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Apotheosis of Antoninus Pius and Faustina the Elder. High-relief on the base of the column of Antoninus Pius, now in the Courtyard of Armour at the Vatican Museums
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Apotheosis of Antoninus Pius and Faustina the Elder. High-relief on the base of the column of Antoninus Pius, now in the Courtyard of Armour at the Vatican Museums
Apotheosis of Antoninus Pius and Faustina the Elder. High-relief on the base of the column of Antoninus Pius, now in the Courtyard of Armour at the Vatican Museums State of the Vatican City Vatican Museums, Courtyard of the Pinecone Foundation Antonine Period, Imperial Period, Roman Art, Europe, Ancient Civilization. Date of Photograph:1890 ca.. Date of Artwork:161
Anderson
ADA-F-000268-0000
Media ID 33150195
© Alinari Archives, Florence
Birds Eagle Female Figure Imperial Period Male Figure Obelisk Abstract Concept And Symbol Greco Roman Roman Art Type Of Representation
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EDITORS COMMENTS
This print captures the exquisite "Apotheosis of Antoninus Pius and Faustina the Elder" a high-relief artwork found on the base of the column of Antoninus Pius, now residing in the Courtyard of Armour at the Vatican Museums. The photograph, taken around 1890, transports us back to ancient Rome during its Imperial Period. The artwork itself dates back to 161 AD and showcases a male figure, possibly representing Antoninus Pius, alongside a female figure believed to be Faustina the Elder. This type of representation is rich in allegory and abstract concepts that were prevalent in Roman art. The male figure stands tall and nude, symbolizing strength and power, while his counterpart exudes grace and elegance. Intriguingly, an eagle hovers above them both along with other birds - vertebrates that add life to this mythical scene. These animals were often used as symbols in ancient civilizations for their association with divinity or higher realms. Another notable element within this composition is an obelisk-like object adorned with wings. This object adds depth to our understanding of Greco-Roman mythology as it represents divine transcendence or ascension into immortality. The Anderson photograph beautifully captures these intricate details from antiquity; every line etched onto stone tells a story about Europe's ancient civilization. As we gaze upon this image today, we are reminded not only of its historical significance but also its enduring beauty that has stood the test of time. Displayed here without any commercial intent by Alinari's photography studio (not mentioned), this print invites us to appreciate and explore one small fragment from Rome's glorious past – an artistic treasure housed within the Vatican Museums' Courtyard of the Pinecone Foundation.
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