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Three decorative figures on the marble altar at the Church of Santa Maria del Popolo in Rome
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Three decorative figures on the marble altar at the Church of Santa Maria del Popolo in Rome
Three decorative figures on the marble altar at the Church of Santa Maria del Popolo in Rome Rome Church of Santa Maria del Popolo High Relief. Date of Photograph:1890 ca.. Date of Artwork:XVII sec
Alinari, Fratelli
ACA-F-006149-0000
Media ID 33109755
© Alinari Archives, Florence
Clergy Shrine Tabernacle Christian Religion Headdress Civilian
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EDITORS COMMENTS
This photograph captures the intricate beauty of three decorative figures adorning the marble altar at the Church of Santa Maria del Popolo in Rome. Taken around 1890, this print showcases a remarkable high relief artwork dating back to the XVII century. The figures depicted in this image are not only exquisite examples of craftsmanship but also provide insight into various aspects of society during that time. Each figure wears a distinct headdress, representing different realms - civilian, military, and religious. Their attire reflects the fashion and clothing trends prevalent during the period. At first glance, it is evident that these figures hold significant importance within Christian religion as they stand proudly on an altar within a church. The clergy's meticulous attention to detail can be observed through their elaborate robes and accessories. These sculptures serve as both a shrine and tabernacle for worshipers who visit Santa Maria del Popolo seeking solace or spiritual guidance. They embody devotion and faith while adding an air of grandeur to the sacred space they inhabit. Alinari Fratelli skillfully captured every intricate detail with his lens, allowing viewers to appreciate not only the artistry but also its historical significance. This print serves as a testament to Alinari's talent in preserving cultural heritage through photography. As we gaze upon this mesmerizing image today, we are transported back in time to witness firsthand how art intertwines with religion, fashion intersects with tradition, and sculpture becomes an embodiment of faith itself.
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