Native Americans to the West in 1838. Oil on canvas, 1942, by Robert Lindneux



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THE TRAIL OF TEARS, 1838. The removal of the Cherokee Native Americans to the West in 1838. Oil on canvas, 1942, by Robert Lindneux

THE TRAIL OF TEARS, 1838.
The removal of the Cherokee Native Americans to the West in 1838. Oil on canvas, 1942, by Robert Lindneux

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 6256421

1838 Cherokee Child Cloud Colt Covered Wagon Family Pony Removal Riding Robert Trail Westward Tears


16"x24" (61x41cm) Metal Print

Experience the poignant history of the Trail of Tears with our exquisite Metal Print of Robert Lindneux's painting, "The Trail of Tears, 1838." This masterpiece captures the heart-wrenching story of the Cherokee Native Americans' forced relocation to the West in 1838. With vibrant colors and stunning detail, our Metal Print brings the oil on canvas artwork to life, creating a beautiful and thought-provoking addition to your home or office. Order now and relive history through the power of art.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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The Trail of Tears, 1838

EDITORS COMMENTS
is a powerful and haunting oil painting by Robert Lindneux that depicts the tragic removal of the Cherokee Native Americans from their ancestral lands to the West in 1838. The artwork captures the immense suffering and displacement endured by this proud nation. In this evocative scene, a group of Cherokee men, women, and children are shown embarking on their forced journey. They are surrounded by an air of sadness as they bid farewell to their homeland. The artist skillfully portrays the anguish on their faces, emphasizing the emotional toll this devastating event had on these individuals. The composition showcases various modes of transportation used during this arduous journey. Covered wagons pulled by oxen dominate the foreground while horses and ponies carry weary travelers. A lone dog faithfully accompanies its owners, symbolizing loyalty amidst adversity. Lindneux's attention to detail is evident in his portrayal of nature's role in shaping history. Dark storm clouds loom overhead, foreshadowing further hardships along their path. This juxtaposition between natural beauty and human suffering creates a poignant contrast within the painting. "The Trail of Tears" serves as a reminder not only of past injustices but also as a testament to resilience and strength in face of unimaginable hardship. It stands as both an important historical document and a work of art that continues to provoke reflection on America's complex relationship with its indigenous peoples.

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