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Detail of one of the capitals of the pilasters of the Monreale Cathedral's cloiser: the decoration consists of acanthus leaves and eagles

Detail of one of the capitals of the pilasters of the Monreale Cathedral's cloiser: the decoration consists of acanthus leaves and eagles


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Detail of one of the capitals of the pilasters of the Monreale Cathedral's cloiser: the decoration consists of acanthus leaves and eagles

Detail of one of the capitals of the pilasters of the Monreale Cathedral's cloiser: the decoration consists of acanthus leaves and eagles. Monreale Benedictine Convent, cloister Capital Romanesque, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1900-1910. Date of Artwork:1175-1199 ca

Brogi
BGA-F-010894-0000

Media ID 33165313

© Alinari Archives, Florence

Acanthus Birds Eagle Frieze Herbaceous Vegetable Shaped Objectromanesque


FEATURES IN THESE COLLECTIONS

> Architecture > Cathedrals

> Architecture > Styles > Romanesque Architecture

> Europe > Italy > Sicily > Monreale

> Historic > Medieval architecture > Romanesque architecture > Architectural details

> Historic > Medieval architecture > Sculptures, reliefs, and carvings > Romanesque architecture

> Popular Themes > Human Body

> Religious Art > Religious Architecture > Churches and Cathedrals


EDITORS COMMENTS
This print captures a mesmerizing detail of one of the capitals adorning the pilasters in the cloister of Monreale Cathedral. The intricate decoration showcased here is a testament to the exquisite craftsmanship of Romanesque architecture during the Middle Ages in Europe. The focal point of this image is an elaborate composition featuring acanthus leaves and majestic eagles. These elements intertwine harmoniously, creating a visually stunning frieze that adds depth and character to the capital. Each feather on the eagle's wings seems delicately carved, showcasing meticulous attention to detail by its creator. Dating back to approximately 1175-1199 AD, this artwork has stood the test of time, preserving its beauty for centuries. The photograph itself was taken between 1900-1910, allowing us a glimpse into history when it was still relatively fresh. As we admire this remarkable piece, we are reminded not only of its artistic significance but also its cultural context. It represents an era where sculptures like these were integral parts of religious buildings such as cathedrals and convents. The presence of both human figures and natural motifs further enhances our appreciation for this masterpiece. Nude male bodies can be seen intertwined with acanthus leaves, symbolizing humanity's connection with nature in medieval times. Brogi's skillful photography brings out every intricate detail and texture present in this capital sculpture. Through his lens, we can truly appreciate how artistry transcends time and continues to captivate viewers even after centuries have passed.

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