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The Gallery of the Vatican Palace, known a Raphael's Loggia, where the Pope receives guests
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
The Gallery of the Vatican Palace, known a Raphael's Loggia, where the Pope receives guests
The Gallery of the Vatican Palace, known a Raphael's Loggia, where the Pope receives guests State of the Vatican City Mural Painting High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1860-1870 ca.. Date of Artwork:1512-1519. Artist:Donato di Pascuccio di Antonio known as Bramante, Perin del Vaga, Pietro Bonaccorsi, known as, Raffaello Sanzio (1483-1520), Raphael, Giovanni da Udine, Giovanni di Nanni, known as
Unidentified Author
PDC-F-003175-0000
Media ID 33271245
© Alinari Archives, Florence
Armchair Chair Gallery Mural Painting Objecthigh Renaissance Painting Vault
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This photo print, titled "PDC-F-003175-0000" takes us back in time to the magnificent Gallery of the Vatican Palace. Known as 'Raphael's Loggia, ' this awe-inspiring space served as a reception area where the Pope graciously welcomed his esteemed guests. The photograph was taken around 1860-1870, capturing the grandeur and timeless beauty of this historical site. The artists behind its creation were none other than Donato di Pascuccio di Antonio, famously known as Bramante; Perin del Vaga; Pietro Bonaccorsi, also known as Raffaello Sanzio or Raphael; Giovanni da Udine; and Giovanni di Nanni. The artwork within this gallery dates back even further, originating between 1512 and 1519. Its stunning mural paintings adorn the vaulted ceilings and walls, showcasing remarkable craftsmanship and artistic mastery. This visual masterpiece is a testament to the rich history of both Italian artistry and religious significance. Located in the State of Vatican City within the Vatican Museums, this iconic gallery stands as a symbol of architectural brilliance fused with divine inspiration. It serves not only as an exhibition space but also represents a place where diplomacy meets spirituality. In this particular print by an unidentified author from Alinari, we see an armchair amidst other elements that contribute to civic spaces' furnishings. The chair itself becomes part of the overall decoration and sections that enhance visitors' experience within this architectural marvel. As we gaze upon this image frozen in time, we are transported into a world where art intertwines with religion—a testament to human creativity standing tall for centuries to come.
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