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The Flagellation, detail of the stucco decorations by Giacomo Serpotta in the Oratory of S. Lorenzo, Palermo. In the upper part are allegorical statues with putti
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The Flagellation, detail of the stucco decorations by Giacomo Serpotta in the Oratory of S. Lorenzo, Palermo. In the upper part are allegorical statues with putti
The Flagellation, detail of the stucco decorations by Giacomo Serpotta in the Oratory of S. Lorenzo, Palermo. In the upper part are allegorical statues with putti. Palermo Oratory of S. Zita High Relief Late Baroque, Baroque, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1929 ca.. Date of Artwork:1688 - 1718. Artist:Serpotta Giacomo (1656-1732)
Anderson
ADA-F-029830-0000
Media ID 33151483
© Alinari Archives, Florence
Baroque Female Figure Flagellation High Relief Life Of Christ Literature And Fiction Panel Plasterwork Putto Abstract Concept And Symbol Subject Type Of Representation
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EDITORS COMMENTS
The Flagellation, a captivating detail of the stucco decorations by Giacomo Serpotta in the Oratory of S. Lorenzo, Palermo, transports us to a world where art and spirituality intertwine seamlessly. This mesmerizing print captures the essence of this masterpiece with remarkable precision. In the upper part of the composition, we are greeted by allegorical statues adorned with cherubic putti, their delicate forms adding an ethereal touch to the scene. These celestial beings seem to dance amidst clouds, symbolizing purity and innocence. The intricate plasterwork surrounding them showcases Serpotta's exceptional craftsmanship. Every curve and contour is meticulously rendered, creating a sense of depth that draws us further into this enchanting tableau. At its core lies The Flagellation itself – a powerful representation from Christ's life depicted through vivid imagery. The female figure at its center embodies strength and resilience as she endures her suffering with grace and dignity. This allegory serves as a poignant reminder of human endurance in times of adversity – an abstract concept brought to life through Serpotta's skillful hands. The late Baroque style prevalent in this artwork reflects Europe's rich artistic heritage during the Renaissance-Baroque period. It stands as a testament to both historical significance and aesthetic brilliance. As we delve deeper into this photograph captured around 1929, it becomes evident that Anderson from Alinari has expertly preserved not only an exquisite work but also our connection to centuries past. Through his lens, he allows us access to cultural treasures that transcend time.
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