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Allegories of the months of April and May. High relief decorating a capital in the Doge's Palace in Venice
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Allegories of the months of April and May. High relief decorating a capital in the Doge's Palace in Venice
Allegories of the months of April and May. High relief decorating a capital in the Doge's Palace in Venice Venice Doge's Palace High Relief Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca.. Date of Artwork:XV sec
Alinari, Fratelli
ACA-F-038781-0000
Media ID 33125344
© Alinari Archives, Florence
Acanthus Garlandrenaissance Gesture Goblet Herbaceous Inscription Leaf Male Figure Months Time Time Representation Wreath Youth Abstract Concept And Symbol Type Of Representation Vegetal Element Or Composition
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EDITORS COMMENTS
This print showcases the exquisite "Allegories of the months of April and May" high relief, which adorns a capital in the illustrious Doge's Palace in Venice. The intricate artwork beautifully embodies both Renaissance and Renaissance-Baroque styles, transporting viewers to Europe during the first and second millenniums A. D. Captured between 1920-1930 by Alinari, Fratelli, this photograph allows us to appreciate every detail of this remarkable masterpiece. The composition features a male figure engaging in a gesture that conveys communication through writing or inscription. Symbolism abounds as we observe an abstract representation of time itself, embodied by youth and age. The allegorical figures are adorned in elaborate costumes that epitomize Renaissance fashion trends. In their hands, they hold instruments such as goblets and wreaths, further emphasizing their connection to specific months - April being represented by an acanthus leaf symbolizing vegetation while May is depicted with a ram representing terrestrial mammals. As we delve into this visual narrative within the frame, it becomes evident that these sculptures serve as more than mere decorations; they embody profound philosophical concepts tied to the passage of time. This integration of physiological and psychological aspects adds depth to our understanding of how time was perceived during the Renaissance period. With its rich historical significance coupled with artistic brilliance, this photograph invites us on a journey through centuries past. It serves as a testament not only to human creativity but also highlights how art can transcend time itself – reminding us that even today we can find inspiration from masterpieces created long ago.
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