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Metal Print : Out of The Race, 1864. Artist: John Tenniel
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Out of The Race, 1864. Artist: John Tenniel
Out of The Race, 1864. Gladstone says: Permit me to explain - Democracy - Palmerston replies: Oh, bother your explanations! You ve blown your horse, and you re out of The Race. Here, an angry Palmerston leads Gladstone back to the stables, his horse having been blown. It is most probable that the race he is out of is the inevitable race to be the next leader of the Liberal Party, given that by now, Palmerston was approaching 80 years of age. In May 1864, the Chancellor of the Exchequer, Mr Gladstone, spoke up in favour of a private members bill proposing the extension of the borough franchise to £ 6. This was in spite of the fact that the government opposed the bill and that the PM, Palmerston, had actually requested that Gladstone avoid making any promises on behalf of the government. From Punch, or the London Charivari, June 11, 1864
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Media ID 14830664
© The Print Collector / Heritage-Images
Angry Chancellor Exhausted Famous People Gladstone Henry John Henry John Temple Heritage Image Partnership Horse Race Horse Racing Jockey John Tenniel Lord Lord Palmerston Palmerston Prime Minister Races Sir John Tenniel Sportsman Stable Tenniel Tent Tents Top Hat Viscount Palmerston William Ewart William Ewart Gladstone Aristocrat Motor Sport
16"x20" (51x41cm) Metal Print
Experience the timeless charm of history brought to life with Media Storehouse's Metal Prints. Featuring the iconic illustration "Out of The Race, 1864" by John Tenniel from Heritage Images, this print captures the lively exchange between Gladstone and Palmerston with the caption "Permit me to explain - Democracy - Palmerston replies: Oh, bother your explanations! You've blown your horse, and you're out of The Race." Our high-quality metal prints are not just a decorative piece, they are a conversation starter and a reminder of the rich history that shapes our world. Order yours today and add a touch of history to your home or office.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
The print titled "Out of The Race, 1864" by John Tenniel captures a humorous and satirical moment in British politics during the 19th century. In this scene, we see an angry Lord Palmerston leading William Gladstone back to the stables after his horse has been blown. The context suggests that they are metaphorically out of the race for leadership within the Liberal Party. The image reflects a clash between democracy and aristocracy as Gladstone, represented as a jockey, attempts to explain his actions in supporting a bill against government opposition. However, Palmerston dismisses his explanations with frustration, symbolizing the power dynamics at play within political circles. Tenniel's cartoon-like style adds to the light-heartedness of the scene while also conveying deeper political commentary. The monochrome engraving emphasizes contrasts between black and white - perhaps representing moral clarity versus ambiguity or highlighting societal divisions. This artwork serves as both entertainment and social critique, showcasing how even prominent figures like Palmerston and Gladstone can be subject to ridicule. It reminds us that politicians are not immune to mistakes or setbacks in their pursuit of power. Overall, "Out of The Race" provides insight into Victorian-era politics through its clever symbolism and witty portrayal of two influential statesmen caught up in their own political drama.
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