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Circle of Svevia divided into its States, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta, Private Collection
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Circle of Svevia divided into its States, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta, Private Collection
Circle of Svevia divided into its States, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1781. Artist:Zuliani G
Alinari
PDP-A-ZATTA3-0018
Media ID 33186173
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta. The artwork, titled "Circle of Svevia divided into its States" is a true testament to the Renaissance-Baroque styles and periods that flourished during the eighteenth century in Europe. The intricate details and precision of this engraving transport us back to a time when cartography was not only a means of communication but also an art form. With its delicate lines and meticulous shading, Zuliani masterfully captures the essence of the Circle of Svevia's states. As we gaze upon this piece, we are reminded of the importance placed on geography during this era. The map serves as both an instrument and document, providing valuable insights into territorial divisions within Svevia. It becomes an allegory for power dynamics and political boundaries that shaped European history. Beyond its practical purpose, this artwork transcends mere representation; it delves into abstract concepts and symbols that were prevalent during the Renaissance-Baroque period. Through Zuliani's skilled hand, we witness how art can transform something as mundane as a geographical or topographical map into a visually stunning composition. Although created over two centuries ago, this engraving continues to captivate viewers with its timeless beauty. Its presence evokes nostalgia for a bygone era while simultaneously reminding us of our enduring fascination with maps as tools for understanding our world. This particular photograph was taken in 2009 from Alinari's private collection in Florence—an institution renowned for preserving historical treasures like these—ensuring that future generations can appreciate and study these remarkable works from Europe's past.
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