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Austrian Low Countries, including part of Flanders, of Haynault and of Brabante, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta, Private Collection
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Austrian Low Countries, including part of Flanders, of Haynault and of Brabante, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta, Private Collection
Austrian Low Countries, including part of Flanders, of Haynault and of Brabante, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1780. Artist:Zuliani G
Alinari
PDP-A-ZATTA3-0017
Media ID 33186171
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome III of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta. The artwork depicts the Austrian Low Countries, including part of Flanders, Haynault, and Brabante. With its intricate details and masterful craftsmanship, this piece exemplifies the Renaissance-Baroque styles and periods that flourished during the eighteenth century. The engraving transports us back to a time when cartography was not only a means of communication but also an art form. It beautifully captures the essence of Europe during the first and second millennium A. D. , offering a glimpse into its historical geography. As we delve into this visual treasure trove, we are reminded of how maps have always been instrumental documents that shape our understanding of territories and their boundaries. This particular artwork serves as both an allegory for exploration and conquest while also functioning as a practical tool for navigation. The abstract concepts represented in this engraving evoke thoughts on territorial expansion, cultural exchange, and geopolitical dynamics prevalent during that era. Its meticulous rendering invites viewers to immerse themselves in a world where every line tells a story. Photographed in 2009 with great attention to detail by Alinari—an esteemed name synonymous with excellence—this image allows us to appreciate not only the magnificence of Zuliani's work but also its enduring relevance centuries later. In conclusion, this print offers us an opportunity to admire an extraordinary piece from private collection Florence Engraving Eighteenth Century—a testament to human ingenuity in capturing history through graphics and drawing.
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