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Metal Print : China Clay - Captives
Metal Prints from Mary Evans Picture Library
China Clay - Captives
China Clay - Captives. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s, she moved on from earlier highly-decorative fairy art to produce beautiful monotone woodcuts in a distinctly oriental style. This artwork (as seen here) was produced under the name Molly MacArthur, or F.M. MacArthur.
1922
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 18527804
© The Florence Mary Anderson Collection / Mary Evans Picture Library
Anderson Captives Clay Florence Macarthur Molly Monochrome Monotone Woodcut 1922
16"x24" (61x41cm) Metal Print
Bring the timeless beauty of Florence Mary Anderson's China Clay - Captives to your home with our Media Storehouse Metal Prints. This captivating image, published by The Florence Mary Anderson Collection / Mary Evans Picture Library from Mary Evans Prints Online, showcases Molly MacArthur's exceptional talent in the mid-1920s. Known for her two distinct styles, MacArthur masterfully conveys the essence of China Clay mining through her intricate and evocative illustrations. Our high-quality Metal Prints elevate the art of printmaking, offering a vibrant, glossy finish and superior durability. Transform your space into a gallery with this stunning piece of historical art.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This woodcut print, titled "China Clay - Captives," is a stunning example of the later works of British illustrator Florence Mary Anderson, who went by the name Molly MacArthur during this period. Created in 1922, this monotone masterpiece represents a significant shift from her earlier, highly-decorative fairy art. Anderson's Oriental-style woodcuts, characterized by their intricate lines, minimalist palette, and Eastern motifs, emerged in the middle of the 1920s. In this artwork, Anderson masterfully depicts a group of Chinese figures, bound and held captive, with a sense of both sorrow and resilience. The title "China Clay" may refer to the clay used in pottery or the English term for China, emphasizing the connection between the East and Anderson's artistic vision. The intricate details in "China Clay - Captives" are a testament to Anderson's skill as a woodcut artist. The delicate lines and subtle textures create a sense of depth and dimension, drawing the viewer into the scene. The monotone palette further enhances the artwork's emotional impact, as the contrasting shades of gray convey a sense of both light and darkness. This beautiful woodcut print, now part of The Florence Mary Anderson Collection at Mary Evans Picture Library, is a captivating reminder of Anderson's unique artistic journey and her ability to transform simple materials into evocative works of art. With its rich history and timeless appeal, "China Clay - Captives" continues to captivate and inspire viewers today.
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