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Metal Print : From the North-West, Kirkstall Abbey, c1880, (1897). Artist: Alexander Francis Lydon
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From the North-West, Kirkstall Abbey, c1880, (1897). Artist: Alexander Francis Lydon
From the North-West, Kirkstall Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]
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Media ID 14985173
© The Print Collector
Abbey Af Lydon Alexander Francis Alexander Francis Lydon Alexander Lydon Direction Disrepair Frederick Frederick Ross Kirkstall Kirkstall Abbey Leeds Lydon Mackenzie North Northern Remains Ross Ruined Abbeys Of Britain Sheep West Yorkshire William Mackenzie Faaade Wood Engraving
16"x24" (61x41cm) Metal Print
Experience the rich history of Kirkstall Abbey like never before with our Media Storehouse Metal Prints. This stunning image, captured from the North-West in 1880 by Alexander Francis Lydon, showcases the beauty and grandeur of the ruins in their past glory. Originally published in "The Ruined Abbeys of Britain," this timeless photograph is now available in a modern and vibrant metal print format. Each print is meticulously crafted with high-quality materials and state-of-the-art printing techniques, ensuring a long-lasting and eye-catching display. Bring the history of Kirkstall Abbey into your home or office and create a unique and captivating conversation piece with our Media Storehouse Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print takes us back in time to the late 19th century, capturing the majestic beauty of Kirkstall Abbey from its north-western perspective. The artist behind this masterpiece is Alexander Francis Lydon, whose attention to detail and artistic flair are evident in every stroke. The image showcases the architectural grandeur of Kirkstall Abbey, a renowned religious site located in West Yorkshire, England. Standing tall amidst lush greenery, the abbey's facade exudes an aura of tranquility and spirituality that has stood the test of time. In this snapshot of history, we see a group of men and women admiring the ruins with awe-struck expressions on their faces. Their presence adds a sense of scale to the scene while emphasizing how these ancient structures have captivated generations throughout centuries. Notably, a flock of sheep grazes peacefully nearby, reminding us that nature coexists harmoniously with human creations. This juxtaposition symbolizes both man's ability to shape his surroundings and nature's resilience against the passage of time. The photograph originates from "The Ruined Abbeys of Britain" by Frederick Ross - a literary work published by William Mackenzie in London during 1897. It serves as an invaluable historical document for those interested in British heritage and architecture. As we gaze upon this remarkable wood engraving brought to life by Lydon's skillful hand, we can't help but feel transported back into history—a testament to both our fascination with ruins and our appreciation
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