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The Annunciation, glazed terra cotta high relief by Giovanni della Robbia, in the Museo Nazionale del Bargello, Florence

The Annunciation, glazed terra cotta high relief by Giovanni della Robbia, in the Museo Nazionale del Bargello, Florence


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The Annunciation, glazed terra cotta high relief by Giovanni della Robbia, in the Museo Nazionale del Bargello, Florence

The Annunciation, glazed terra cotta high relief by Giovanni della Robbia, in the Museo Nazionale del Bargello, Florence Florence Museo Nazionale del Bargello High Relief Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1960 ca.. Date of Artwork:1490 - 1529 ca.. Artist:Della Robbia, Andrea, school

Alinari, Fratelli
ACA-F-058339-0000

Media ID 33137677

© Alinari Archives, Florence

Archangel Gabriel Life And Representations Of The Virgin Virgin Mary Subject


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Arts > Artists > D > Andrea Della Robbia

> Arts > Artists > F > Fratelli Alinari Fratelli Alinari

> Arts > Artists > R > Andrea Della Robbia

> Baroque paintings

> Historic > Renaissance art > Baroque art > Renaissance paintings

> Historic > Renaissance art > Baroque art

> Historic > Renaissance art > High Renaissance art

> Historical artwork


EDITORS COMMENTS
The Annunciation, a glazed terra cotta high relief by Giovanni della Robbia, is a captivating masterpiece housed in the Museo Nazionale del Bargello in Florence. This exquisite artwork, dating back to the Renaissance period between 1490 and 1529, showcases the remarkable talent of Della Robbia and his school. The photograph captured around 1960 beautifully preserves the intricate details of this religious scene. The composition depicts the Virgin Mary being visited by Archangel Gabriel, accompanied by an angelic figure. The momentous event of the Annunciation is brought to life through their expressive faces and graceful postures. Giovanni della Robbia's mastery lies in his ability to infuse vibrant colors into his glazed terra cotta sculptures. The rich blue tones adorning Mary's robe symbolize her purity and divinity while contrasting with Gabriel's golden wings that signify heavenly presence. This piece exemplifies both Renaissance and Baroque styles prevalent during its creation. Its significance extends beyond artistic merit as it represents biblical narratives from the New Testament. It serves as a testament to Europe's cultural heritage throughout different periods spanning over two millennia. Alinari Fratelli skillfully captures this extraordinary artwork through their lens, preserving its beauty for future generations to appreciate. Their photograph allows viewers worldwide to experience this historical treasure without physically visiting Florence or entering Museo Nazionale del Bargello. As we gaze upon this print, we are transported back in time, immersing ourselves in the splendor of Renaissance artistry and contemplating profound spiritual themes conveyed within 'The Annunciation. ' Alinari Fratelli has provided us with an invaluable glimpse into our shared cultural history.

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