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Chile, the land of Magellan with the island of Terra del Fuego, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection
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Chile, the land of Magellan with the island of Terra del Fuego, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection
Chile, the land of Magellan with the island of Terra del Fuego, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1785. Artist:Zuliani G
Alinari
PDP-A-ZATTA4-0027
Media ID 33187661
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases an engraving by G. Zuliani, taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta. The artwork, titled "Chile, the land of Magellan with the island of Terra del Fuego" offers a glimpse into the rich cartographic history of this South American country. The image transports us back to the eighteenth century, a time when intricate engravings were highly valued for their ability to communicate detailed information about territories and landscapes. Zuliani's work exemplifies both Renaissance and Baroque styles, capturing the essence of European art during that period. As we delve into this enchanting piece, we are reminded of how crucial maps have been throughout history as instruments and documents that shape our understanding of geography. This particular map depicts Chile's vast territory with its stunning natural features such as Magellan's Land and Terra del Fuego Island. Beyond its geographical significance, this engraving also carries allegorical elements that invite contemplation. It serves as an abstract concept and symbolizes exploration, discovery, and human curiosity about uncharted lands. The photograph itself was captured in 2009 but portrays an artwork created over two centuries earlier. Its preservation within a private collection in Florence adds to its allure and historical value. Through Alinari's lens, we can appreciate not only the technical mastery behind Zuliani's engraving but also gain insight into how communication through visuals has evolved over time. This remarkable piece invites us to reflect on our ever-changing relationship with maps while celebrating their enduring beauty as works of art.
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