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Church of Santa Maria la Nuova, Palermo. The facade is composed of the lower level from the Renaissance period, while the second row was added in the nineteenth century in imitation of the former

Church of Santa Maria la Nuova, Palermo. The facade is composed of the lower level from the Renaissance period, while the second row was added in the nineteenth century in imitation of the former


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Church of Santa Maria la Nuova, Palermo. The facade is composed of the lower level from the Renaissance period, while the second row was added in the nineteenth century in imitation of the former

Church of Santa Maria la Nuova, Palermo. The facade is composed of the lower level from the Renaissance period, while the second row was added in the nineteenth century in imitation of the former Church Revival styles, Nineteenth century, 19th century, Europe, First and Second Millennium A.D.. Date of Photograph:1929 ca.. Date of Artwork:1554-1582, XIX sec

Anderson
ADA-F-029771-0000

Media ID 33151469

© Alinari Archives, Florence

Churchrevival Styles Cornice Fountain Niche Pilaster Strip Portico Railing Wrought Metal Applied Arts And Crafts


FEATURES IN THESE COLLECTIONS

> Architecture > Churches

> Architecture > Religious

> Europe > Italy > Sicily > Palermo

> Historic > Renaissance art > Religious themes in renaissance art

> Historical artwork

> Religious Art > Religious Architecture > Churches and Cathedrals

> Religious Art > Religious Architecture


EDITORS COMMENTS
This print captures the magnificent Church of Santa Maria la Nuova in Palermo, showcasing its stunning facade that seamlessly blends elements from different periods. The lower level, dating back to the Renaissance period, exudes an air of grandeur and elegance. Its intricate details and exquisite craftsmanship are a testament to the artistic mastery of that era. However, what makes this church truly unique is the second row added in the nineteenth century. Designed as an imitation of the former style, it reflects the Church Revival trends prevalent during that time. This fusion of architectural styles creates a visually striking composition that showcases both historical continuity and artistic evolution. The photograph itself was taken around 1929, capturing this timeless beauty for posterity. It allows us to appreciate not only the architecture but also other elements surrounding it. A charming fountain graces the urban landscape while wrought metal railings add a touch of sophistication to its exterior. As we delve deeper into this image, we notice various decorative features such as arches, cornices, pilaster strips, windows, niches - all contributing to its overall splendor. These architectural elements serve as reminders of centuries-old traditions and religious significance. Anderson's skillful photography brings out every detail with precision and clarity while preserving its historical context. Through his lens, he transports us back in time to experience firsthand this remarkable structure that has stood tall for centuries. In conclusion, Anderson's print encapsulates not just a building but also a rich tapestry woven from different eras and influences – from Renaissance opulence to nineteenth-century revival styles – making it an invaluable piece celebrating Europe's architectural heritage across millennia.

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